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@‘æ51‰ñƒJƒ‹ƒƒ”ƒBEƒ”ƒ@ƒŠ‘Û‰f‰æÕ‚̃Rƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åˆÈŠO‚̃‰ƒCƒ“ƒiƒbƒv‚Å‚·B

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@yƒAƒEƒgEƒIƒuEƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åz

@EgA Date for Mad Maryh(ƒAƒCƒ‹ƒ‰ƒ“ƒh)@ŠÄ“FDarren Thornton
@EgBrotherhood(Kapatiran)h(ƒtƒBƒŠƒsƒ“EƒVƒ“ƒKƒ|[ƒ‹)@ŠÄ“FPepe Diokno
@EgComplete Unknownh(•Ä)@ŠÄ“FƒWƒ‡ƒVƒ…ƒAEƒ}[ƒXƒgƒ“
@EgThe Eagle Huntress The Eagle Huntressh(•Ä)@ŠÄ“FOtto Bell
@EgSwiss Army Manh(•Ä)@ŠÄ“FDaniel ScheinertADaniel Kwan

@yƒXƒyƒVƒƒƒ‹EƒCƒxƒ“ƒg•”–åz(Special Events)

@EgAnthropoidh(ƒ`ƒFƒRE‰pE•§)@ŠÄ“FƒVƒ‡[ƒ“EƒGƒŠƒX
@EgPasolinih(•§Eƒxƒ‹ƒM[EˆÉ)@ŠÄ“FƒAƒxƒ‹EƒtƒFƒ‰[ƒ‰
@EwƒŒƒIƒ“x(1994/•§)@ŠÄ“FƒŠƒ…ƒbƒNEƒxƒbƒ\ƒ“
@EgThe Ear(Ucho)h(1970/ƒ`ƒFƒRƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“FƒJƒŒƒ‹EƒJƒq[ƒjƒƒ(Karel Kachyňa)
@EgLucie: The Story of a Rock Band Lucie: příběh jedný kapelyh(ƒ`ƒFƒR)@ŠÄ“FDavid Sís
@EgWasteland(Pustina)h(ƒ`ƒFƒR)@ŠÄ“FIvan ZachariᚁAAlice Nellis
@EwƒAƒmƒ}ƒŠƒTxgAnomalisah(•Ä)@ŠÄ“Fƒ`ƒƒ[ƒŠ[EƒJƒEƒtƒ}ƒ“Aƒfƒ…[ƒNEƒWƒ‡ƒ“ƒ\ƒ“
@EgCafé Societyh(•Ä)@ŠÄ“FƒEƒfƒBEƒAƒŒƒ“

@yƒzƒ‰ƒCƒYƒ“ƒY•”–åz(Horizons)

