ŠC‚©‚çŽn‚Ü‚é!?

ƒAƒNƒZƒXƒJƒEƒ“ƒ^

zoom RSS ƒxƒ‹ƒŠƒ“‘Û‰f‰æÕ2018 ŽóÜŒ‹‰Ê

<<   ì¬“úŽž F 2018/02/25 01:57   >>

ƒgƒ‰ƒbƒNƒoƒbƒN 0 / ƒRƒƒ“ƒg 0

@‘æ68‰ñƒxƒ‹ƒŠƒ“‘Û‰f‰æÕ‚ÌŠeÜ‚ª”­•\‚É‚È‚è‚Ü‚µ‚½B


@yƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åz

@EgLa prière (The Prayer)hi•§j@ŠÄ“FƒZƒhƒŠƒbƒNEƒJ[ƒ“
@’j—DÜi‹âŒFÜFAnthony Bajonj


@EgEvahi•§Eƒxƒ‹ƒM[j@ŠÄ“FƒuƒmƒEƒWƒƒƒR[

@EgFiglia mia (Daughter of Mine)hiˆÉE“ƁEƒXƒCƒXj@ŠÄ“Fƒ‰ƒEƒ‰EƒrƒXƒvƒŠiLaura Bispurij

@EgTransithi“ƁE•§j@ŠÄ“FƒNƒŠƒXƒeƒBƒAƒ“EƒyƒcƒH[ƒ‹ƒg

@EgMein Bruder heißt Robert und ist ein Idiot (My Brotherfs Name is Robert and He is an Idiot)hi“ƁE•§EƒXƒCƒXj@ŠÄ“FƒtƒBƒŠƒbƒvEƒOƒŒ[ƒjƒ“ƒOiPhilip Gröningj

@EgIn den Gängen (In the Aisles)hi“Ɓj@ŠÄ“FThomas Stuber
@ƒGƒLƒ…ƒƒjƒJƒ‹R¸ˆõÜAƒMƒ‹ƒh‰f‰æÜ


@Eg3 Tage in Quiberon (3 Days in Quiberon)hi“ƁEƒI[ƒXƒgƒŠƒAE•§j@ŠÄ“FƒGƒ~ƒŠ[EƒAƒeƒtiEmily Atefj

@EgTwarz (Mug)hiƒ|[ƒ‰ƒ“ƒhj@ŠÄ“Fƒ}ƒEƒSƒVƒ…ƒJEƒVƒ…ƒ‚ƒtƒXƒJiMałgorzata Szumowskaj
@R¸ˆõƒOƒ‰ƒ“ƒvƒŠ


@EgTouch Me Nothiƒ‹[ƒ}ƒjƒAE“ƁEƒ`ƒFƒREƒuƒ‹ƒKƒŠƒAE•§j@ŠÄ“FAdina Pintilie
@‹àŒFÜA‘æ1‰ñì•iÜ


@EgToppen av ingenting (The Real Estate)hiƒXƒEƒF[ƒfƒ“E‰pj@ŠÄ“FMåns MånssonAAxel Petersén

@EgUtøya 22. juli (U - July 22)hiƒmƒ‹ƒEƒF[j@ŠÄ“FƒGƒŠƒbƒNEƒ|ƒbƒy
@ƒGƒLƒ…ƒƒjƒJƒ‹R¸ˆõÜƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“


@EgDovlatovhiƒƒVƒAEƒ|[ƒ‰ƒ“ƒhEƒZƒ‹ƒrƒAj@ŠÄ“FƒAƒŒƒNƒZƒCEƒQƒ‹ƒ}ƒ“ Jr.
@Œ|pvŒ£Üi‹âŒFÜFElena OkopnayaiˆßÖƒfƒUƒCƒ“jjAƒxƒ‹ƒŠƒi[Eƒ‚ƒ‹ƒQƒ“ƒ|ƒXƒgŽ†“ǎҐR¸ˆõÜ



