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@EgThe Partyhi‰pj@ŠÄ“FƒTƒŠ[Eƒ|ƒbƒ^[
@Guild Film Prize


@EgColohiƒ|ƒ‹ƒgƒKƒ‹E•§j@ŠÄ“FƒeƒŒ[ƒUEƒ”ƒBƒ‰ƒ”ƒFƒ‹ƒfiTeresa Villaverdej

@EgDjangohi•§j@ŠÄ“FƒGƒ`ƒGƒ“ƒkEƒRƒ}[ƒ‹iEtienne Comarj

@EgReturn to Montaukhi“ƁE•§EƒAƒCƒ‹ƒ‰ƒ“ƒhj@ŠÄ“FƒtƒHƒ‹ƒJ[EƒVƒ…ƒŒƒ“ƒhƒ‹ƒt

@EgBeuyshi“Ɓj@ŠÄ“FƒAƒ“ƒhƒŒƒXEƒtƒ@ƒCƒGƒ‹iAndres Veielj

@EgHelle Nächte (Bright Nights)hi“ƁEƒmƒ‹ƒEƒF[j@ŠÄ“Fƒg[ƒ}ƒXEƒAƒ‹ƒXƒ‰ƒ“
@’j—DÜi‹âŒFÜjFGeorg Friedrich


@EgWilde Maus (Wild Mouse)hiƒI[ƒXƒgƒŠƒAj@ŠÄ“FJosef Hader

@EgPokot (Spoor)hiƒ|[ƒ‰ƒ“ƒhE“ƁEƒ`ƒFƒREƒXƒEƒF[ƒfƒ“EƒXƒƒ”ƒ@ƒLƒAj@ŠÄ“FƒAƒjƒGƒXƒJEƒzƒ‰ƒ“ƒh
@ƒAƒ‹ƒtƒŒƒbƒhEƒoƒEƒA[Ü


@EgTeströl és lélekröl (On Body and Soul)hiƒnƒ“ƒKƒŠ[j@ŠÄ“FƒCƒ‹ƒfƒBƒSEƒGƒ“ƒGƒfƒBiIldiko Enyedij
@‹àŒFÜA‘Û”á•]‰Æ˜A–¿ÜAƒGƒLƒ…ƒƒjƒJƒ‹R¸ˆõÜAƒxƒ‹ƒŠƒi[Eƒ‚ƒ‹ƒQƒ“ƒ|ƒXƒgŽ†“ǎҐR¸ˆõÜ



@EgAnaCmon amourhiƒ‹[ƒ}ƒjƒAE“ƁE•§j@ŠÄ“FƒJƒŠƒ“Eƒs[ƒ^[Eƒlƒbƒcƒ@[
@Œ|pvŒ£Üi‹âŒFÜjFƒ_ƒiEƒuƒlƒXƒNiDana Bunescuji•ÒWj


@EgToivon tuolla puolen (The Other Side of Hope)hiƒtƒBƒ“ƒ‰ƒ“ƒhE“Ɓj@ŠÄ“FƒAƒLEƒJƒEƒŠƒXƒ}ƒL
@ŠÄ“܁i‹âŒFÜj


@EgHave a Nice DayiD极—¹)hi’†j@ŠÄ“FƒŠƒ…ƒEEƒWƒFƒ“iLiu Jian/—«Œ’j@

@EgOn the Beach at Night Alonei밤의 해변에서 혼자)hiŠØj@ŠÄ“Fƒzƒ“EƒTƒ“ƒX
@——DÜi‹âŒFÜjFƒLƒ€Eƒ~ƒj