@æs‚·‚é‰f‰æÕ‚ŏã‰f‚³‚ꂽ˜b‘èìAl‹CŠÄ“‚̍ì•i‚ðã‰f‚·‚é•”–åB‘S30ì•iB

@EgJulietahi¼j@ŠÄ“FƒyƒhƒEƒAƒ‹ƒ‚ƒhƒoƒ‹@EgCourted(L' Hermine)h(•§)@ŠÄ“FƒNƒŠƒXƒ`ƒƒƒ“Eƒ”ƒ@ƒ“ƒTƒ“
@EgLe fils de Josephh(•§Eƒxƒ‹ƒM[)@ŠÄ“FƒEƒWƒF[ƒkEƒOƒŠ[ƒ“(Eugène Green)
@EgSlack BayiMa Loutejhi•§E“Ɓj@ŠÄ“FƒuƒŠƒ…ƒmEƒfƒ…ƒ‚ƒ“
@EgBelgicah(ƒxƒ‹ƒM[E•§)@ŠÄ“FƒtƒFƒŠƒbƒNƒXEƒ”ƒ@ƒ“Eƒqƒ…ƒ‹[ƒjƒ“ƒQƒ“
@EgThe Land of the Enlightenedhiƒxƒ‹ƒM[EƒAƒCƒ‹ƒ‰ƒ“ƒhEƒIƒ‰ƒ“ƒ_E“ƁEƒAƒtƒKƒjƒXƒ^ƒ“j@ŠÄ“FPieter-Jan De Pue
@EgFire at Sea(Fuocoammare)h(ˆÉE•§)@ŠÄ“FƒWƒƒƒ“ƒtƒ‰ƒ“ƒREƒ[ƒW
@EgSweet DreamsiFai bei sognijhiˆÉE•§j@ŠÄ“Fƒ}ƒ‹ƒREƒxƒƒbƒLƒI
@EgDon't Be Bad(Non essere cattivo)h(ˆÉ)@ŠÄ“FClaudio Caligari
@EgA Hologram for the Kingh(‰pE•§E“ƁE•Ä)@ŠÄ“Fƒgƒ€EƒeƒBƒNƒ”ƒ@
@EgToni Erdmannhi“ƁEƒI[ƒXƒgƒŠƒAj@ŠÄ“Fƒ}ƒŒƒ“EƒAƒf
@EgUnited States of LoveiZjednoczone Stany Miłościjhiƒ|[ƒ‰ƒ“ƒhEƒXƒEƒF[ƒfƒ“j@ŠÄ“FTomasz Wasilewski
@EgOn the Other SideiS one stranejhiƒNƒƒAƒ`ƒAEƒZƒ‹ƒrƒAj@ŠÄ“FZrinko Ogresta
@EgA Good Wife(Dobra žena)h(ƒZƒ‹ƒrƒAEƒ{ƒXƒjƒA ƒwƒ‹ƒcƒFƒSƒrƒiEƒNƒƒAƒ`ƒA)@ŠÄ“Fƒ~ƒŠƒƒƒiEƒJƒ‰ƒmƒ”ƒBƒbƒ`(Mirjana Karanović)
@EgGraduation(Bacalaureat)h(ƒ‹[ƒ}ƒjƒAEƒxƒ‹ƒM[E•§)@ŠÄ“FƒNƒŠƒXƒeƒBƒAƒ“Eƒ€ƒ“ƒWƒE
@EgSatisfaction 1720iTordenskjold & Koldjhiƒfƒ“ƒ}[ƒNEƒmƒ‹ƒEƒF[Eƒ`ƒFƒREƒXƒEƒF[ƒfƒ“j@ŠÄ“FHenrik Ruben Genz
@EgRabin, the Last Day/ Rabin, the Last DayhiƒCƒXƒ‰ƒGƒ‹E•§j@ŠÄ“FƒAƒ‚ƒXEƒMƒ^ƒC
@Ewö—xgFrenzy(Abluka)h(ƒgƒ‹ƒRE•§EƒJƒ^[ƒ‹)@ŠÄ“FƒGƒ~ƒ“EƒAƒ‹ƒyƒ‹(Emin Alper)
@EgMa' RosahiƒtƒBƒŠƒsƒ“j@ŠÄ“FƒuƒŠƒ‰ƒ“ƒeEƒƒ“ƒh[ƒT
@EgThe Handmaiden(Agassi)h(ŠØ)@ŠÄ“FƒpƒNEƒ`ƒƒƒkƒN
@EgHunt for the Wilderpeopleh(ƒjƒ…[ƒW[ƒ‰ƒ“ƒh)@ŠÄ“Fƒ^ƒCƒJEƒƒCƒeƒBƒeƒB(Taika Waititi)
@EgBoris without Beatrice(Boris sans Béatrice)h(ƒJƒiƒ_)@ŠÄ“FƒhƒDƒjEƒRƒe
@EgIt's Only the End of the WorldiJuste la fin du mondejhiƒJƒiƒ_E•§j@ŠÄ“FƒOƒUƒ”ƒBƒGEƒhƒ‰ƒ“
@EgAll Eyes and Earsh(’†E•Ä)@ŠÄ“FVanessa Hope
@Ewƒr[ƒXƒgEƒIƒuEƒm[Eƒl[ƒVƒ‡ƒ“xgBeasts of No Nationh(•Ä)@ŠÄ“FƒLƒƒƒŠ[EƒtƒNƒiƒK
@EgCaptain Fantastich(•Ä)@ŠÄ“Fƒ}ƒbƒgEƒƒX
@EgLife, Animatedhi•Äj@ŠÄ“FRoger Ross Williams
@EgLittle Menhi•Äj@ŠÄ“FƒAƒCƒ‰EƒTƒbƒNƒX
@EgPatersonhi•Äj@ŠÄ“FƒWƒ€EƒWƒƒ[ƒ€ƒbƒVƒ…
@EgAquariush(ƒuƒ‰ƒWƒ‹E•§)@ŠÄ“FKleber Mendonça Filho

@yƒAƒiƒU[Eƒrƒ…[•”–åz(Another View)