@EgKhook (Pig)hiƒCƒ‰ƒ“j@ŠÄ“Fƒ}ƒjEƒnƒMƒM

@EgAng Panahon ng Halimaw (Season of the Devil)hiƒtƒBƒŠƒsƒ“j@ŠÄ“Fƒ‰ƒ”EƒfƒBƒAƒX

@EwŒ¢ƒ–“‡xgIsle of Dogshi•ÄE“Ɓj@ŠÄ“FƒEƒFƒXEƒAƒ“ƒ_[ƒ\ƒ“
@ŠÄ“܁i‹âŒFÜj


@EgDamselhi•Äj@ŠÄ“FƒfƒCƒ”ƒBƒbƒhEƒ[ƒ‹ƒi[iDavid ZellnerjAƒlƒCƒTƒ“Eƒ[ƒ‹ƒi[iNathan Zellnerj

@EgDon't Worry, He Won't Get Far on Foothi•Äj@ŠÄ“FƒKƒXEƒ”ƒ@ƒ“EƒTƒ“ƒg

@EgMuseo (Museum)hiƒƒLƒVƒRj@ŠÄ“FƒAƒƒ“ƒ\Eƒ‹ƒCƒYƒBƒpƒ‰ƒVƒIƒXiAlonso Ruizpalaciosj
@‹r–{Üi‹âŒFÜFManuel AlcalaAƒAƒƒ“ƒ\Eƒ‹ƒCƒYƒBƒpƒ‰ƒVƒIƒXj


@EgLas herederas (The Heiresses)hiƒpƒ‰ƒOƒAƒCE“ƁEƒmƒ‹ƒEƒF[Eƒuƒ‰ƒWƒ‹E•§j@ŠÄ“FMarcelo Martinessi
@——DÜi‹âŒFÜFAna BrunjAƒAƒ‹ƒtƒŒƒbƒhEƒoƒEƒA[Üi‹âŒFÜjAƒeƒfƒB[Ü“ǎҏÜ


||||||||||||||||||||||||||||||||

@yƒAƒEƒgEƒIƒuEƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åz

@ŸƒAƒ€ƒlƒXƒeƒBEƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹‰f‰æÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gEldoradohiƒXƒCƒXE“Ɓj@ŠÄ“Fƒ}[ƒNƒXEƒCƒ€ƒz[ƒtiMarkus Imhoofj


@y’Z•Ò•”–åz

@Ÿ‹àŒFÜ
@gThe Men Behind the WallhiƒCƒXƒ‰ƒGƒ‹/28'j@ŠÄ“FInes Moldavsky


@Ÿ‹âŒFÜ
@gImfurahiƒXƒCƒXEƒ‹ƒƒ“ƒ_/36fj@ŠÄ“FSamuel Ishimwe


@ŸAudiÜ
@gSolar Walkhiƒfƒ“ƒ}[ƒN/21fj@ŠÄ“FƒŒ[ƒJEƒuƒ`iRéka Bucsij


@Ÿƒˆ[ƒƒbƒp‰f‰æÜ2018’Z•Ò‰f‰æÜ ƒxƒ‹ƒŠƒ“‘ã•\
@gBurkina Brandenburg Komplexhi“Æ/19fj@ŠÄ“FUlu Braun


@yƒpƒmƒ‰ƒ}•”–åz

@ŸƒhƒLƒ…ƒƒ“ƒ^ƒŠ[ÜiGlashütte Original – Documentary AwardjƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gEx Paje (Ex Shaman)hiƒuƒ‰ƒWƒ‹j@ŠÄ“Fƒ‹ƒCƒXEƒ{ƒƒOƒjƒV( Luiz Bolognesi)@


@Ÿ‘Û”á•]‰Æ˜A–¿Ü
@wƒŠƒo[ƒYEƒGƒbƒWxgRiver's Edgehi“új@ŠÄ“Fs’èŒM

@ŸƒGƒLƒ…ƒƒjƒJƒ‹R¸ˆõÜ
@gStyxhi“ƁEƒI[ƒXƒgƒŠƒAj@ŠÄ“FWolfang Fischer


@ŸC.I.C.A.E.Ü
@gTinta Bruta (Hard Paint)hiƒuƒ‰ƒWƒ‹j@ŠÄ“FMarcio ReolonAFilipe Matzembacher


@ŸƒeƒfƒB[Ü
@gTinta Bruta (Hard Paint)hiƒuƒ‰ƒWƒ‹j@ŠÄ“FMarcio ReolonAFilipe Matzembacher