@EwMr.Long ƒ~ƒXƒ^[Eƒƒ“xgMr. Longhi“úE“ƁE`E‘ä˜pj@ŠÄ“FSABU

@EgThe Dinnerhi•Äj@ŠÄ“FƒI[ƒŒƒ“Eƒ€[ƒ”ƒ@[ƒ}ƒ“

@EgJoaquimhiƒuƒ‰ƒWƒ‹Eƒ|ƒ‹ƒgƒKƒ‹j@ŠÄ“Fƒ}ƒ‹ƒZƒEƒSƒƒXiMarcelo Gomesj

@EgUna mujer fantástica (A Fantastic Woman)hiƒ`ƒŠE“ƁE•ÄE¼j@ŠÄ“FƒZƒoƒXƒ`ƒƒƒ“EƒŒƒŠƒIiSebastián Lelioj
@‹r–{Üi‹âŒFÜjFƒZƒoƒXƒ`ƒƒƒ“EƒŒƒŠƒIAƒSƒ“ƒTƒEƒ}ƒTiGonzalo MazajAƒGƒLƒ…ƒƒjƒJƒ‹R¸ˆõÜƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“AƒeƒfƒB[Ü



@EgFélicitéhi•§EƒZƒlƒKƒ‹Eƒxƒ‹ƒM[E“ƁEƒŒƒoƒmƒ“j@ŠÄ“FAlain Gomis
@R¸ˆõƒOƒ‰ƒ“ƒvƒŠi‹âŒFÜj


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@y’Z•Ò•”–åz

@Ÿ‹àŒFÜ
@gCidade Pequena (Small Town)hiƒ|ƒ‹ƒgƒKƒ‹/19fj@ŠÄ“FDiogo Costa Amarante


@Ÿ‹âŒFÜ
@gEnsueño en la Pradera (Reverie in the Meadow)hiƒƒLƒVƒR/17fj@ŠÄ“FEsteban Arrangoiz Julien


@ŸƒAƒEƒfƒBÜiAudi Awardj
@gStreet of DeathhiƒŒƒoƒmƒ“E“Æ/23fj@ŠÄ“FKaram Ghossein

@ŸƒAƒEƒfƒBÜƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gCentauro (Centaur)hiƒAƒ‹ƒ[ƒ“ƒ`ƒ“/14fj@ŠÄ“FNicolás Suárez

@Ÿƒˆ[ƒƒbƒp‰f‰æÜ2017’Z•Ò‰f‰æÜ ƒxƒ‹ƒŠƒ“‘ã•\
@gOs Humores Artificiais (The Artificial Humors)hiƒ|ƒ‹ƒgƒKƒ‹/ 30fj@ŠÄ“FGabriel Abrantes


@yƒxƒ‹ƒŠƒi[ƒŒEƒXƒyƒVƒƒƒ‹•”–åz

@ŸƒAƒ€ƒlƒXƒeƒBEƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹‰f‰æÜiAmnesty International Film Prizej
@gLa Libertad del Diablo (Devil's Freedom)hiƒƒLƒVƒRj@ŠÄ“FEverardo González

@yƒpƒmƒ‰ƒ}•”–åz

@Ÿ‘Û”á•]‰Æ˜A–¿Ü
@gPendularhiƒuƒ‰ƒWƒ‹EƒAƒ‹ƒ[ƒ“ƒ`ƒ“E•§j@ŠÄ“FJulia Murat

@ŸƒGƒLƒ…ƒƒjƒJƒ‹R¸ˆõÜ
@gTahqiq fel djenna (Investigating Paradise)hi•§EƒAƒ‹ƒWƒFƒŠƒAj@ŠÄ“Fƒƒ‹ƒUƒbƒNEƒAƒ‹ƒAƒVƒ…iMerzak Allouachej

@ŸƒGƒLƒ…ƒƒjƒJƒ‹R¸ˆõÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gI Am Not Your Negrohi•§E•ÄEƒxƒ‹ƒM[EƒXƒCƒXj@ŠÄ“Fƒ‰ƒEƒ‹EƒyƒbƒN


@ŸC.I.C.A.E.iConfédération Internationale des Cinémas dfArt et dfEssai)Ü
@gCentaurhiƒLƒ‹ƒMƒXƒ^ƒ“E•§E“ƁEƒIƒ‰ƒ“ƒ_j@ŠÄ“FƒAƒNƒ^ƒ“EƒAƒuƒfƒBƒJƒŠƒRƒtiAktan Arym Kubatj