@æs‚·‚é‰f‰æÕ‚ŏã‰f‚³‚ꂽAV‰sŠÄ“‚̍ì•i‚âˆÓ—~ì‚ðã‰f‚·‚é•”–åB‘S24ì•iB

@EgThe First, the Last(Les premiers, les derniers)h(•§Eƒxƒ‹ƒM[)@ŠÄ“Fƒu[ƒŠEƒ‰ƒ“ƒl[ƒ‹
@EgGalloping Mindh(ƒxƒ‹ƒM[Eƒnƒ“ƒKƒŠ[EƒIƒ‰ƒ“ƒ_)@ŠÄ“Fƒ”ƒBƒ€Eƒ”ƒ@ƒ“ƒfƒPƒCƒrƒ…ƒX(Wim Vandekeybus)
@EgDivinesh(•§EƒJƒ^[ƒ‹)@ŠÄ“FHouda Benyamina
@EgAloysh(ƒXƒCƒXE•§)@ŠÄ“FTobias Nölle
@EwŽ¸‚í‚ꂽ”üxgLost and Beautiful(Bella e perduta)h(ˆÉ)@ŠÄ“FƒsƒGƒgƒEƒ}ƒ‹ƒ`ƒFƒbƒ(Pietro Marcello)
@EgWolf and Sheeph(ƒfƒ“ƒ}[ƒNE•§EƒXƒEƒF[ƒfƒ“EƒAƒtƒKƒjƒXƒ^ƒ“)@ŠÄ“FShahrbanoo Sadat
@EgThe Happiest Day in the Life of Olli Mäki(Hymyilevä mies)h(ƒtƒBƒ“ƒ‰ƒ“ƒhE“ƁEƒXƒEƒF[ƒfƒ“)@ŠÄ“FJuho Kuosmanen
@EgThe Student(Uchenik)h(ƒƒVƒA)@ŠÄ“FƒLƒŠƒ‹EƒZƒŒƒuƒŒƒ“ƒjƒRƒt(Kirill Serebrennikov)
@EgMotherland(Ana Yurdu)h(ƒgƒ‹ƒREƒMƒŠƒVƒƒ)@ŠÄ“FSenem Tüzen
@EgBarashh(ƒCƒXƒ‰ƒGƒ‹)@ŠÄ“FMichal Vinik
@EgOne Week and a Day(Shavua Ve Yom)h(ƒCƒXƒ‰ƒGƒ‹)@ŠÄ“FAsaph Polonsky
@EgSand Storm(Sufat Chol)h(ƒCƒXƒ‰ƒGƒ‹)@ŠÄ“FElite Zexer
@EgTramontaneh(ƒŒƒoƒmƒ“E•§EƒJƒ^[ƒ‹EUAE)@ŠÄ“FVatche Boulghourjian
@EgLantourih(ƒCƒ‰ƒ“)@ŠÄ“FReza Dormishian
@EgIsland Cityh(ƒCƒ“ƒh)@ŠÄ“FRuchika Oberoi
@EgExileh(ƒJƒ“ƒ{ƒWƒAE•§)@ŠÄ“FƒŠƒeƒB[Eƒpƒjƒ…
@EgA Lullaby to the Sorrowful Mystery(Hele Sa Hiwagang Hapis)h(ƒtƒBƒŠƒsƒ“EƒVƒ“ƒKƒ|[ƒ‹)@ŠÄ“Fƒ‰ƒ”EƒfƒBƒAƒX
@EgUnderground Fragrance(’n‰º)h(•§E’†)@ŠÄ“FPeng Feii‘v–Q”òj
@EwŠM—¢ƒuƒ‹[ƒXxgKaili Blues(Lu Bian Ye Can)h(’†)@ŠÄ“Fƒr[EƒKƒ“
@EgCommunication & Liesh(ŠØ)@ŠÄ“FLee Seung-won
@EgThe Lure(Córki dancingu)h(ƒ|[ƒ‰ƒ“ƒh)@ŠÄ“FAgnieszka Smoczyńska
@EgOscuro Animalh(ƒRƒƒ“ƒrƒAEƒAƒ‹ƒ[ƒ“ƒ`ƒ“EƒIƒ‰ƒ“ƒ_E“ƁEƒMƒŠƒVƒƒ)@ŠÄ“FFelipe Guerrero
@EgYou'll Never Be Alone(Nunca vas a estar solo)h(ƒ`ƒŠ)@ŠÄ“FAlex Anwandter
@EgMimosash(¼Eƒ‚ƒƒbƒRE•§EƒJƒ^[ƒ‹)@ŠÄ“FOliver Laxe

