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@‘Û‰f‰æ‰¹Šy”á•]‰Æ‹¦‰ï(IMFCAFThe International Film Music Critics Association)‚́AƒIƒ“ƒ‰ƒCƒ“AŽ†”}‘́Aƒ‰ƒWƒI“™‚ŁA‰f‰æ‰¹Šy‚âTV‰¹Šy‚𒆐S‚ÉŽ·•MŠˆ“®‚ðs‚È‚Á‚Ä‚¢‚éƒWƒƒ[ƒiƒŠƒXƒg‚Ì’c‘̂ŁAƒƒ“ƒo[‚̓AƒƒŠƒJ‚ƃˆ[ƒƒbƒp‘S“y‚É‹y‚сAƒƒ“ƒo[”‚ÍŒ»Ý71l‚𐔂¦‚Ä‚¢‚Ü‚·B
@Œ³X‚́AƒXƒEƒF[ƒfƒ“‚̕ҏWŽÒ‚ŃWƒƒ[ƒiƒŠƒXƒg‚ÌMikael Carlsson(filmmusicradio.com ‚â filmmusicmag.com‚ÅŠˆ–ô‚µAŒ»Ý‚̓XƒEƒF[ƒfƒ“EƒCƒ“ƒfƒBƒyƒ“ƒfƒ“ƒg‰f‰æ‰¹ŠyƒŒ[ƒxƒ‹MovieScore Media‚̃I[ƒi[)‚ª90”N‘ãŒã”¼‚ÉŽn‚ß‚½‰f‰æ‰¹Šy”á•]‰ÆÜ(Film Music Critics Jury)‚ªŒ³‚É‚È‚Á‚Ä‚¢‚Ü‚·B
@‰ïˆõ‚É“ú–{l‚Í‚¢‚È‚¢‚悤‚Å‚·‚ªAŽžXA“ú–{l‚ªƒmƒ~ƒl[ƒg‚³‚ê‚邱‚Æ‚à‚ ‚èA‹vÎ÷‚Í2007”N‚Ɂw‘¾‰¤Žl_‹Lx‚ŃeƒŒƒr•”–åÜ‚ðA2012”N‚Ɂwƒjƒm‘ ”’‚«¹ŠD‚̏—‰¤x‚ŃrƒfƒIEƒQ[ƒ€/ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒ”EƒƒfƒBƒA•”–åÜ‚ðA2014”N‚Ɂw•——§‚¿‚ʁx‚ŃAƒjƒ[ƒVƒ‡ƒ“•”–åÜ‚ðŽóÜ‚µ‚Ä‚¢‚Ü‚·B

@ŒöŽ®HPFhttp://filmmusiccritics.org/

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@Ÿì‹ÈÜ(Film Score of The Year)
@EwƒƒbƒZ[ƒWx@ƒˆƒnƒ“Eƒˆƒnƒ“ƒ\ƒ“
@Ewƒtƒ@ƒ“ƒ^ƒXƒeƒBƒbƒNEƒr[ƒXƒg‚Æ–‚–@Žg‚¢‚Ì—·x@ƒWƒF[ƒ€ƒYEƒjƒ…[ƒgƒ“Eƒnƒ[ƒh
@Ewƒ‰Eƒ‰Eƒ‰ƒ“ƒhx@ƒWƒƒƒXƒeƒBƒ“Eƒn[ƒEƒBƒbƒc
@EgNocturnal Animalsh@ƒAƒxƒ‹EƒRƒWƒFƒjƒIƒEƒXƒL
@EwƒŒƒbƒhEƒ^[ƒgƒ‹ ‚ ‚铇‚Ì•¨Œêx@ƒ[ƒ‰ƒ“EƒyƒŒƒYEƒfƒ‹Eƒ}[ƒ‹

@Ÿì‹È‰ÆÜ(Film Composer of The Year)
@EƒAƒŒƒNƒTƒ“ƒhƒ‹Eƒfƒvƒ‰
@Eƒ}ƒCƒPƒ‹EƒWƒAƒbƒLƒm
@EƒWƒF[ƒ€ƒYEƒjƒ…[ƒgƒ“Eƒnƒ[ƒh
@EƒWƒƒƒXƒeƒBƒ“Eƒn[ƒEƒBƒbƒc
@EƒtƒFƒ‹ƒiƒ“ƒhEƒ”ƒFƒ‰ƒXƒPƒXiFernando Velázquezj