@ŸƒhƒLƒ…ƒƒ“ƒ^ƒŠ[ÜiGlashütte Original Documentary Awardj
@gIstiyad Ashbah (Ghost Hunting)hi•§EƒpƒŒƒXƒ`ƒiEƒXƒCƒXEƒJƒ^[ƒ‹j@ŠÄ“FRaed Andoni


@ŸLabel Europa Cinemas
@gInsyriatedhiƒxƒ‹ƒM[E•§EƒŒƒoƒmƒ“j@ŠÄ“FƒtƒBƒŠƒbƒvEƒ”ƒ@ƒ“EƒŠƒ…[iPhilippe Van Leeuwj


@ŸƒeƒfƒB[Ü R¸ˆõ“Á•ÊÜ
@w”ނ炪–{‹C‚Å•Ò‚Þ‚Æ‚«‚́AxgClose-Knithi“új@ŠÄ“F‰¬ã’¼Žq


@ŸƒeƒfƒB[Ü ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[Ü
@gSmall Talk(“úí›”˜b)hi‘ä˜pj@ŠÄ“FHui-chen Huangi‰©œ¨’ãj


@ŸƒeƒfƒB[Ü Männer Readers' Jury Award-Harvey
@gGod's Own Countryhi‰pj@ŠÄ“FFrancis Lee

@ŸHeiner Carow Prize
@gFünf Sterne (Five Stars)hi“Ɓj@ŠÄ“FAnnekatrin Hendel


@Ÿ•½˜a‰f‰æÜiPeace Film Prizej
@gEl Pacto de Adriana (Adriana's Pact)hiƒ`ƒŠj@ŠÄ“FLissette Orozco

@mŠÏ‹qÜniPanorama Audience Awardsj
@‘æ1ÈFgInsyriatedhiƒxƒ‹ƒM[E•§EƒŒƒoƒmƒ“j@ŠÄ“FƒtƒBƒŠƒbƒvEƒ”ƒ@ƒ“EƒŠƒ…[iPhilippe Van Leeuwj
@‘æ2ÈFw”ނ炪–{‹C‚Å•Ò‚Þ‚Æ‚«‚́AxgClose-Knithi“új@ŠÄ“F‰¬ã’¼Žq
@‘æ3ÈFg1945hiƒnƒ“ƒKƒŠ[j@ŠÄ“FFerenc Török

@mŠÏ‹qÜ ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[•”–ån
@‘æ1ÈFgI Am Not Your Negrohi•§E•ÄEƒxƒ‹ƒM[EƒXƒCƒXj@ŠÄ“Fƒ‰ƒEƒ‹EƒyƒbƒN
@‘æ2ÈFgChavelahi•Äj@ŠÄ“FƒLƒƒƒTƒŠƒ“EƒKƒ“ƒhiCatherine GundjADaresha Kyi
@‘æ3ÈFgIstiyad Ashbah (Ghost Hunting)hi•§EƒpƒŒƒXƒ`ƒiEƒXƒCƒXEƒJƒ^[ƒ‹j@ŠÄ“FRaed Andoni

@yƒtƒH[ƒ‰ƒ€•”–åz

@Ÿ‘Û”á•]‰Æ˜A–¿Ü
@gShu'our akbar min el hob (A Feeling Greater than Love)hiƒŒƒoƒmƒ“j@ŠÄ“FMary Jirmanus Saba

@ŸƒGƒLƒ…ƒƒjƒJƒ‹R¸ˆõÜ
@gMaman Colonelle (Mama Colonel)hiƒRƒ“ƒSE•§j@ŠÄ“FDieudo Hamadi

@ŸƒGƒLƒ…ƒƒjƒJƒ‹R¸ˆõÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gEl mar la marhi•Äj@ŠÄ“FJEPEƒVƒjƒ@ƒfƒcƒLiJ.P. SniadeckijAJoshua Bonnetta

@ŸC.I.C.A.E.iConfédération Internationale des Cinémas dfArt et dfEssai)Ü
@gNewtonhiƒCƒ“ƒhj@ŠÄ“FAmit V Masurkar