@yImagina•”–åz

@Œê‚èŒûAƒXƒ^ƒCƒ‹Aƒ”ƒBƒWƒ‡ƒ“‚ÌŽaV‚³Eƒ‰ƒfƒBƒJƒ‹‚³‚ȂǁA‰f‰æŒ¾Œê‚É‚¨‚¢‚āAŒ^‚É‚Í‚Ü‚ç‚È‚¢ƒAƒvƒ[ƒ`‚ðŽŽ‚Ý‚Ä‚¢‚é(ŽÀŒ±‰f‰æ“I‚È)ì•i‚ðW‚ß‚½ƒZƒŒƒNƒVƒ‡ƒ“B‘S14ì•iB

@EgThe Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothersh(‰p)@ŠÄ“Fƒxƒ“EƒŠƒ”ƒ@[ƒX(Ben Rivers)
@EgThere Is a Happy Land Further Awaayh(‰p/20•ª)@ŠÄ“Fƒxƒ“EƒŠƒ”ƒ@[ƒX(Ben Rivers)
@EgNotes on Blindnessh(‰pE•§)@ŠÄ“FPeter MiddletonAJames Spinney
@EgSfumatoh(•§)@ŠÄ“FChristophe Bisson
@EgFalling Framesh(ƒIƒ‰ƒ“ƒ_/1•ª)@ŠÄ“FJohannes Langkamp
@EgHomo sapiensh(ƒI[ƒXƒgƒŠƒA)@ŠÄ“FƒjƒRƒ‰ƒXEƒQƒCƒnƒ‹ƒ^[
@EgIn, Over and Outh(ƒI[ƒXƒgƒŠƒAE•§/10•ª)@ŠÄ“FSebastian Brameshuber
@EgLampedusah(ƒI[ƒXƒgƒŠƒA)@ŠÄ“FPeter Schreiner
@EgVintage Printh(ƒI[ƒXƒgƒŠƒA/13•ª)@ŠÄ“FSiegfried A. Fruhauf
@Eg5 Octoberh(ƒXƒƒ”ƒ@ƒLƒAEƒ`ƒFƒR/50•ª)@ŠÄ“Fƒ}[ƒeƒBƒ“EƒRƒ‰[(Martin Kollar)
@EgAfternooni“ß“ú‰ºŒßjh(‘ä˜p)@ŠÄ“Fƒcƒ@ƒCEƒ~ƒ“ƒŠƒƒƒ“
@EgInventionh(ƒJƒiƒ_E‰p)@ŠÄ“FMark Lewis
@EgBring Me the Head of Tim Hortonh(ƒJƒiƒ_/30•ª)@ŠÄ“FEvan JohnsonAGalen JohnsonAƒKƒCEƒ}ƒfƒBƒ“
@EgBending to Earth Bending to Earthh(•ÄE“Æ/15•ª)@ŠÄ“FRosa Barba

@yuƒ”ƒ@ƒ‰ƒGƒeƒB[vŽ”á•]‰Æ‚É‚æ‚éƒ`ƒ‡ƒCƒXz(Variety CriticsfChoice)
@¦uƒ”ƒ@ƒ‰ƒGƒeƒB[vŽ”á•]‰Æ‚É‚æ‚éƒ`ƒ‡ƒCƒX‚́AVt‚̃p[ƒ€ƒXƒvƒŠƒ“ƒOƒX‘Û‰f‰æÕ‚ŁuŠÏ‚é‚ׂ«10l‚̊ē‚½‚¿v(Directors to Watch)‚ð”­•\‚µA‰‰Ä‚̃Jƒ‹ƒƒ”ƒBEƒ”ƒ@ƒŠ‘Û‰f‰æÕ‚Å’–ڂ̃ˆ[ƒƒbƒp‰f‰æ‚̃ZƒŒƒNƒVƒ‡ƒ“‚ð”­•\‚·‚é‚Ì‚ªP—á‚Å‚µ‚½‚ªAƒJƒ‹ƒƒ”ƒBEƒ”ƒ@ƒŠ‚Ì•û‚͍¡‰ñ‚©‚烈[ƒƒbƒp‰f‰æ‚ÉŒÀ’肵‚È‚¢ƒZƒŒƒNƒVƒ‡ƒ“‚É‚È‚Á‚½‚悤‚Å‚·B‚¿‚Ȃ݂ɁBuŠÏ‚é‚ׂ«10l‚̊ē‚½‚¿v‚ÍAwardsˆµ‚¢‚Å‚·‚ªA‚±‚¿‚ç‚Í‚»‚¤‚È‚Á‚Ä‚Í‚¢‚Ü‚¹‚ñB