@ŸƒuƒŒƒCƒNƒXƒ‹[ì‹È‰ÆÜ(Breakthrough Composer of the Year)
@Eƒ`ƒƒƒhEƒLƒƒƒmƒ“iChad Cannonj
@EKyle DixonAMichael Stein
@EƒTƒCƒ‚ƒ“Eƒtƒ‰ƒ“ƒOƒŒƒ“iSimon Franglenj
@Eƒ_ƒjƒGƒ‹Eƒn[ƒgiDaniel Hartj
@EƒWƒƒƒXƒeƒBƒ“Eƒn[ƒEƒBƒbƒc

@ŸŠy‹ÈÜiFilm Music Composition of The Yearj
@Ewƒ‰Eƒ‰Eƒ‰ƒ“ƒhx-eEpiloguef@ƒWƒƒƒXƒeƒBƒ“Eƒn[ƒEƒBƒbƒc
@EwƒQ[ƒ€EƒIƒuEƒXƒ[ƒ“ƒYx-eLight of The Sevenf@ƒ‰ƒ~ƒ“EƒWƒƒƒ”ƒ@ƒfƒBiRamin Djawadij
@EgSwiss Army Manh-eMontagef@Andy HullARobert Mcdowell
@EwƒXƒ^[EƒgƒŒƒbƒN BEYONDx-eNight on The Yorktownf@ƒ}ƒCƒPƒ‹EƒWƒAƒbƒLƒm
@EwƒhƒNƒ^[EƒXƒgƒŒƒ“ƒWx-eThe Master of The Mystic End Creditsf@ƒ}ƒCƒPƒ‹EƒWƒAƒbƒLƒm

@ŸƒIƒŠƒWƒiƒ‹ì‹ÈÜƒhƒ‰ƒ}•”–åiBest Original Score For A Drama Film)
@Ew‚¨ì‚³‚ñx@ƒ`ƒ‡Eƒˆƒ“ƒEƒN
@EwƒnƒCEƒ‰ƒCƒYx@ƒNƒŠƒ“ƒgEƒ}ƒ“ƒZƒ‹
@EwŒõ‚ð‚­‚ê‚½lx@ƒAƒŒƒNƒTƒ“ƒhƒ‹Eƒfƒvƒ‰
@Ewƒ€[ƒ“ƒ‰ƒCƒgx@ƒjƒRƒ‰ƒXEƒuƒŠƒeƒ‹
@EgNocturnal Animalsh@ƒAƒxƒ‹EƒRƒWƒFƒjƒIƒEƒXƒL

@ŸƒIƒŠƒWƒiƒ‹ì‹ÈÜƒRƒƒfƒB[•”–å(Best Original Score For A Comedy Film)
@EwƒC[ƒOƒ‹EƒWƒƒƒ“ƒvxgEddie the Eagleh@ƒ}ƒVƒ…[Eƒ}[ƒWƒ\ƒ“iMatthew Margesonj
@EwƒwƒCƒ‹AƒV[ƒU[Ix@ƒJ[ƒ^[Eƒo[ƒEƒFƒ‹
@Ewƒ‰Eƒ‰Eƒ‰ƒ“ƒhx@ƒWƒƒƒXƒeƒBƒ“Eƒn[ƒEƒBƒbƒc
@EwƒiƒCƒXEƒKƒCƒYIx@ƒWƒ‡ƒ“EƒIƒbƒgƒ}ƒ“AƒfƒCƒ”ƒBƒbƒhEƒoƒbƒNƒŠ[iDavid Buckleyj
@EgSwiss Army Manh@Andy HullARobert Mcdowell