@ŸƒJƒŠƒKƒŠÜ
@gEl mar la marhi•Äj@ŠÄ“FJEPEƒVƒjƒ@ƒfƒcƒLiJ.P. SniadeckijAJoshua Bonnetta

@ŸThe Tagesspiegel Readers' Jury Award
@gMaman Colonelle (Mama Colonel)hiƒRƒ“ƒSE•§j@ŠÄ“FDieudo Hamadi


@yƒWƒFƒlƒŒ[ƒVƒ‡ƒ“Kplus•”–åz

@ŸƒOƒ‰ƒ“ƒvƒŠ/‘ÛR¸ˆõÜ
@gBecoming Who I Wasi앙뚜jhiŠØj@ŠÄ“FMoon Chang-yongAJeon Jin
@gEstiu 1993 (Summer 1993)hi¼j@ŠÄ“FCarla Simón

@ŸƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ/Ž™“¶R¸ˆõÜ
@gPiata Lod (Little Harbour)hiƒXƒƒ”ƒ@ƒLƒAEƒ`ƒFƒREƒnƒ“ƒKƒŠ[j@ŠÄ“FIveta Grófová


@ŸƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ/Ž™“¶R¸ˆõÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gAmelie rennt (Mountain Miracle - An Unexpected Friendship)hi“ƁEˆÉj@ŠÄ“FTobias Wiemann


@ŸÅ—DG’Z•ÒÜ ‘ÛR¸ˆõÜ“Á•ÊÜ
@gAaba (Grandfather)hiƒCƒ“ƒhj@ŠÄ“FAmar Kaushik


@ŸÅ—DG’Z•ÒÜ ‘ÛR¸ˆõÜ“Á•ÊÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gSabakuhiƒIƒ‰ƒ“ƒ_j@ŠÄ“FMarlies van der Wel


@ŸÅ—DG’Z•ÒÜ Ž™“¶R¸ˆõÜ/ƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ
@gPromisehi•Äj@ŠÄ“FXie Tian


@ŸÅ—DG’Z•ÒÜ Ž™“¶R¸ˆõÜ/ƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gHedgehogfs HomehiƒJƒiƒ_EƒNƒƒAƒ`ƒAj@ŠÄ“FEva Cvijanovic


@ŸƒeƒfƒB[Ü ’Z•Ò‰f‰æÜ
@gMin Homosyster (My Gay Sister)hiƒXƒEƒF[ƒfƒ“Eƒmƒ‹ƒEƒF[j@ŠÄ“FLia Hietala


@Ÿ‘æ1‰ñì•iÜ
@gEstiu 1993 (Summer 1993)hi¼j@ŠÄ“FCarla Simón


@yƒWƒFƒlƒŒ[ƒVƒ‡ƒ“14plus•”–åz

@ŸƒOƒ‰ƒ“ƒvƒŠ/‘ÛR¸ˆõÜ
@gShkola nomer 3 (School Number 3)hiƒEƒNƒ‰ƒCƒiE“Ɓj@ŠÄ“FYelizaveta SmithAGeorg Genoux


@ŸƒOƒ‰ƒ“ƒvƒŠ/‘ÛR¸ˆõÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gBen Niao (The Foolish Bird/✒¹)hi’†j@ŠÄ“FƒzƒAƒ“EƒW[iHuang Ji/‰©é‡jA‘å’Ë—³Ž¡


@ŸƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ/ƒ„ƒ“ƒOR¸ˆõÜ
@gButterfly Kisseshi‰pj@ŠÄ“FRafael Kapelinski


@ŸƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ/ƒ„ƒ“ƒOR¸ˆõÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gCeux qui font les révolutions à moitié n'ont fait que se creuser un tombeau (Those Who Make Revolution Halfway Only Dig Their Own Graves)hiƒJƒiƒ_j@ŠÄ“FMathieu DenisASimon Lavoie


@ŸÅ—DG’Z•ÒÜ ‘ÛR¸ˆõÜ“Á•ÊÜ
@gThe Jungle Knows You Better Than You Dohiƒxƒ‹ƒM[EƒRƒƒ“ƒrƒAj@ŠÄ“FJuanita Onzaga