@ŸƒeƒfƒB[Ü R¸ˆõ“Á•ÊÜ
@gObscuro Barrocohi•§EƒMƒŠƒVƒƒj@ŠÄ“FEvangelia Kranioti


@ŸƒeƒfƒB[Ü ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[Ü
@gBixa Travesty (Tranny Fag)hiƒuƒ‰ƒWƒ‹j@ŠÄ“FClaudia PriscillaAKiko Goifman


@ŸƒAƒ€ƒlƒXƒeƒBEƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹‰f‰æÜ
@gZentralflughafen THF (Central Airport THF)hi“ƁEƒuƒ‰ƒWƒ‹E•§j@ŠÄ“FƒJƒŠƒ“EƒAƒCƒk[iKarim Ainouzj


@ŸHeiner CarowÜ
@gStyxhi“ƁEƒI[ƒXƒgƒŠƒAj@ŠÄ“FWolfang Fischer

@ŸLabel Europa CinemasÜ
@gStyxhi“ƁEƒI[ƒXƒgƒŠƒAj@ŠÄ“FWolfang Fischer

@ŸPeace‰f‰æÜ
@gThe Silence of Othershi•ÄE¼j@ŠÄ“FAlmudena CarracedoARobert Bahar


@mŠÏ‹qÜniPanorama Audience Awardsj
@‘æ1ÈFgProfilehi•ÄE‰pEƒLƒvƒƒXj@ŠÄ“FƒeƒBƒ€[ƒ‹EƒxƒNƒ}ƒ“ƒxƒgƒt
@‘æ2ÈFgStyxhi“ƁEƒI[ƒXƒgƒŠƒAj@ŠÄ“FWolfang Fischer
@‘æ3ÈFgL'AnimalehiƒI[ƒXƒgƒŠƒAj@ŠÄ“FKatharina Muckstein


@mŠÏ‹qÜ ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[•”–ån
@‘æ1ÈFgThe Silence of Othershi•ÄE¼j@ŠÄ“FAlmudena CarracedoARobert Bahar
@‘æ2ÈFgPartisanhi“Ɓj@ŠÄ“FLutz PehnertAMatthias EhlertAAdama Ulrich
@‘æ3ÈFgO processo (The Trial)hiƒuƒ‰ƒWƒ‹E“ƁEƒIƒ‰ƒ“ƒ_j@ŠÄ“FMaria Ramos

@yƒtƒH[ƒ‰ƒ€•”–åz

@Ÿ‘æ1‰ñì•iÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gAn Elephant Sitting Stilli‘åÛÈ’nŽ§¿jhi’†j@ŠÄ“FHu BoiŒÓ‘Jj

@ŸƒhƒLƒ…ƒƒ“ƒ^ƒŠ[ÜiGlashütte Original – Documentary Awardj
@gWaldheims Walzer (The Waldheim Waltz)hiƒI[ƒXƒgƒŠƒAj@ŠÄ“FRuth Beckermann


@Ÿ‘Û”á•]‰Æ˜A–¿Ü
@gAn Elephant Sitting Stilli‘åÛÈ’nŽ§¿jhi’†j@ŠÄ“FHu BoiŒÓ‘Jj

@ŸƒGƒLƒ…ƒƒjƒJƒ‹R¸ˆõÜ
@gTeatro de guerra (Theatre of War)hiƒAƒ‹ƒ[ƒ“ƒ`ƒ“E¼j@ŠÄ“FLola Arias

@ŸC.I.C.A.E.Ü
@gTeatro de guerra (Theatre of War)hiƒAƒ‹ƒ[ƒ“ƒ`ƒ“E¼j@ŠÄ“FLola Arias


@ŸƒJƒŠƒKƒŠÜ
@gLa casa lobo (The Wolf House)hiƒ`ƒŠj@ŠÄ“FJoaquín CociñaACristóbal León


@ŸTagesspiegel“ǎҐR¸ˆõÜ
@gL'empire de la perfection (In the Realm of Perfection)hi•§j@ŠÄ“FJulien Faraut


