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@Ÿì•iÜiÅ‰ÀŒ€î•Ð/Best Feature Filmj
@EwƒSƒbƒhƒXƒs[ƒhxgˆê˜H‡•—iGodspeedjhi‘ä˜pj@ŠÄ“Fƒ`ƒ‡ƒ“Eƒ‚ƒ“ƒzƒ“
@Ew‘åŽ÷‚Í•—‚ðµ‚­xgŽ÷‘叵•—iTrivisajhi’†E`j@ŠÄ“Fƒtƒ‰ƒ“ƒNEƒzƒCi‹–Šw•¶/Frank HuijAƒWƒFƒ”ƒHƒ“ƒYEƒAƒEi‰¢•¶Œ†/Jevons Au Man-KitjAƒ”ƒBƒbƒL[EƒEƒHƒ“i‰©ˆÌŒ†/Vicky Wongj
@Eg‰ä•s¥àN‹à˜@iI Am Not Madame Bovaryjhi’†j@ŠÄ“FƒtƒHƒ“EƒVƒƒƒIƒKƒ“
@EgÄŒ©Š¢éiThe Road to Mandalayjhiƒ~ƒƒƒ“ƒ}[E‘ä˜pE’†E•§E“Ɓj@ŠÄ“Fƒ~ƒfƒB[EƒW[
@w”ªŒŽxg”ªŒŽiThe Summer Is Gonejhi’†j@ŠÄ“Fƒ`ƒƒƒ“Eƒ_[ƒŒƒCi’£‘åáû/Zhang Daleij

@w”ªŒŽx‚́AFIRST‘Û‰f‰æÕi¼”Jj2016o•iBƒyƒ}EƒcƒFƒfƒ“»ì‘ŽwŠöì•iB


@ŸŠÄ“܁iÅ‰À“±‰‰/Best Directorj
@Eƒ`ƒ‡ƒ“Eƒ‚ƒ“ƒzƒ“@wƒSƒbƒhƒXƒs[ƒhxgˆê˜H‡•—iGodspeedjh
@EƒWƒ‡ƒj[Eƒg[@gŽOlsiThreejhi’†E`j
@ƒtƒHƒ“EƒVƒƒƒIƒKƒ“@g‰ä•s¥àN‹à˜@iI Am Not Madame Bovaryjh
@EƒfƒŒƒNEƒcƒ@ƒ“@gŽµŒŽ—^ˆÀ¶iSoul Matejhi’†E`j
@Eƒ~ƒfƒB[EƒW[@gÄŒ©Š¢éiThe Road to Mandalayjh

@ƒtƒHƒ“EƒVƒƒƒIƒKƒ“‚́AŠÄ“܏‰ƒmƒ~ƒl[ƒg‰ŽóÜB2005”N‚É‹rFÜA‘O‰ñŽå‰‰’j—DÜŽóÜB


@ŸŽå‰‰’j—DÜiÅ‰À’jŽåŠp/Best Leading Actorj
@EƒŒƒIƒ“EƒJ[ƒtƒ@ƒC@gŠ¦í2iCold War 2jhi’†E`jiŠÄ“FƒŠƒ‡ƒ“EƒƒNƒ}ƒ“AƒTƒj[Eƒ‹ƒNj
@Eƒ}ƒCƒPƒ‹EƒzƒC@wƒSƒbƒhƒXƒs[ƒhxgˆê˜H‡•—iGodspeedjh
@EƒWƒƒƒbƒL[Eƒ`ƒ…ƒ“@gˆÃF“V“°iHeaven in the Darkjhi`jiŠÄ“Få͌•ˆÌiƒXƒeƒB[ƒ”Eƒ†ƒ“/Chien-wei Yüanjj
@ƒtƒ@ƒ“EƒEƒFƒCi䗈Ì/Fan Weij@wƒ~ƒXƒ^[Eƒm[EƒvƒƒuƒŒƒ€xg•s¬–â‘è“I–â‘èiMr. No Problemjhi’†jiŠÄ“FƒƒCEƒtƒHƒ“j
@Ežhk“ŒiKai Ko/ƒN[Eƒ`ƒFƒ“ƒhƒ“/ƒJƒCEƒN[j@gÄŒ©Š¢éiThe Road to Mandalayjh

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@ŸŽå‰‰——DÜiÅ‰À—ŽåŠp/Best Leading Actressj
@E‹–瑋ú¨iHsu Wei-ning/ƒeƒBƒtƒ@ƒj[EƒVƒ…[/ƒAƒ“EƒVƒ…[j@ggˆß¬—›wiThe Tag-Alongjhi‘ä˜pjiŠÄ“F’öˆÌ‹iCheng Wei-Haojj
@Eƒtƒ@ƒ“Eƒrƒ“ƒrƒ“@g‰ä•s¥àN‹à˜@iI Am Not Madame Bovaryjh
@Žü“~‰Jiƒ`ƒ‡ƒEEƒhƒ“ƒ†ƒC/Zhou Dongyuj@gŽµŒŽ—^ˆÀ¶iSoul Matejh
@ƒ}[EƒX[ƒ`ƒ…ƒ“i”nŽvƒ/ƒTƒ“ƒhƒ‰Eƒ}[/Ma Sichunj@gŽµŒŽ—^ˆÀ¶iSoul Matejh
@EŒà‰Â꤁iƒE[EƒN[ƒV[/Wu Ke-xij@gÄŒ©Š¢éiThe Road to Mandalayjh