@EgAaaaaaaah! h(‰p)@ŠÄ“FSteve Oram
@EgDeath by Death(Je me tue à le dire)h(ƒxƒ‹ƒM[E•§)@ŠÄ“FXavier Seron
@EwŠF‚Í‚±‚¤ŒÄ‚ñ‚¾u|“SƒW[ƒOvxgThey Call Me Jeeg(Lo chiamavano Jeeg Robot)h(ˆÉ)@ŠÄ“FƒKƒuƒŠƒG[ƒŒEƒ}ƒCƒlƒbƒeƒB(Gabriele Mainetti)
@EgMellow Mud(Es esmu šeit)h(ƒ‰ƒgƒ”ƒBƒA)@ŠÄ“FRenārs Vimba
@EwƒXƒiƒbƒvxgSnaph(ƒ^ƒC)@ŠÄ“FƒRƒ“ƒf[ƒgEƒ`ƒƒƒgƒDƒ‰ƒ“ƒ‰ƒbƒTƒ~[(Kongdej Jaturanrasmee)
@EgFourth Placeh(ŠØ)@ŠÄ“FJung Ji-woo
@EgThe Demons(Les démons)h(ƒJƒiƒ_)@ŠÄ“FPhilippe Lesage
@EgThe Fitsh(•Ä)@ŠÄ“FAnna Rose Holmer
@EgNeon Bull(Boi Neon)h(ƒuƒ‰ƒWƒ‹EƒEƒ‹ƒOƒAƒCEƒIƒ‰ƒ“ƒ_)@ŠÄ“FGabriel Mascaro
@EgAs I Open My Eyes(A peine jfouvre les yeux)h(•§Eƒ`ƒ…ƒjƒWƒAEƒxƒ‹ƒM[EUAE)@ŠÄ“FLeyla Bouzid

@yƒ~ƒbƒhƒiƒCƒgEƒXƒNƒŠ[ƒjƒ“ƒO•”–åz(Midnight Screenings)

@EgBlood Fatherh(•§)@ŠÄ“FƒWƒƒƒ“=ƒtƒ‰ƒ“ƒ\ƒEƒŠƒVƒF
@EgDer Nachtmahrh(“Æ)@ŠÄ“FAKIZ
@EgThe Laundrymanh(‘ä˜p)@ŠÄ“FChung Lee
@EwƒAƒC ƒAƒ€ ƒA ƒq[ƒ[xgI AM A HEROh(“ú)@ŠÄ“F²“¡M‰î
@EgBone Tomahawkh(•Ä)@ŠÄ“FSEƒNƒŒƒCƒOEƒUƒ‰[(S. Craig Zahler)
@EgThe Greasy Stranglerh(•Ä)@ŠÄ“FƒWƒ€EƒzƒXƒLƒ“ƒO(Jim Hosking)

@yƒ`ƒFƒR‰f‰æ2015-2016z(Czech Films 2015–2016)

@EgBlue Shadows(Modré stíny)h(ƒ`ƒFƒR)@ŠÄ“FViktor Tauš
@EgCourage(Odvaha)h(ƒ`ƒFƒR)@ŠÄ“FPavel Štingl
@EgDoomed Beauty(Zkáza krásou)h(ƒ`ƒFƒR)@ŠÄ“FHelena TřeštíkováAJakub Hejna
@EgEva Nováh(ƒXƒƒ”ƒ@ƒLƒAEƒ`ƒFƒR)@ŠÄ“FMarko Škop
@Ew‰Æ‘°‚̉f‰æxgFamily Film(Rodinný film)h(ƒ`ƒFƒRE“ƁEƒXƒƒ”ƒFƒjƒAE•§EƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“FƒIƒ‹ƒ‚EƒIƒƒ‹ƒY(Olmo Omerzu)
@EgI, Mattoni - Honeymoon in Vienna(Já, Mattoni - Vídeňské líbánky)h(ƒ`ƒFƒR)@ŠÄ“FMarek Najbrt
@EgIn Your Dreams!(Ani ve snu!)h(ƒ`ƒFƒREƒXƒƒ”ƒ@ƒLƒAEƒuƒ‹ƒKƒŠƒA)@ŠÄ“FPetr Oukropec
@EgI, Olga Hepnarova(Já, Olga Hepnarová)h(ƒ`ƒFƒREƒ|[ƒ‰ƒ“ƒhEƒXƒƒ”ƒ@ƒLƒAE•§)@ŠÄ“FTomáš WeinrebAPetr Kazda
@EgLost in Munich(Ztraceni v Mnichově)h(ƒ`ƒFƒR)@ŠÄ“Fƒyƒgƒ‹Eƒ[ƒŒƒ“ƒJ(Petr Zelenka)
@EgTiger Theory(Teorie tygra)h(ƒ`ƒFƒREƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“FRadek Bajgar
@EgUnder the Sun(V paprscích slunce)h(ƒƒVƒAE“ƁEƒ`ƒFƒREƒ‰ƒgƒ”ƒBƒAE–k’©‘N)@ŠÄ“Fƒ”ƒBƒ^ƒŠ[Eƒ}ƒ“ƒXƒL[(Vitaly Mansky)
@EgWe Are Never Alone(Nikdy nejsme sami)h(ƒ`ƒFƒRE•§)@ŠÄ“FPetr Václav