@ŸƒIƒŠƒWƒiƒ‹ì‹ÈÜƒAƒNƒVƒ‡ƒ“/ƒAƒhƒxƒ“ƒ`ƒƒ[/ƒXƒŠƒ‰[•”–å(Best Original Score For An Action/Adventure/Thriller Film)
@EgElleh@ƒAƒ“Eƒ_ƒhƒŠ[
@EwƒWƒƒƒ“ƒOƒ‹EƒuƒbƒNx@ƒWƒ‡ƒ“Eƒfƒuƒj[
@Ewƒ}ƒOƒjƒtƒBƒZƒ“ƒgEƒZƒuƒ“x@ƒWƒF[ƒ€ƒYEƒzƒi[AƒTƒCƒ‚ƒ“Eƒtƒ‰ƒ“ƒOƒŒƒ“
@EwNERVE/ƒi[ƒ”@¢ŠE‚ňê”Ԋ댯‚ȃQ[ƒ€x@ƒƒuEƒVƒ‚ƒ“ƒZƒ“iRob Simonsenj
@E@w¼—V‹L@‘·Œå‹ó vs ”’œ•vlxgThe Monkey King 2h@ƒNƒŠƒXƒgƒtƒ@[Eƒ„ƒ“ƒOiChristopher Youngj

@ŸƒIƒŠƒWƒiƒ‹ì‹ÈÜƒtƒ@ƒ“ƒ^ƒW[/SF/ƒzƒ‰[•”–å(Best Original Score For A Fantasy/Science Fiction/Horror Film)
@EwƒƒbƒZ[ƒWx@ƒˆƒnƒ“Eƒˆƒnƒ“ƒ\ƒ“
@EgBellerofonteiDark Wavesjh@Alexander Cimini
@EwƒhƒNƒ^[EƒXƒgƒŒƒ“ƒWx@ƒ}ƒCƒPƒ‹EƒWƒAƒbƒLƒm
@Ewƒtƒ@ƒ“ƒ^ƒXƒeƒBƒbƒNEƒr[ƒXƒg‚Æ–‚–@Žg‚¢‚Ì—·x@ƒWƒF[ƒ€ƒYEƒjƒ…[ƒgƒ“Eƒnƒ[ƒh
@EwƒlƒIƒ“Eƒf[ƒ‚ƒ“x@ƒNƒŠƒtEƒ}ƒ‹ƒeƒBƒlƒX

@ŸƒIƒŠƒWƒiƒ‹ì‹ÈÜƒAƒjƒ[ƒVƒ‡ƒ“•”–å(Best Original Score For An Animated Feature)
@EgKubo And The Two Stringsh@ƒ_ƒŠƒIEƒ}ƒŠƒAƒlƒbƒŠ
@Ewƒ‚ƒAƒi‚Æ“`à‚ÌŠCx@ƒ}[ƒNEƒ}ƒ“ƒV[ƒiiMark Mancinaj
@Ewƒyƒbƒgx@ƒAƒŒƒNƒTƒ“ƒhƒ‹Eƒfƒvƒ‰
@EwƒŒƒbƒhEƒ^[ƒgƒ‹ ‚ ‚铇‚Ì•¨Œêx@ƒ[ƒ‰ƒ“EƒyƒŒƒYEƒfƒ‹Eƒ}[ƒ‹
@EwƒY[ƒgƒsƒAx@ƒ}ƒCƒPƒ‹EƒWƒAƒbƒLƒm

@ŸƒIƒŠƒWƒiƒ‹ì‹ÈÜƒhƒLƒ…ƒƒ“ƒ^ƒŠ[•”–å(Best Original Score For A Documentary Feature)
@EgJärven TarinaiTale of A Lakejh@ƒpƒkEƒA[ƒ‹ƒeƒBƒIiPanu Aaltioj
@EgPaper Lanternsh@ƒ`ƒƒƒhEƒLƒƒƒmƒ“iChad Cannonj
@EgPlanet Earth IIh@ƒnƒ“ƒXEƒWƒ}[AJasha KlebeAƒWƒFƒCƒRƒuEƒVƒFƒCiJacob Sheaj
@EgLes SaisonsiSeasonsjh@ƒuƒŠƒ…ƒmEƒNƒŒiBruno Coulaisj
@EgSpain in A Dayh@ƒAƒ‹ƒxƒ‹ƒgEƒCƒOƒŒƒVƒAƒX