@Žü“~‰J‚́A2011”N‚ɐVlÜ‚Ƀmƒ~ƒl[ƒg‚³‚ê‚ĈȗˆA5”N‚Ô‚è‚̃mƒ~ƒl[ƒgB‰ŽóÜB
@ƒ}[EƒX[ƒ`ƒ…ƒ“‚́A‘O‰ñw‚Ђ¾‚è‚݂݁x‚ŏ•‰‰——DÜ‚Ƀmƒ~ƒl[ƒg‚³‚ê‚āA2”N˜A‘±ƒmƒ~ƒl[ƒg‚ŁA‰ŽóÜB


@Ÿ•‰‰’j—DÜiÅ‰À’j”zŠp/Best Supporting Actorj
@E`Ÿiƒ`ƒ‡ƒ“EƒvƒC/Paul Chin Peij@g–k‹ž‹öã¼‰ë}”V•s“ñî‘iBook of Lovejhi’†E`jiŠÄ“FƒVƒ…ƒGEƒVƒƒƒIƒ‹[j
@Eƒi[ƒhƒEi”[“¤/Lin Yu-chihj@wƒSƒbƒhƒXƒs[ƒhxgˆê˜H‡•—iGodspeedjh
@—Ñ”GiAustin Lin/Bo-Hong Linj@g˜Z˜M咖啡ŠÙiAt Cafe 6jhi’†E‘ä˜pjiŠÄ“FŒàŽq‰](Neal Wu))j
@EƒGƒŠƒbƒNEƒcƒ@ƒ“@gˆê”O–³–¾iMad Worldjhi`jiŠÄ“F‰©iiWong Chunjj
@Eƒ‰ƒ€EƒVƒ…[@wr‚炵xg˜VŠ}iRobbery)hi`jiŠÄ“Fƒtƒ@ƒCƒ„[EƒŠ[j

@—Ñ”G‚́A‰ƒmƒ~ƒl[ƒg‰ŽóÜB


@Ÿ•‰‰——DÜiÅ‰À—”zŠp/Best Supporting Actressj
@EŒà•F姝iWu Yanshuj@g–k‹ž‹öã¼‰ë}”V•s“ñî‘iBook of Lovejh
@E—«蓓iLiu Peij@gˆê‹å’¸ˆêä݋åiSomeone to Talk tojhi’†E`jiŠÄ“F—«‰JèÁiYulin Liujj
@E—›ˆÇiLi Xingj@gžê‰º“I–[‹qiThe Tenants Downstairsjhi‘ä˜pjiŠÄ“FƒAƒ_ƒ€EƒcƒCi›Ák“Œ/Adam Tsueijj
@ƒGƒŒƒCƒ“EƒWƒ“@gˆê”O–³–¾iMad Worldjh
@E—¤弈Ãiƒ‹[EƒC[ƒ`ƒ“/Lu Yi-chingj@g“¿•z¼X—сiForêt Debussyjhi‘ä˜pjiŠÄ“FŠs³åˁiCheng Chui Kuojj

@ƒGƒŒƒCƒ“EƒWƒ“‚́A2”N˜A‘±6‰ñ–ڂ̃mƒ~ƒl[ƒgB1994”N‚́wƒGƒhƒ[ƒhEƒ„ƒ“‚Ì—öˆ¤Žž‘ãxˆÈ—ˆ2‰ñ–ڂ̏•‰‰——DÜŽóÜB


@ŸƒIƒŠƒWƒiƒ‹‹r–{ÜiÅ‰ÀŒ´’˜Œ€–{/Best Original Screenplayj
@E’ÂŒ‰ê¢iLaha Mebowj@g‘ü—v‰ä’·‘åiLokah LaqiI/Hang in There, Kids!)hi‘ä˜pjiŠÄ“F’ÂŒ‰ê¢iLaha Mebowjj
@EƒVƒ…ƒGEƒVƒƒƒIƒ‹[AÅ‰ØÃiJiao Huajingj@g–k‹ž‹öã¼‰ë}”V•s“ñî‘iBook of Lovejh
@—´•¶NiLoong Man HongjAŒÞŠïˆÌiThomas NgjA”ž“V•iMak Tin-shuj@w‘åŽ÷‚Í•—‚ðµ‚­xgŽ÷‘叵•—iTrivisajh
@Eƒ~ƒfƒB[EƒW[@gÄŒ©Š¢éiThe Road to Mandalayjh
@Eƒ`ƒƒƒ“Eƒ_[ƒŒƒCi’£‘åáû/Zhang Daleij@w”ªŒŽxg”ªŒŽiThe Summer Is Gonejh

@—´•¶N‚́A2007”N‚́wƒcƒCƒ“ƒ[ƒYxˆÈ—ˆ9”N‚Ô‚è2‰ñ–ڂ̃mƒ~ƒl[ƒgBŒÞŠïˆÌ‚Æ”ž“V•‚́A‰ƒmƒ~ƒl[ƒgB‘Sˆõ‰ŽóÜB
@‘ä–k“d‰e§2016‹r–{Ü‚́AƒhƒLƒ…ƒƒ“ƒ^ƒŠ[‚́g“ú—j“úŽ®ŽU步ŽÒiLe MoulinjhB