@y‰ß‹Ž‚©‚ç •”–åz(Out of the Past)

@EwŽáŽÒ‚½‚¿xgRocco and His Brothers(Rocco e i suoi fratelli)h(1960/ˆÉE•§)@ŠÄ“Fƒ‹ƒLƒmEƒ”ƒBƒXƒRƒ“ƒeƒB
@Ew”o—DAƒwƒ‹ƒ€[ƒgEƒo[ƒK[xgHelmut Berger, Actorh(ƒI[ƒXƒgƒŠƒA)@ŠÄ“FƒAƒ“ƒhƒŒƒAƒXEƒzƒ‹ƒ”ƒ@[ƒg(Andreas Horvath)
@EgSuch Is Life(Takový je život)h(1929/ƒ`ƒFƒRƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“FCarl Junghans
@EwƒCƒJƒŠƒG-XB‚PxgIkarie XB 1h(1963/ƒ`ƒFƒRƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“FƒCƒ“ƒhƒDƒWƒqEƒ|ƒ‰[ƒN(Jindřich Polák)
@EgThis Year in September(Letos v září)h(1963/ƒ`ƒFƒRƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“FFrantišek Daniel
@EgIntimate Lighting(Intimní osvětlení)h(1965/ƒ`ƒFƒRƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“FƒCƒ”ƒ@ƒ“EƒpƒbƒZƒ‹(Ivan Passer)
@EgThe Party and the Guests(O slavnosti a hostech)h(1966/ƒ`ƒFƒRƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“Fƒ„ƒ“EƒjƒFƒƒc(Jan Němec)
@Ewƒuƒ‹[Eƒxƒ‹ƒxƒbƒgx(1986/•Ä)@ŠÄ“FƒfƒCƒ”ƒBƒbƒhEƒŠƒ“ƒ`

@y7‚‚̐ڋߑ˜‹ö •”–åz(Seven Close Encounters)

@“ÁW‚̃^ƒCƒgƒ‹‚́Aw–¢’m‚Æ‚Ì‘˜‹öx‚©‚ç‚Ì‚à‚¶‚è‚Ý‚½‚¢‚Å‚·‚ªAw–¢’m‚Æ‚Ì‘˜‹öx‚âSF‚É‚Í‘S‚­ŠÖŒW‚È‚­‚āAƒ`ƒFƒR‚̉f‰æl‚ªŽ©•ª‚̃LƒƒƒŠƒA‚ɉe‹¿‚ð—^‚¦‚½ì•i‚ðÐ‰î‚·‚é‚Æ‚¢‚¤ŽïŽ|‚̃vƒƒOƒ‰ƒ€‚É‚È‚Á‚Ä‚¢‚Ü‚·B2015”N‚́A6ì•i‚ŁuSix Close Encountersv‚¾‚Á‚½‚Ì‚ªA¡‰ñ‚Í7ì•i‚ŁuSeven Close Encountersv‚É‚È‚Á‚Ä‚¢‚Ü‚·B

@EwƒI[Iƒ‰ƒbƒL[ƒ}ƒ“xgO Lucky Man! (1973/‰p)@ŠÄ“FƒŠƒ“ƒ[ƒCEƒAƒ“ƒ_[ƒ\ƒ“
@EwŠJ‚¢‚½ŒûxgThe Mouth Agape(La gueule ouverte)h(1974/•§)@ŠÄ“Fƒ‚[ƒŠƒXEƒsƒAƒ‰
@EwƒI[ƒ\ƒ“EƒEƒFƒ‹ƒY‚̃tƒHƒ‹ƒXƒ^ƒbƒtx(1965/•§E¼EƒXƒCƒX)@ŠÄ“FƒI[ƒ\ƒ“EƒEƒFƒ‹ƒY
@EgThe Last Woman(La dernière femme)h(1976/•§EˆÉ)@ŠÄ“Fƒ}ƒ‹ƒREƒtƒFƒŒ[ƒŠ
@EgThe Sun in a Net(Slnko v sieti)h(1962/ƒ`ƒFƒRƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“FŠtefan Uher
@EgAnother Way of Life(O něčem jiném)h(1963/ƒ`ƒFƒRƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“Fƒ”ƒFƒ‰EƒqƒeƒBƒƒ”ƒ@
@EgRomance for the Bugle(Romance pro křídlovku)h(1966/ƒ`ƒFƒRƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“Fƒ^ƒJƒ‹Eƒ”ƒ@[ƒ”ƒ‰(Otakar Vávra)