@ŸÅ—DG’Z•ÒÜ ‘ÛR¸ˆõÜ“Á•ÊÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gU Plavetnilo (Into the Blue)hiƒNƒƒAƒ`ƒAEƒXƒƒ”ƒFƒjƒAEƒXƒEƒF[ƒfƒ“j@ŠÄ“FAntoneta Alamat Kusijanovic


@ŸÅ—DG’Z•ÒÜ ƒ„ƒ“ƒOR¸ˆõÜ/ƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ
@gWolfehiƒI[ƒXƒgƒ‰ƒŠƒAj@ŠÄ“FClaire Randall


@ŸÅ—DG’Z•ÒÜ ƒ„ƒ“ƒOR¸ˆõÜ/ƒNƒŠƒXƒ^ƒ‹EƒxƒAÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gSNIPhiƒJƒiƒ_j@ŠÄ“FTerril Calder


@yƒp[ƒXƒyƒNƒeƒBƒ”EƒhƒCƒc‰f‰æ•”–åz

@ŸCompass-Perspektive-Award
@gDie Beste aller Welten (The Best of All Worlds)hi“Ɓj@ŠÄ“FAdrian Goiginger


@ŸCompass-Perspektive-Award R¸ˆõ“Á•ÊÜ
@gFinal Stagehi“Ɓj@ŠÄ“FNicolaas Schmidt

@y“Á•ÊÜE–¼—_Üz

@Ÿ“Á•ÊƒeƒfƒB[ÜiSpecial Teddy Awarj
@ƒ‚ƒjƒJEƒgƒ‹[ƒgiMonika Treutj
@“ú–{‚É‚àwƒZƒ_ƒNƒVƒ‡ƒ“xi1985j‚ªÐ‰î‚³‚ê‚Ä‚¢‚éƒhƒCƒc‚̊ēB


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@Ÿƒxƒ‹ƒŠƒi[ƒŒEƒJƒƒ‰iBerlinale Cameraj
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@mPrizes Berlinale Co-Production Marketn

@ŸArte International Prize
@gLost Countryhi•§EƒZƒ‹ƒrƒAj@Vladimir Perišić

@ŸBaumi Script Development Award
@Kuba Czekaj@gSorry Poland!hiƒ|[ƒ‰ƒ“ƒhj

@ŸEuroimages Co-Production Development Award
@gThe Wife of the Pilothi“Ɓj@Anne Zohra Berrached

@mBerlinale Talentsn

@ŸVFF Talent Highlight Award
@gThe Bus to Amerikahiƒgƒ‹ƒRj@Derya Durmaz,

@ŸVFF Talent Highlight Award ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gShock LaborhiƒLƒ…[ƒoj@ƒvƒƒfƒ…[ƒT[FMaria Carla del Rio
@gTomorrow is a Long TimehiƒVƒ“ƒKƒ|[ƒ‹j@ƒvƒƒfƒ…[ƒT[FJeremy Chua

@ŸRobert Bosch Stiftung Prize for International Cooperation - Germnay/Arab World
@ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[‰f‰æFgMor l'Bab (Behind Closed Doors)hiƒ‚ƒƒbƒRE“ƁE•§j@Yakout Elhababi
@ƒAƒjƒ[ƒVƒ‡ƒ“‰f‰æFgNighthi“ƁEƒˆƒ‹ƒ_ƒ“j@Ahmad Saleh
@’Z•ÒƒtƒBƒNƒVƒ‡ƒ“‰f‰æFgThe Traphi“ƁEƒGƒWƒvƒgj@Nada Riyadh

@mKompagnon-Fellowship Awardsn

@ŸPerspektive Deutsches Kino:
@Levin PeterAElsa Kremser@gDer grüne Wellensittichh

@ŸBerlinale Talents
@Nora Fingscheidt@gSystemsprenger (System Crasher)h


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@Eƒxƒ‹ƒŠƒ“‘Û‰f‰æÕ2017 ƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–å ¯Žæ•\Fhttp://umikarahajimaru.at.webry.info/201702/article_24.html

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