@Ÿ‹rFÜiÅ‰À‰ü•ÒŒ€–{/Best Adapted Screenplayj
@Eƒtƒ@ƒCƒ„[EƒŠ[i‰Î‰Î/Fire LeejA‰ê鑫iHe XinjAƒtƒ‰ƒ“ƒL[Eƒ^ƒ€i杜AŒ¹/Frankie Tamj@wr‚炵xg˜VŠ}iRobbery)h
@E—«k‰_iƒŠƒ…ƒEEƒ`ƒFƒ“ƒVƒ“/Liu Zhenyunj@g‰ä•s¥àN‹à˜@iI Am Not Madame Bovaryjh
@ƒƒCEƒtƒHƒ“i”~•ô/Mei FengjA‰©ÎiHuang Shij@wƒ~ƒXƒ^[Eƒm[EƒvƒƒuƒŒƒ€xg•s¬–â‘è“I–â‘èiMr. No Problemjh
@E—щr琛iLam Wing SumjA—›•QiLi YuanjA‹–ˆÉ–GiXu Yi-mengjAŒà“íiWu Nanj@gŽµŒŽ—^ˆÀ¶iSoul Matejh
@EƒUƒVƒ_ƒiH¼’Bˆ¡/Tashi DawajAƒ`ƒƒƒ“Eƒ„ƒ“@g”ç㊏ã“I°iSoul on a String)hi’†jiŠÄ“Fƒ`ƒƒƒ“Eƒ„ƒ“j

@ƒƒCEƒtƒHƒ“‚́Aw“ñd¶ŠˆxˆÈ—ˆ4”N‚Ô‚è2‰ñ–ڂ̃mƒ~ƒl[ƒgB‰©Î‚́A‰ƒmƒ~ƒl[ƒgB‚Æ‚à‚ɏ‰ŽóÜB


@ŸŽB‰eÜiÅ‰À‰e/Best Cinematographyj
@E“mŒ†iDu Jiej@w–l‚̓`ƒƒƒCƒiƒ^ƒEƒ“‚Ì–¼’T’ãxg“‚lŠX’TˆÄiDetective Chinatownjhi’†jiŠÄ“Fƒ`ƒFƒ“EƒX[ƒ`ƒFƒ“i’ÂŽv½/Chen Sicheng)j
@E’†“‡’·—Yiƒ`ƒ‡ƒ“Eƒ‚ƒ“ƒzƒ“j@wƒSƒbƒhƒXƒs[ƒhxgˆê˜H‡•—iGodspeedjh
@E˜C¼–ìiLu Songyej@w”ªŒŽxg”ªŒŽiThe Summer Is Gonejh
@EŠs’B–¾iGuo Damingj@g”ç㊏ã“I°iSoul on a String)h
@ƒŠ[Eƒsƒ“ƒrƒ“@w’·]}xg’·]}iCrosscurrentjhi’†jiŠÄ“Fƒ„ƒ“Eƒ`ƒƒƒIiYang Chao/—k’´jj

@ƒŠ[Eƒsƒ“ƒrƒ“‚́A3”N˜A‘±12‰ñ–ڂ̃mƒ~ƒl[ƒgB‘O‰ñAw•ˆß‚ÌŽh‹qx‚ÅŽóÜ‚µA2”N˜A‘±7‰ñ–Ú‚ÌŽóÜB
@w’·]}x‚́Aƒxƒ‹ƒŠƒ“‘Û‰f‰æÕ2016 ŽB‰eÜiŒ|pvŒ£Ü/‹âŒFÜjŽóÜB
@‘ä–k“d‰e§2016ŽB‰eÜ‚́Aw‚Ђ¾‚è‚݂݁x‚̃`ƒƒƒIEƒtƒFƒCiæâ”ñ/Zhan FeijB

@Ÿ•ÒWÜiÅ‰À™’S/Best Film Editingj
@E—Ñ›U‹ÊiLin Wan-yuj@g“úí‘ΘbiSmall Talkjhi‘ä˜pjiŠÄ“F‰©œ¨’ãiHuang Hui-chenjj
@E‚–îiKao Ming-shengjA‰¤“ҍIiWang Ching-chiaoj@ggˆß¬—›wiThe Tag-Alongjh
@Eƒ`ƒ‡ƒ“EƒK[ƒtƒ@ƒCi’£‰Ã‹P/Cheung Ka Faij@g—t–â 3iIp Man 3jhi`E’†jiŠÄ“FƒEƒBƒ‹ƒ\ƒ“EƒCƒbƒvj
@—À“WãdiAllen Leung Chin-lunjAƒfƒCƒ”ƒBƒbƒhEƒŠƒ`ƒƒ[ƒhƒ\ƒ“@w‘åŽ÷‚Í•—‚ðµ‚­xgŽ÷‘叵•—iTrivisajh
@E‹–G‰FiDerek HuijA—›“_ÎiLi DianshijAŽüÑ—сiZhou XiaolinjA’hŒü•QiTan Xiang-yuanj@gŽµŒŽ—^ˆÀ¶iSoul Matejh