@yƒWƒFƒlƒŒ[ƒVƒ‡ƒ“ Kplus•”–åz

@ŸƒOƒ‰ƒ“ƒvƒŠ/‘ÛR¸ˆõÜ
@wŒ©‚¦‚é‚à‚́AŒ©‚¦‚´‚é‚à‚́xgSekala Niskala (The Seen and Unseen)hiƒCƒ“ƒhƒlƒVƒAEƒIƒ‰ƒ“ƒ_EƒI[ƒXƒgƒ‰ƒŠƒAEƒJƒ^[ƒ‹j@ŠÄ“FƒJƒ~ƒ‰EƒAƒ“ƒfƒBƒjiKamila Andinij


@Ÿ‘ÛR¸ˆõÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gAllons enfants (Cléo & Paul)hi•§j@ŠÄ“FƒXƒeƒtƒ@ƒ“EƒhƒDƒ€ƒXƒeƒBƒGiStéphane Demoustierj


@ŸƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ/Ž™“¶R¸ˆõÜ
@gLes rois mongols (Cross My Heart)hiƒJƒiƒ_j@ŠÄ“FLuc Picard


@ŸƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ/Ž™“¶R¸ˆõÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gSupa Modohi“ƁEƒPƒjƒAj@ŠÄ“FLikarion Wainaina

@ŸÅ—DG’Z•ÒÜ ‘ÛR¸ˆõÜ“Á•ÊÜ
@gJaalgedi (A Curious Girl)hiƒlƒp[ƒ‹/14fj@ŠÄ“FRajesh Prasad Khatri

@ŸÅ—DG’Z•ÒÜ ‘ÛR¸ˆõÜ“Á•ÊÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gCena dfaragoste (Lobster Dinner)hiˆÉE•Ä/14fj@ŠÄ“FGregorio Franchetti

@ŸÅ—DG’Z•ÒÜ Ž™“¶R¸ˆõÜ/ƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ
@gA Field Guide to Being a 12-Year-Old GirlhiƒI[ƒXƒgƒ‰ƒŠƒA/20fj@ŠÄ“FTilda Cobham-Hervey

@ŸÅ—DG’Z•ÒÜ Ž™“¶R¸ˆõÜ/ƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gSnijeg za Vodu (Snow for Water)hiƒ{ƒXƒjƒA ƒwƒ‹ƒcƒFƒSƒrƒiE‰p/15fj@ŠÄ“FƒNƒŠƒXƒgƒtƒ@[Eƒ”ƒBƒŠƒA[ƒYiChristopher Villiersj

@yƒWƒFƒlƒŒ[ƒVƒ‡ƒ“14plus•”–åz

@ŸƒOƒ‰ƒ“ƒvƒŠ/‘ÛR¸ˆõÜ
@gFortunahiƒXƒCƒXEƒxƒ‹ƒM[j@ŠÄ“FGerminal Roaux


@Ÿ‘ÛR¸ˆõÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gDressagehiƒCƒ‰ƒ“j@ŠÄ“FPooya Badkoobeh


@ŸƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ/ƒ„ƒ“ƒOR¸ˆõÜ
@gFortunahiƒXƒCƒXEƒxƒ‹ƒM[j@ŠÄ“FGerminal Roaux

@ŸƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ/ƒ„ƒ“ƒOR¸ˆõÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gRetablohiƒyƒ‹[E“ƁEƒmƒ‹ƒEƒF[j@ŠÄ“FAlvaro Delgado-Aparicio


@ŸƒeƒfƒB[Ü ƒjƒ…[ƒJƒ}[Ü
@gRetablohiƒyƒ‹[E“ƁEƒmƒ‹ƒEƒF[j@ŠÄ“FAlvaro Delgado-Aparicio

@ŸÅ—DG’Z•ÒÜ ‘ÛR¸ˆõÜ“Á•ÊÜ
@gJuckhiƒXƒEƒF[ƒfƒ“/18'j@ŠÄ“FOlivia KastebringAJulia GumpertAUlrika Bandeira

@ŸÅ—DG’Z•ÒÜ ‘ÛR¸ˆõÜ“Á•ÊÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gNa zdrowie! (Bless You!)hiƒ|[ƒ‰ƒ“ƒh/5'j@ŠÄ“FPaulina Ziólkowska

@ŸÅ—DG’Z•ÒÜ ƒ„ƒ“ƒOR¸ˆõÜ/ƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ
@gKiem HolijandahiƒIƒ‰ƒ“ƒ_/14fj@ŠÄ“FSarah Veltmeyer