@ŸƒIƒŠƒWƒiƒ‹ì‹ÈÜƒeƒŒƒrEƒVƒŠ[ƒY•”–å(Best Original Score For A Television Series)
@EwƒQ[ƒ€EƒIƒuEƒXƒ[ƒ“ƒYx@ƒ‰ƒ~ƒ“EƒWƒƒƒ”ƒ@ƒfƒBiRamin Djawadij
@EwƒiƒCƒgEƒ}ƒl[ƒWƒƒ[x@ƒ”ƒBƒNƒ^[EƒŒƒCƒXiVíctor Reyesj
@EwƒiƒCƒgƒƒA〜ŒŒ“h‚ç‚ꂽ”é–§〜x@ƒAƒxƒ‹EƒRƒWƒFƒjƒIƒEƒXƒL
@EwƒXƒgƒŒƒ“ƒWƒƒ[EƒVƒ“ƒOƒX –¢’m‚̐¢ŠEx@Kyle DixonAMichael Stein
@EwƒEƒGƒXƒgƒ[ƒ‹ƒhx@ƒ‰ƒ~ƒ“EƒWƒƒƒ”ƒ@ƒfƒB

@ŸƒIƒŠƒWƒiƒ‹ì‹ÈÜƒrƒfƒIEƒQ[ƒ€/ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒ”EƒƒfƒBƒA•”–å(Best Original Score For A Video Game or Interactive Media)
@EwABZہxgAbzûh@Austin Wintory
@EwThe Banner Saga 2x@Austin Wintory
@EwThe Dwarvesx@Benny Oschmann
@Ewl‹ò‚¢‚Ì‘å˜hƒgƒŠƒRxgThe Last Guardianh@ŒÃì‹B
@EwReCorex@Chad Seiter

@ŸÅ—DGƒjƒ…[EƒAƒ‹ƒoƒ€ Šù‘¶‹ÈÄƒŠƒŠ[ƒX•”–å(Best New Archival Release – Re-Release of An Existing Score)
@Ewƒuƒ‹[Eƒ}ƒbƒNƒXx@‰¹ŠyFƒWƒFƒŠ[EƒS[ƒ‹ƒhƒXƒ~ƒX@ŽwŠöFNic Raine@ƒAƒ‹ƒoƒ€Eƒvƒƒfƒ…[ƒXFJames Fitzpatrick@ƒ‰ƒCƒi[Eƒm[ƒcFFrank K. De Wald@Album ƒA[ƒgƒfƒBƒŒƒNƒVƒ‡ƒ“FMatthew Wright (Tadlow)
@Ewƒ`ƒƒƒCƒiƒ^ƒEƒ“x@‰¹ŠyFƒWƒFƒŠ[EƒS[ƒ‹ƒhƒXƒ~ƒX@ƒAƒ‹ƒoƒ€Eƒvƒƒfƒ…[ƒXFDouglass FakeARoger Feigelson@ƒ‰ƒCƒi[Eƒm[ƒcFJeff Bond@ƒAƒ‹ƒoƒ€EƒA[ƒgƒfƒBƒŒƒNƒVƒ‡ƒ“FJoe Sikoryak (Intrada)
@EwƒSƒWƒ‰x@‰¹ŠyFˆÉ•Ÿ•”º@ŽwŠöF˜a“cŒO@ƒAƒ‹ƒoƒ€Eƒvƒƒfƒ…[ƒXFƒmƒ~ƒj[–¢’è@ƒ‰ƒCƒi[Eƒm[ƒcF˜a“cŒOA‘ì—D@ƒAƒ‹ƒoƒ€EƒA[ƒgƒfƒBƒŒƒNƒVƒ‡ƒ“Fƒmƒ~ƒj[–¢’è(King)
@Ew\‰úx@‰¹ŠyFƒGƒ‹ƒ}[Eƒo[ƒ“ƒXƒ^ƒCƒ“@ƒAƒ‹ƒoƒ€Eƒvƒƒfƒ…[ƒXFDouglass FakeARoger Feigelson@ƒ‰ƒCƒi[Eƒm[ƒcFFrank K. De Wald@ƒAƒ‹ƒoƒ€EƒA[ƒgƒfƒBƒŒƒNƒVƒ‡ƒ“FJoe Sikoryak (Intrada)
@EwƒoƒOƒ_ƒbƒh‚Ì“‘¯x@‰¹ŠyFƒ~ƒNƒƒXEƒ[ƒWƒƒ@ŽwŠöFNic Raine@ƒAƒ‹ƒoƒ€Eƒvƒƒfƒ…[ƒXFJames Fitzpatrick@ƒ‰ƒCƒi[Eƒm[ƒcFFrank K. De Wald@ƒAƒ‹ƒoƒ€EƒA[ƒgƒfƒBƒŒƒNƒVƒ‡ƒ“FJim Titus (Tadlow/Prometheus)