@—À“Wãd‚ƃfƒCƒ”ƒBƒbƒhEƒŠƒ`ƒƒ[ƒhƒ\ƒ“‚́A‰ƒmƒ~ƒl[ƒg‰ŽóÜB


@Ÿ”üpÜiÅ‰À”üpÝŒv/Best Art Directionj
@E—›ûEiLi Miaoj@w–l‚̓`ƒƒƒCƒiƒ^ƒEƒ“‚Ì–¼’T’ãxg“‚lŠX’TˆÄiDetective Chinatownjh
@EƒPƒlƒXEƒ}ƒbƒN@g—t–â 3iIp Man 3jh
@ƒ`ƒƒƒIEƒX[ƒnƒIiæâŽv‹/Chao Shih Haoj@wƒSƒbƒhƒXƒs[ƒhxgˆê˜H‡•—iGodspeedjh
@Eƒ‹ƒIEƒVƒ…ƒ“ƒt[i—…‡•Ÿ/Lo Shun FujA•û¹ãāiPremo Fangj@g“V—º”V‘OiOne Night Onlyjhi’†jiŠÄ“FŒà’†“ViWu Zhongtian)j
@EƒG[ƒJƒ‰ƒbƒgEƒz[ƒ€ƒ‰ƒI[iAkekarat Homlaorj@gÄŒ©Š¢éiThe Road to Mandalayjh

@ƒ`ƒƒƒIEƒX[ƒnƒI‚́A2013”N‚́wŽ¸°x‚Ńmƒ~ƒl[ƒg‚³‚ê‚Ĉȗˆ3”N‚Ô‚è3‰ñ–ڂ̃mƒ~ƒl[ƒg‚ŁA2008”N‚́g’âŽÔiParkingjhˆÈ—ˆ2‰ñ–Ú‚ÌŽóÜB


@ŸƒƒCƒLƒƒƒbƒv•ˆßÖƒfƒUƒCƒ“ÜiÅ‰À‘¢Œ^ÝŒv/Best Makeup & Costume Designj
@’£¢Œ†iStanley Cheungj@w–l‚̓`ƒƒƒCƒiƒ^ƒEƒ“‚Ì–¼’T’ãxg“‚lŠX’TˆÄiDetective Chinatownjh
@E‹–—Í•¶iHsu Li-wenj@wƒSƒbƒhƒXƒs[ƒhxgˆê˜H‡•—iGodspeedjh
@E—ti‰ØiSukie Yipj@w‘åŽ÷‚Í•—‚ðµ‚­xgŽ÷‘叵•—iTrivisajh
@Eƒh[ƒ‰Eƒ“iŒà—¢璐/Dora Ngj@gŽµŒŽ—^ˆÀ¶iSoul Matejh
@E—‹ÃiLei Jingj@g”ç㊏ã“I°iSoul on a String)h

@’£¢Œ†‚́A4”N‚Ô‚è3‰ñ–ڂ̃mƒ~ƒl[ƒgA‚±‚Ì•”–å‚Å‚Í2‰ñ–ڂ̃mƒ~ƒl[ƒg‚ŁA2012”N‚́wƒoƒŒƒbƒgEƒq[ƒg Á‚¦‚½e’exˆÈ—ˆ2‰ñ–Ú‚ÌŽóÜB


@ŸŽ‹ŠoŒø‰ÊÜiÅ‰ÀŽ‹æSÁ‰Ê/Best Visual Effectsj
@ƒ_ƒOƒ‰ƒXEƒnƒ“ƒXEƒXƒ~ƒXiDouglas Hans SmithjASam KhorshidA—«¼iStrilen Liuj@gq—´ŒiMojin-The Lost Legendjhi’†jiŠÄ“FƒE[EƒA[ƒ‹ƒVƒƒƒ“j
@E—›ºŠ’iCharles LeejA—«ãYŽXiChishan Liuj@ggˆß¬—›wiThe Tag-Alongjh
@E—]š —ºiYee Kwok LeungjA—ÀˆÌ–¯iRaymond Leungj@gŠ¦í2iCold War 2jh
@E¶Žu’†iZuo Zhi ZhongjA‰½–ЊˁiHan HojA—k‹Ó—сiAeolian YangjAŸà‰iŒ†iJack Yuj@gžê‰º“I–[‹qiThe Tenants Downstairsjh
@E—ÀˆÌ–¯iLeung Wai Man RaymondjA—]š —ºiYee Kwok LeungjA—щÊyiGarrett K Lamj@g—t–â 3iIp Man 3jh

@‘SˆõA‰ƒmƒ~ƒl[ƒgB
@¦—ÀˆÌ–¯‚́A‹à”n§‚ÌŒöŽ®ƒTƒCƒg‚ł́A‰pŒê•\‹L‚ªgŠ¦í2iCold War 2jh‚Å‚ÍRaymond LeungAg—t–â 3iIp Man 3jh‚Å‚ÍLeung Wai Man Raymond‚Æ‚È‚Á‚Ä‚¢‚Ü‚·‚ªA‚±‚±‚Å‚Í‚ ‚¦‚Ä“ˆê‚¹‚¸‚É‚»‚Ì‚Ü‚Ü‚É‚µ‚Ä‚¨‚«‚Ü‚·B“¯ˆêl•¨‚Å‚ ‚邱‚Ƃ́Aƒf[ƒ^ƒx[ƒX‚É‚ÄŠm”FÏ‚Ý‚Å‚·B