@y—אl •”–åz(People Next Door)

@áŠQŽÒ‚ðŽålŒö‚Æ‚·‚éì•i‚ðW‚ß‚½“ÁWƒvƒƒOƒ‰ƒ€B

@EwÅ‹­‚Ì‚Ó‚½‚èx(2011/•§)@ŠÄ“FƒIƒŠƒ”ƒBƒGEƒiƒJƒVƒ…AƒGƒŠƒbƒNEƒgƒŒƒ_ƒm
@EwCOME AS YOU ARE `‚ ‚è‚̂܂܂Ł`x(2011/ƒxƒ‹ƒM[)@ŠÄ“FƒWƒFƒtƒŠ[EƒGƒ“ƒg[ƒ”ƒFƒ“
@EgRun If You Can(Renn, wenn du kannst)h(2010/“Æ)@ŠÄ“FDietrich Brüggemann
@EgThe Art of Negative Thinking(Kunsten å tenke negativt)h(2006/ƒmƒ‹ƒEƒF[)@ŠÄ“FBård Breien
@Ew‹A‹½x(1978/•Ä)@ŠÄ“Fƒnƒ‹EƒAƒVƒ…ƒr[
@Ewƒ}[ƒ_[ƒ{[ƒ‹x(2005/•Ä)@ŠÄ“Fƒwƒ“ƒŠ[ƒAƒŒƒbƒNƒXEƒ‹ƒrƒ“Aƒ_ƒiEƒAƒ_ƒ€EƒVƒƒƒsƒ

@yƒƒLƒVƒR—«‰f‰æŠÄ““ÁWz(A Female Take on Mexico)

@EwFOGO-ƒtƒH[ƒS-xgFogoh(2012/ƒƒLƒVƒREƒJƒiƒ_/61•ª)@ŠÄ“Fƒ†ƒŒƒlEƒIƒ‰ƒCƒ]ƒ‰(Yulene Olaizola)
@Ewƒ}ƒ‹ƒ^‚Ì‚±‚Ƃ¯x(2013/ƒƒLƒVƒRE•§)@ŠÄ“FƒNƒ‰ƒEƒfƒBƒAEƒTƒ“ƒg=ƒŠƒ…ƒX
@EgBordeh(2014/ƒƒLƒVƒR/18•ª)@ŠÄ“FVictoria Franco
@EgThrough the Eyes(A los ojos)h(2014/ƒƒLƒVƒR)@ŠÄ“FVictoria FrancoAƒ~ƒVƒFƒ‹Eƒtƒ‰ƒ“ƒR
@EgKings of Nowhere(Los reyes del pueblo que no existe)h(2015/ƒƒLƒVƒR)@ŠÄ“FBetzabé García
@EgThe Pleasure(Is Mine El placer es mío)h(2015/ƒƒLƒVƒR)@ŠÄ“FElisa Miller
@EgSemana Santah(2015/ƒƒLƒVƒR)@ŠÄ“FAlejandra Márquez Abella
@EgYou'll Know What to Do with Me(Sabrás qué hacer conmigo)h(2015/ƒƒLƒVƒR)@ŠÄ“FKatina Medina Mora
@EgTempestadh(2016/ƒƒLƒVƒR)@ŠÄ“FTatiana Huezo

@yƒgƒŠƒrƒ…[ƒgEƒgƒDEƒIƒbƒg[EƒvƒŒƒ~ƒ“ƒWƒƒ[z(Tribute to Otto Preminger)