@ŸÅ—DG’Z•ÒÜ ƒ„ƒ“ƒOR¸ˆõÜ/ƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gJe fais où tu me dis (Dressed for Pleasure)hiƒXƒCƒX/17'j@ŠÄ“FMarie de Maricourt

@ŸƒeƒfƒB[Ü ’Z•ÒÜ
@gThree Centimetreshi‰p/9'j@ŠÄ“FLara Zeidan

@yƒp[ƒXƒyƒNƒeƒBƒ”EƒhƒCƒc‰f‰æ•”–åz

@ŸThe Compass-Perspektive-Award
@gÜberall wo wir sind (Everywhere We Are)hi“Ɓj@ŠÄ“FVeronica Kaserer


@ŸKompagnon-FellowshipÜ
@gBlutsaugerh@Julian Radlmaier

@y‘æ16‰ñƒxƒ‹ƒŠƒi[ƒŒEƒ^ƒŒƒ“ƒgEƒLƒƒƒ“ƒpƒXz

@ŸFilm Prize of the Robert Bosch Stiftung for International Cooperation - “Æ/ƒAƒ‰ƒu¢ŠE@€60,000

@ž’Z•ÒƒtƒBƒNƒVƒ‡ƒ“•”–å
@gMaradona's Legshi20fj@ŠÄ“FFiras KhouryiƒpƒŒƒXƒ`ƒij@ƒvƒƒfƒ…[ƒT[FZorana Musikic (“Æ)AMay Odeh (ƒpƒŒƒXƒ`ƒi)

@žƒhƒLƒ…ƒƒ“ƒ^ƒŠ[•”–å
@gPurple Seahi90fj@ŠÄ“FAmel AlzakoutAKhaled AbdulwahediƒVƒŠƒAj@ƒvƒƒfƒ…[ƒT[FInes Meier (“Æ)AKhaled AbdulwahediƒVƒŠƒAj

@žƒAƒjƒ[ƒVƒ‡ƒ“•”–å
@gHow My Grandmother Became a Chairhi8fj@ŠÄ“FNicolas FattouhiƒŒƒoƒmƒ“j@ƒvƒƒfƒ…[ƒT[FFabian Driehorst (“Æ)ANermine Haddad (ƒŒƒoƒmƒ“)

@ŸKompagnon-FellowshipÜ@€5,000
@Tom Akinleminu@gWhen a Farm Goes Aflame, the Flakes Fly Home to Bear the Taleh


@y‘æ15‰ñ‹¤“¯»ìƒ}[ƒPƒbƒgziThe 15th Berlinale Co-Production Marketj

@ŸEurimages Co-Production Development Award
@gThe War Has Endedhi“ƁEƒ|[ƒ‰ƒ“ƒhEƒCƒXƒ‰ƒGƒ‹j@Hagar Ben-Asher

@ŸARTE International Prize
@gThe War Has Endedhi“ƁEƒ|[ƒ‰ƒ“ƒhEƒCƒXƒ‰ƒGƒ‹j@Hagar Ben-Asher

@ŸVFF Talent Highlight Award
@gTropical Memorieshi’†j@Shipei Wen

‰æ‘œ

@y‚»‚Ì‘¼‚̏܁z

@Ÿ‘æ3‰ñbaumi script development award
@gNEZOUHh@Soudade Kaadan

@y“Á•ÊÜE–¼—_Üz

@Ÿƒxƒ‹ƒŠƒi[ƒŒEƒJƒƒ‰iThe Berlinale Cameraj
@Beki Probstiƒˆ[ƒƒbƒpEƒtƒBƒ‹ƒ€Eƒ}[ƒPƒbƒg‰ï’·AƒXƒCƒXj