@Ÿ‰¹‹¿Œø‰ÊÜiÅ‰À‰¹Á/Best Sound Effectsj
@E‰©ˆŸ歷iHuang Ya LijAàO—t¶iYannick Daubyj@g“ú—j“úŽ®ŽU步ŽÒiLe Moulinjhi‘ä˜pjiŠÄ“F‰©ˆŸ歷iHuang Ya Lijj
@E‰©èBiJoe Huangj@gš^•ŽRiMountain Cryjhi’†jiŠÄ“F—kŽqiLarry Yangjj
@E™œyiXu ChenjA—›‹Å’OiLi XiaodanjA‚H™ÁiGao QiuhuijA”C“~iRen Dongj@w”ªŒŽxg”ªŒŽiThe Summer Is Gonejh
@E—k]iYang JiangjAæâ“íiZhao Nanj@g”ç㊏ã“I°iSoul on a String)h
@–[Ÿ·iFang TaojA郝’qâZiHao Zhiyuj@w’·]}xg’·]}iCrosscurrentjh

@–[Ÿ·‚Æ郝’qâZ‚́A‰ƒmƒ~ƒl[ƒg‰ŽóÜB
@‘ä–k“d‰e§2016‚̉¹‹¿ƒfƒUƒCƒ“Ü‚́Ag“ú—j“úŽ®ŽU步ŽÒiLe MoulinjhB


@ŸƒIƒŠƒWƒiƒ‹ì‹ÈÜiÅ‰ÀŒ´‘n“d‰e‰¹Šy/Best Original Film Scorej
@ƒŠƒ“Eƒ`ƒƒƒ“@gãՉ”VéiCity of Jadejhi‘ä˜pEƒ~ƒƒƒ“ƒ}[jiŠÄ“Fƒ~ƒfƒB[EƒW[j
@EƒcƒHƒ“EƒX[ƒ~ƒ“i‘\Žv–Á/Tseng Si-mingj@wƒSƒbƒhƒXƒs[ƒhxgˆê˜H‡•—iGodspeedjh
@EƒUƒ”ƒBƒGƒ‹EƒWƒƒƒ‚[iXavier Jamauxj@gŽOlsiThreejh
@E“måNiDu Weij@g‰ä•s¥àN‹à˜@iI Am Not Madame Bovaryjh
@E’£‘EiZhang Jianj@g”ç㊏ã“I°iSoul on a String)h

@ƒŠƒ“Eƒ`ƒƒƒ“‚́A2”N˜A‘±11‰ñ–ڂ̃mƒ~ƒl[ƒg‚ŁA2013”N‚́wß‚ÌŽè‚´‚í‚èxˆÈ—ˆ3”N‚Ô‚è6‰ñ–Ú‚ÌŽóÜB11‰ñ‚̃mƒ~ƒl[ƒVƒ‡ƒ“‚Ì‚¤‚¿‰Ì‹ÈÜ‚̃mƒ~ƒl[ƒVƒ‡ƒ“‚ª2‰ñ‚ŁA‚»‚Ì‚¤‚¿1‰ñŽóÜB


@ŸƒIƒŠƒWƒiƒ‹‰Ì‹ÈÜiÅ‰ÀŒ´‘n“d‰e‰Ì‹È/Best Original Film Songj
@Eg‘å‹›ŠCž©iBig Fish & Begoniajhi’†jiŠÄ“F—ÀùiXuan LiangjA’£tiChun Zhangjj-eŸÕ™a”@•—iIt's Cold Without Your Lovejf
@ìŽŒF—ÀùiXuan Liangj
@ì‹ÈF‹g“cŒ‰
@‰Ì¥F™‰Ààðiƒ‰ƒ‰EƒX[/LaLa Hsuj

@Ew–l‚̓`ƒƒƒCƒiƒ^ƒEƒ“‚Ì–¼’T’ãxg“‚lŠX’TˆÄiDetective Chinatownjh-eŽFŠ¢çŒ卡iSawadikajf
@ìŽŒFæâ’C—´iZhao Chenlongj
@ì‹ÈFŒÓ’ó—miHu Tingyangj
@‰Ì¥F“쐪–kíiNan Zheng Bei Zhanj

@Eg‘ü—v‰ä’·‘åiLokah LaqiI/Hang in There, Kids!)h-eˆ¤•s—p說˜biLove without Wordsjf
@ìŽŒF’ÂŒ‰ê¢iLaha MebowjAåQ‰ëiYinguyu Yatauyunganaj
@ì‹ÈF•Û–miƒoƒIƒu[/Baobu Baduluj
@‰Ì¥F—шӟ¼iLin Yi-hanj

@EgŽµŒŽ—^ˆÀ¶iSoul Matejh-e(It's not a crime) It's just what we dof
@ìŽŒEì‹ÈE‰Ì¥F⅖õ“¶iƒŠƒAEƒhƒE/Leah Douj