@Ewƒ[ƒ‰ŽElŽ–ŒxgLaurah(1944/•Ä)@ŠÄ“FƒIƒbƒg[EƒvƒŒƒ~ƒ“ƒWƒƒ[
@EwŒŽ‘“‚­‚µ‚āxgThe Moon Is Blueh(1953/•Ä)@ŠÄ“FƒIƒbƒg[EƒvƒŒƒ~ƒ“ƒWƒƒ[
@Ew‰©‹à‚̘rxgThe Man with the Golden Armh(1955/•Ä)@ŠÄ“FƒIƒbƒg[EƒvƒŒƒ~ƒ“ƒWƒƒ[
@Ew”ß‚µ‚݂悱‚ñ‚É‚¿‚́xgBonjour Tristesseh(1958/•ÄE‰p)@ŠÄ“FƒIƒbƒg[EƒvƒŒƒ~ƒ“ƒWƒƒ[
@Ewˆ½‚éŽElxgAnatomy of a Murderh(1959/•Ä)@ŠÄ“FƒIƒbƒg[EƒvƒŒƒ~ƒ“ƒWƒƒ[
@Ew–ì–]‚ÌŒn—ñxgAdvise & Consenth(1962/•Ä)@ŠÄ“FƒIƒbƒg[EƒvƒŒƒ~ƒ“ƒWƒƒ[
@Ew‰hŒõ‚Ö‚Ì’EoxgExodush(1960/•Ä)@ŠÄ“FƒIƒbƒg[EƒvƒŒƒ~ƒ“ƒWƒƒ[
@EgPreminger: Anatomy of a Filmmakerh(1991/ƒI[ƒXƒgƒŠƒAE•Ä)@ŠÄ“FValerie A. Robins

@yƒtƒ…[ƒ`ƒƒ[EƒtƒŒ[ƒ€ƒYFƒtƒHƒ[‚·‚ׂ«10l‚̐V‚µ‚¢ƒtƒBƒ‹ƒ€ƒƒCƒJ[‚½‚¿z(Future Frames: Ten New Filmmakers To Follow)

@EgFlower of a Thousand Colours(Flor de Mil Colores)h(2015/ƒxƒ‹ƒM[/23•ª)@ŠÄ“FKaren Vázquez Guadarrama
@EgJulianh(2015/ƒXƒCƒX/20•ª)@ŠÄ“FJulia Furer
@EgDioramah(2015/“Æ/28•ª)@ŠÄ“FClemens Pichler
@EgForest of Echoes(Wald der Echos)h(2016/ƒI[ƒXƒgƒŠƒA/30•ª)@ŠÄ“FLuz Olivares Capelle
@EgTenants(Lokatorki)h(2015/ƒ|[ƒ‰ƒ“ƒh/30•ª)@ŠÄ“FKlara Kochańska
@EgTourism!(Turizam!)h(2016/ƒNƒƒAƒ`ƒA/51•ª)@ŠÄ“FTonći Gaćina
@EgA Night in Tokoriki(O noapte în Tokoriki)h(2016/ƒ‹[ƒ}ƒjƒA/18•ª)@ŠÄ“FRoxana Stroe
@EgFrancish(2015/ƒXƒEƒF[ƒfƒ“/30•ª)@ŠÄ“FAhmed Abdullahi
@EgElephant Skin(Elefanthud)h(2015/ƒmƒ‹ƒEƒF[/25•ª)@ŠÄ“FRebecca Figenschau
@EgFather Mamah(2015/ƒOƒ‹ƒWƒA/25•ª)@ŠÄ“FDavit Pirtskhalava

@yƒvƒ‰ƒn’Z•Ò‰f‰æÕƒvƒŒƒ[ƒ“ƒcz(Prague Short Film Festival Presents)

@EgFleah(2014/‰p/15•ª)@ŠÄ“FVanessa Caswill
@EgPeople Are Strangeh(2014/•§/20•ª)@ŠÄ“FJulien Hallard
@EgJay Amongst Men(Jay parmi les hommes)h(2015/ƒxƒ‹ƒM[E•§/28•ª)@ŠÄ“FZéno Graton
@EgLeshy(Lesapán)h(2015/ƒ`ƒFƒR/23•ª)@ŠÄ“FPavel Soukup
@EgListenh(2014/ƒfƒ“ƒ}[ƒNEƒtƒBƒ“ƒ‰ƒ“ƒh/13•ª)@ŠÄ“FHamy RamezanARungano Nyoni
@EgThe Chickeningh(2015/ƒJƒiƒ_E•Ä/5•ª)@ŠÄ“FDavy ForceANick DenBoer

@y“Á•ÊÜE–¼—_Üz

@Ÿƒ[ƒ‹ƒhEƒVƒlƒ}‚ւ̍vŒ£ÜiThe Crystal Globe for Outstanding Contribution to World Cinemaj
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