‰æ‘œ

@Katriel SchoryiƒCƒXƒ‰ƒGƒ‹‰f‰æƒtƒ@ƒ“ƒh‚̃GƒOƒ[ƒNƒeƒBƒ”EƒfƒBƒŒƒNƒ^[Aƒvƒƒfƒ…[ƒT[j


@ƒCƒW[Eƒƒ“ƒcƒFƒ‹


@Ÿ–¼—_‹àŒFÜ
@ƒEƒBƒŒƒ€EƒfƒtƒH[


||||||||||||||||||||||||||||||||

@*‚±‚Ì‹LŽ–‚ª‚È‚©‚È‚©ŽQl‚É‚È‚Á‚½I‚ÆŽv‚Á‚½‚çAl‹CƒuƒƒOƒ‰ƒ“ƒLƒ“ƒO‚ɃNƒŠƒbƒN‚ð‚¨Šè‚¢‚µ‚Ü‚·B
@«@«@«@«
@
@ª@ª@ª@ª
@ƒNƒŠƒbƒN‚µ‚ĂˁI

@*“–ƒuƒƒO‹LŽ–

@Eƒxƒ‹ƒŠƒ“‘Û‰f‰æÕ2018 ƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–僉ƒCƒ“ƒiƒbƒvFhttp://umikarahajimaru.at.webry.info/201801/article_67.html
@Eƒxƒ‹ƒŠƒ“‘Û‰f‰æÕ2018 ƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–å’ljÁì•i@{ŒXŒü‚Æ—\‘zIFhttp://umikarahajimaru.at.webry.info/201802/article_18.html
@Eƒxƒ‹ƒŠƒ“‘Û‰f‰æÕ2018 ƒxƒ‹ƒŠƒi[ƒŒEƒXƒyƒVƒƒƒ‹Aƒpƒmƒ‰ƒ}•”–åAƒtƒH[ƒ‰ƒ€•”–åFhttp://umikarahajimaru.at.webry.info/201802/article_33.html
@Eƒxƒ‹ƒŠƒ“‘Û‰f‰æÕ2018 ƒWƒFƒlƒŒ[ƒVƒ‡ƒ“•”–åAƒp[ƒXƒyƒNƒeƒBƒ”EƒhƒCƒc‰f‰æ•”–åA’Z•ÒƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åANATIVe•”–åAƒJƒŠƒiƒŠ[EƒVƒlƒ}•”–åAƒŒƒgƒƒXƒyƒNƒeƒBƒ”AƒNƒ‰ƒVƒbƒNƒXAƒIƒ}[ƒWƒ…Fhttp://umikarahajimaru.at.webry.info/201802/article_34.html

@EƒVƒ…[ƒeƒBƒ“ƒOEƒXƒ^[2018Fhttp://umikarahajimaru.at.webry.info/201802/article_40.html

@Eƒxƒ‹ƒŠƒ“‘Û‰f‰æÕ2018 “ú–{‰f‰æã‰fƒXƒPƒWƒ…[ƒ‹Fhttp://umikarahajimaru.at.webry.info/201802/article_35.html

@Eƒxƒ‹ƒŠƒ“‘Û‰f‰æÕ2018 ƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–å ¯Žæ•\Fhttp://umikarahajimaru.at.webry.info/201802/article_37.html

@E‰f‰æÜ•‰f‰æÕƒJƒŒƒ“ƒ_[ 2017”N12ŒŽ`2018”N3ŒŽFhttp://umikarahajimaru.at.webry.info/201712/article_47.html

ƒe[ƒ}

ŠÖ˜Aƒe[ƒ} ˆê——


ŒŽ•ÊƒŠƒ“ƒN

ƒgƒ‰ƒbƒNƒoƒbƒNi0Œj

ƒ^ƒCƒgƒ‹ i–{•¶j ƒuƒƒO–¼^“úŽž

ƒgƒ‰ƒbƒNƒoƒbƒN—pURL help


Ž©•ª‚̃uƒƒO‚Ƀgƒ‰ƒbƒNƒoƒbƒN‹LŽ–ì¬i‰ïˆõ—pj help

ƒ^ƒCƒgƒ‹
–{@•¶

ƒRƒƒ“ƒgi0Œj

“à —e ƒjƒbƒNƒl[ƒ€^“úŽž

ƒRƒƒ“ƒg‚·‚é help

ƒjƒbƒNƒl[ƒ€
–{@•¶
ƒxƒ‹ƒŠƒ“‘Û‰f‰æÕ2018 ŽóÜŒ‹‰Ê ŠC‚©‚çŽn‚Ü‚é!?/BIGLOBEƒEƒFƒuƒŠƒuƒƒO
•¶ŽšƒTƒCƒYF ‘å  ’†  ¬  •Â‚¶‚é