@gOla Bolai‹PàŠ”N‘ãjhiƒ}ƒŒ[ƒVƒAjiŠÄ“FKeng Guan ChiuiŽüÂŒ³jj-eArena Cahayaf
@ìŽŒEì‹ÈFƒWƒBEƒA[ƒ”ƒBi‹G¬åN/Zee AvijARendra Zawawi
@‰Ì¥FƒWƒBEƒA[ƒ”ƒBi‹G¬åN/Zee Avij


@ŸƒAƒNƒVƒ‡ƒ“ŠÄ“܁iÅ‰À“®ìÝŒv/Best Action Choreographyj
@E’¾ÝŒ³iShim Jae WonjA—À‹g‰jiYang Kil Yongj@gq—´ŒiMojin-The Lost Legendjh
@ŒÞ„iWu Gangj@w–l‚̓`ƒƒƒCƒiƒ^ƒEƒ“‚Ì–¼’T’ãxg“‚lŠX’TˆÄiDetective Chinatownjh
@Eƒ`ƒ“EƒJ[ƒƒE@gŠ¦í2iCold War 2jh
@Eƒ†ƒGƒ“EƒE[ƒsƒ“@g—t–â 3iIp Man 3jh
@E’Â’†‘ׁiAdam Chanj@gMrs Khi`jiŠÄ“Fƒz[Eƒ†[ƒnƒ“j

@ŒÞ„‚́A‰ƒmƒ~ƒl[ƒg‰ŽóÜB


@ŸVlÜiÅ‰ÀV‰‰ˆõ/Best New Performerj
@EŒÓŽq彤iTony Wu Tsz Tungj@g“_ŒÜ步iWeeds on Firejhi`jiŠÄ“F’ÂŽuᢁiChan Chi-fatjj
@E’‰FiBuya Watanj@g‘ü—v‰ä’·‘åiLokah LaqiI@Hang in There, Kids!)h
@E’Â’ë妮iAnnie Chenj@gŽ¸T謊Œ¾iWhite Lies, Black Liesjhi‘ä˜pjiŠÄ“FžêˆêˆÀiLou Yi-Anjj
@ƒRƒ“EƒEƒFƒCƒC[iEˆÛˆê/Kong Weiyij@w”ªŒŽxg”ªŒŽiThe Summer Is Gonejh
@E‹à”biKimbaj@g”ç㊏ã“I°iSoul on a String)h

@‘ä–k“d‰e§2016VlÜ‚́Ag‘ü—v‰ä’·‘åiLokah LaqiI/Hang in There, Kids!)h‚̃Aƒ“ƒTƒ“ƒuƒ‹EƒLƒƒƒXƒgi’‰FiBuya Watanj‚ðŠÜ‚ށjB


@ŸVlŠÄ“܁iÅ‰ÀV“±‰‰/Best New Directorj
@E’öˆÌ‹iCheng Wei-haoj@ggˆß¬—›wiThe Tag-Alongjh
@‰©iiWong Chunj@gˆê”O–³–¾iMad Worldjh
@Eƒtƒ‰ƒ“ƒNEƒzƒCi‹–Šw•¶/Frank HuijAƒWƒFƒ”ƒHƒ“ƒYEƒAƒEi‰¢•¶Œ†/Jevons Au Man-KitjAƒ”ƒBƒbƒL[EƒEƒHƒ“i‰©ˆÌŒ†/Vicky Wongj@w‘åŽ÷‚Í•—‚ðµ‚­xgŽ÷‘叵•—iTrivisajh
@EŽéŒ«“NiChu Hsien-chej@g”’‹aiWhite Antjhi‘ä˜pj
@Eƒ`ƒƒƒ“Eƒ_[ƒŒƒCi’£‘åáû/Zhang Daleij@w”ªŒŽxg”ªŒŽiThe Summer Is Gonejh

@gˆê”O–³–¾iMad Worldjh‚́Aƒgƒƒ“ƒg‘Û‰f‰æÕ2016 DISCOVERY•”–åo•iB


@Ÿ’Z•Ò‰f‰æÜiÅ‰ÀŒ€î’Z•Ð/Best Live Action Short Filmj
@Eg•Ÿ—^—›iFu and Lijhi’†j@ŠÄ“F—Ñ“NŠyiZero Linj
@g‹ãŒŽ“ñ\”ª“ú▪°iA Sunny Dayjhi`EƒIƒ‰ƒ“ƒ_j@ŠÄ“Fœä—ºiYing Liangj
@Eg“³à­iCrashjhi’†j@ŠÄ“FEŒc‹PiHong Heng Faij
@Egˆ¢“òiArnieji‘ä˜pj@ŠÄ“F羗²›PiRina Tsouj
@EgŠC“‡iIslandjhi’†j@ŠÄ“F‰¤ŠqàViWang Hezej