@ŸÅ—DGƒAƒ‹ƒoƒ€ Šù‘¶‹È ƒRƒ“ƒsƒŒ[ƒVƒ‡ƒ“•”–å(Best Archival Release of An Existing Score – Compilation)
@EgArchipielago: A Film Music Retrospectiveh@‰¹ŠyFƒAƒ‹ƒxƒ‹ƒgEƒCƒOƒŒƒVƒAƒX@ƒAƒ‹ƒoƒ€Eƒvƒƒfƒ…[ƒXFJosé María Benítez@ƒ‰ƒCƒi[Eƒm[ƒcFAlex SánchezAƒAƒ‹ƒxƒ‹ƒgEƒCƒOƒŒƒVƒAƒX@ƒAƒ‹ƒoƒ€EƒA[ƒgƒfƒBƒŒƒNƒVƒ‡ƒ“FNacho B. Govantes (Quartet)
@EgThe Cinema Of Quincy Jonesh@‰¹ŠyFƒNƒCƒ“ƒV[EƒWƒ‡[ƒ“ƒY@ƒAƒ‹ƒoƒ€Eƒvƒƒfƒ…[ƒXFStéphane Lerouge@ƒ‰ƒCƒi[Eƒm[ƒcFStéphane LerougeAToots ThielemansAƒAƒŒƒNƒTƒ“ƒhƒ‹Eƒfƒvƒ‰@ƒAƒ‹ƒoƒ€EƒA[ƒgƒfƒBƒŒƒNƒVƒ‡ƒ“FJerome Witz-Gilles Guerlet (Écoutez Le Cinéma)
@EgEarly Worksh@‰¹ŠyFƒAƒxƒ‹EƒRƒWƒFƒjƒIƒEƒXƒL@ƒAƒ‹ƒoƒ€Eƒvƒƒfƒ…[ƒXFStephan EickeAJohn Elborg@ƒ‰ƒCƒi[Eƒm[ƒcFGergely Hubai@ƒAƒ‹ƒoƒ€EƒA[ƒgƒfƒBƒŒƒNƒVƒ‡ƒ“FLuis Miguel Rojas (Caldera)
@EgEpic Hollywood: The Music of Miklós Rózsah@‰¹ŠyFƒ~ƒNƒƒXEƒ[ƒWƒƒ@ŽwŠöFNic Raine@ƒAƒ‹ƒoƒ€Eƒvƒƒfƒ…[ƒXFJames Fitzpatrick@ƒ‰ƒCƒi[Eƒm[ƒcFFrank K. De Wald@Album ƒA[ƒgƒfƒBƒŒƒNƒVƒ‡ƒ“FBarry Weekley (Tadlow)
@EgThe John Williams Jurassic Park Collectionh@‰¹ŠyFƒWƒ‡ƒ“EƒEƒBƒŠƒAƒ€ƒY@ƒAƒ‹ƒoƒ€Eƒvƒƒfƒ…[ƒXFMike Matessino@ƒ‰ƒCƒi[Eƒm[ƒcFMike Matessino@ƒAƒ‹ƒoƒ€EƒA[ƒgƒfƒBƒŒƒNƒVƒ‡ƒ“FJim Titus (La-La Land)

@ŸÅ—DGƒŒ[ƒxƒ‹Ü(Film Music Record Label of The Year)
@EIntrada Records@Douglass FakeARoger Feigelson
@ELa-La Land Records@MV GerhardAMatt Verboys
@EQuartet Records@José María Benítez
@ETadlow Music@James Fitzpatrick
@EVarèse Sarabande@Robert Townson

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