@g‹ãŒŽ“ñ\”ª“ú▪°iA Sunny Dayjh‚́Aƒƒbƒeƒ‹ƒ_ƒ€‘Û‰f‰æÕ2016 Deep Focus•”–åo•iB


@ŸƒhƒLƒ…ƒƒ“ƒ^ƒŠ[ÜiÅ‰À‹I錄•Ð/Best Documentaryj
@Eg—¢”õ–YiYellowingjhi`j@ŠÄ“F’ˆ²ŠºiChan Tze-woonj
@Eg“úí‘ΘbiSmall Talkjh@ŠÄ“F‰©œ¨’ãiHuang Hui-chenj
@Eg‘å˜H’©“ViThe Roadjhi’†j@ŠÄ“F’£æӔgiZhang Zanboj
@g“ú—j“úŽ®ŽU步ŽÒiLe Moulinjh@ŠÄ“F‰©ˆŸ歷iHuang Ya Lij
@EgãՉ”VéiCity of Jadejh@ŠÄ“Fƒ~ƒfƒB[EƒW[

@g“ú—j“úŽ®ŽU步ŽÒiLe Moulinjh‚́A‘ä–k‘ÛƒhƒLƒ…ƒƒ“ƒ^ƒŠ[‰f‰æÕ2016 ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–偕‘ä˜pƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åo•iB‘ä˜pƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–å ƒOƒ‰ƒ“ƒvƒŠŽóÜB‘ä–k“d‰e§2016 ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[Üƒmƒ~ƒl[ƒgB


@Ÿ’Z•ÒƒAƒjƒ[ƒVƒ‡ƒ“ÜiÅ‰À“®á`’Z•Ð/Best Animated Short Filmj
@g㞖R–¼Žš“IêŠiWander in the Darkjhi‘ä˜pj@ŠÄ“F™š •ôiRedic Hsuj
@Egåî•êiBaumujhi‘ä˜pj@ŠÄ“Fß™¡ŒNiChung Shai-chunj
@Eg”’F詓¹iWhite Tunneljhi“úE‘ä˜pj@ŠÄ“FŠÈ—’Ÿ½iChien Lan-chijA’£çˆÛiChang Chin-weij
@Eg”ª—¢aiLössjhiƒIƒ‰ƒ“ƒ_j@ŠÄ“FæâˆÕiZhao Yij
@Eg”b“ÁiBartjhi‘ä˜pj@ŠÄ“F‰©勻Œ·iHuang Yun-sianj

@g㞖R–¼Žš“IêŠiWander in the Darkjh‚́A‘ä’†‘ÛƒAƒjƒ[ƒVƒ‡ƒ“EƒtƒFƒXƒeƒBƒoƒ‹iäi’†š Û“®á`‰e“Wj2016ƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åo•iB
@‘ä–k“d‰e§2016‚ł́AwÕ“ËŽŽŒ±x‚ªÅ—DGƒAƒjƒ[ƒVƒ‡ƒ“ÜŽóÜB


@Ÿ’·•ÒƒAƒjƒ[ƒVƒ‡ƒ“ÜiÅ‰À“®á`’·•Ð/Best Animation Featurej
@ŠY“–ì‚È‚µi“üš¡œn㞁j
@‘O‰ñA10”N‚Ô‚è‚Ƀmƒ~ƒl[ƒVƒ‡ƒ“‚ª‚ ‚è‚Ü‚µ‚½‚ªA‚Ü‚½uŠY“–ì‚È‚µv‚É‚È‚Á‚Ä‚µ‚Ü‚¢‚Ü‚µ‚½B

@ŸÅ—DG‘ä˜p‰f‰ælÜ(”N“x‘äàsŒ†o“d‰eHìŽÒ/Outstanding Taiwanese Filmmaker of the Year)
@ƒ~ƒfƒB[EƒW[


@Ÿ¶ŠUvŒ£ÜiIg¬AàÐ/Lifetime Achievement Awardj
@ƒ`ƒƒƒ“Eƒ†ƒ“ƒVƒƒƒ“i’£‰iË/Zhang Yong Xiangj
@ƒ`ƒƒƒ“Eƒ†ƒ“ƒVƒƒƒ“‚́A—›sŠÄ“‚́w‚ ‚Ђé‚ðŽ”‚¤‰Æxw˜HxwŒ´‹½lx‚ȂǁA50”N‚ɂ킽‚Á‚ÄŠˆ–ô‚·‚é‘ä˜p‚Ì‹r–{‰ÆB


@ŸŠÏ‹qÜ(æV眾•[‘IÅ‰À‰e•Ð)
@g‰ä•s¥àN‹à˜@iI Am Not Madame Bovaryjhi’†j@ŠÄ“FƒtƒHƒ“EƒVƒƒƒIƒKƒ“


@Ÿ‘Û”á•]‰Æ˜A–¿Ü(š Û‰e•]l”ï”䐼àÐ)
@w”ªŒŽxg”ªŒŽiThe Summer Is Gonejhi’†j@ŠÄ“Fƒ`ƒƒƒ“Eƒ_[ƒŒƒCi’£‘åáû/Zhang Daleij


@ŸƒsƒAƒWƒFÜ(”ŒŽÝ”N“x—DGàÐ)
@ƒIƒŠƒWƒiƒ‹‹r–{Üƒmƒ~ƒl[ƒgì•i‚©‚ç‘I‚΂ê‚éB
@gÄŒ©Š¢éiThe Road to Mandalayjhiƒ~ƒƒƒ“ƒ}[E‘ä˜pE’†E•§E“Ɓj@ŠÄ“Fƒ~ƒfƒB[EƒW[


@¦u‚±‚ê‚Ü‚Å‚ÌŽóÜ—ðv‚́AŠî–{“I‚É‚ÍMtime‚É‹’‚Á‚Ä‚¢‚Ü‚·‚ªAƒf[ƒ^‚ªŠ®‘S‚Å‚Í‚È‚¢ê‡‚ª‚ ‚è‚Ü‚·B

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@Žå‚ȍì•i‚̃mƒ~ƒl[ƒg•ŽóÜó‹µ‚́AˆÈ‰º‚Ì’Ê‚èB

@EwƒSƒbƒhƒXƒs[ƒhxi1/8jFì•iEŠÄ“EŽå‰‰’j—DE•‰‰’j—DEŽB‰eE”üpEƒƒCƒNEì‹È
@EgŽµŒŽ—^ˆÀ¶iSoul Matejhi2/7jFŠÄ“EŽå‰‰——DEŽå‰‰——DE‹rFE•ÒWEƒƒCƒNE‰Ì‹È
@EgÄŒ©Š¢éiThe Road to Mandalayjhi0/6jFì•iEŠÄ“EŽå‰‰’j—DEŽå‰‰——DE‹r–{E”üp@{ƒsƒAƒWƒFÜ
@Ew”ªŒŽxi2/6jFì•iE‹r–{EŽB‰eE‰¹‹¿EVlEVlŠÄ“@{‘Û”á•]‰Æ˜A–¿Ü
@Eg”ç㊏ã“I°iSoul on a String)hi0/6jF‹rFEŽB‰eEƒƒCƒNE‰¹‹¿Eì‹ÈEVl
@Eg‰ä•s¥àN‹à˜@iI Am Not Madame Bovaryjhi1/5jFì•iEŠÄ“EŽå‰‰——DE‹rFEì‹È@{ŠÏ‹qÜ
@Ew‘åŽ÷‚Í•—‚ðµ‚­xgŽ÷‘叵•—iTrivisajhi2/5jFì•iE‹r–{E•ÒWEƒƒCƒNEVlŠÄ“Â
@Ew–l‚̓`ƒƒƒCƒiƒ^ƒEƒ“‚Ì–¼’T’ãxi2/5jFŽB‰eE”üpEƒƒCƒNE‰Ì‹ÈEƒAƒNƒVƒ‡ƒ“
@Eggˆß¬—›wiThe Tag-Alongjhi0/4jFŽå‰‰——DE•ÒWEŽ‹ŠoŒø‰ÊEVlŠÄ“Â
@EgŠ¦í2iCold War 2jhi0/3jFŽå‰‰’j—DEŽ‹ŠoŒø‰ÊEƒAƒNƒVƒ‡ƒ“
@Eg–k‹ž‹öã¼‰ë}”V•s“ñî‘iBook of Lovejhi0/3jF•‰‰’j—DE•‰‰——DE‹r–{
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@E‘ä˜pE‹à”n§2014 ƒmƒ~ƒl[ƒVƒ‡ƒ“Fhttp://umikarahajimaru.at.webry.info/201410/article_8.html
@E‘ä˜pE‹à”n§2014 ŽóÜŒ‹‰Ê: http://umikarahajimaru.at.webry.info/201411/article_21.html
@E‘ä˜pE‹à”n§2013 ƒmƒ~ƒl[ƒVƒ‡ƒ“Fhttp://umikarahajimaru.at.webry.info/201310/article_2.html
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@E‘ä˜pE‹à”n§2012 ŽóÜŒ‹‰ÊFhttp://umikarahajimaru.at.webry.info/201211/article_23.html
@E‘ä˜pE‹à”n§2011 ŽóÜŒ‹‰ÊFhttp://umikarahajimaru.at.webry.info/201111/article_29.html
@E‘ä˜pE‹à”n§2010 ƒmƒ~ƒl[ƒVƒ‡ƒ“Fhttp://umikarahajimaru.at.webry.info/201010/article_2.html
@E‘ä˜pE‹à”n§2010 ŽóÜŒ‹‰ÊFhttp://umikarahajimaru.at.webry.info/201011/article_30.html
@E‘ä˜pE‹à”n§2009 ŽóÜŒ‹‰ÊFhttp://umikarahajimaru.at.webry.info/200911/article_47.html
@E‘ä˜pE‹à”n§2009 ƒmƒ~ƒl[ƒVƒ‡ƒ“Fhttp://umikarahajimaru.at.webry.info/200910/article_5.html
@E‘ä˜pE‹à”n§2008 ŽóÜŒ‹‰ÊFhttp://umikarahajimaru.at.webry.info/200812/article_13.html

@E‘ä–k“d‰eß2016 ƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–僉ƒCƒ“ƒiƒbƒvFhttp://umikarahajimaru.at.webry.info/201607/article_3.html
@E‘ä–k“d‰eß2016 ‘ä–k“d‰e§ ŽóÜŒ‹‰ÊFhttp://umikarahajimaru.at.webry.info/201607/article_19.html

@E‰f‰æÜ•‰f‰æÕƒJƒŒƒ“ƒ_[ 2016”N6ŒŽ`11ŒŽFhttp://umikarahajimaru.at.webry.info/201606/article_2.html

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