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@¦R¸ˆõFƒpƒvƒŠƒJEƒXƒeƒB[ƒ“iR¸ˆõ’·jANandita DasiƒCƒ“ƒh‚̏——DEŠÄ“jAƒ_ƒjƒGƒ‹Eƒ‚ƒ“ƒ\ƒ“AƒGƒ‹ƒiƒ“Eƒ€ƒTƒ‹ƒbƒsiƒAƒ‹ƒ[ƒ“ƒ`ƒ“‚̃vƒƒfƒ…[ƒT[jAƒWƒ…ƒŠ[EƒTƒ‹ƒ”ƒ@ƒhƒ‹iƒtƒ‰ƒ“ƒX‚̃vƒƒfƒ…[ƒT[jAƒEƒxƒ‹ƒgEƒpƒ]ƒŠ[ƒjAƒ‹ƒ`ƒA[ƒmEƒgƒ”ƒHƒŠiƒCƒ^ƒŠƒA‚ÌŽB‰eŠÄ“j

@ŸƒOƒ‰ƒ“ƒvƒŠ/ƒS[ƒ‹ƒfƒ“EƒVƒFƒ‹Ü(Golden Shell for Best Film)
@gSparrowshiƒAƒCƒXƒ‰ƒ“ƒhEƒfƒ“ƒ}[ƒNEƒNƒƒAƒ`ƒAj@ŠÄ“Fƒ‹ƒi[Eƒ‹ƒi[ƒ\ƒ“iRúnar Rúnarssonj

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@gEvolutionhi•§Eƒxƒ‹ƒM[E¼j@ŠÄ“Fƒ‹ƒV[ƒ‹EƒAƒUƒŠƒƒ”ƒBƒbƒN

@ŸŠÄ“Ü/ƒVƒ‹ƒo[EƒVƒFƒ‹Ü(Silver Shell for Best Director)
@ƒˆƒAƒqƒ€Eƒ‰ƒtƒH[ƒYiJoachim Lafossej@gLes Chevaliers BlancsiThe White Knightsjhiƒxƒ‹ƒM[E•§j

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@Ÿ’j—DÜ/ƒVƒ‹ƒo[EƒVƒFƒ‹Ü(Silver Shell for Best Actor)
@ƒŠƒJƒ‹ƒhEƒ_ƒŠƒ“AƒnƒrƒGƒ‹EƒJƒ}ƒ‰@gTrumanhi¼EƒAƒ‹ƒ[ƒ“ƒ`ƒ“j@ŠÄ“FCesc Gay

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@Ÿ——DÜ/ƒVƒ‹ƒo[EƒVƒFƒ‹Ü(Silver Shell for Best Actress)
@ƒˆƒ‹ƒ_ƒ“ƒJEƒAƒŠƒIƒTiYordanka Ariosaj@wƒUEƒLƒ“ƒOEƒIƒuEƒnƒoƒixgEl rey de La HabanaiThe King of Havanajhi¼Eƒhƒ~ƒjƒJj@ŠÄ“FƒAƒOƒXƒeƒBEƒ”ƒBƒ‰ƒƒ“ƒK

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@Ÿ‹r–{Ü(Jury Prize for Best Screenplay)
@ƒWƒƒƒ“=ƒ}ƒŠ[•ƒAƒ‹ƒm[Eƒ‰ƒŠƒ†[@wƒpƒeƒB[‚Æ“ñ\ˆê–éxg21 nuits avec Pattiei21 Nights with Pattiejhi•§j@ŠÄ“FƒWƒƒƒ“=ƒ}ƒŠ[•ƒAƒ‹ƒm[Eƒ‰ƒŠƒ†[

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@ŸŽB‰eÜ(Jury Prize for Best Cinematography)
@ƒ}ƒjƒ…Eƒ_ƒRƒbƒZ@gEvolutionhi•§Eƒxƒ‹ƒM[E¼j@ŠÄ“Fƒ‹ƒV[ƒ‹EƒAƒUƒŠƒƒ”ƒBƒbƒN

@ŸR¸ˆõƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“iJury Special Mentionj
@gEl Apóstatahi¼EƒEƒ‹ƒOƒAƒCE•§j@ŠÄ“FƒtƒFƒfƒŠƒREƒxƒCƒ[iFederico Veirojj

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@Ÿ‘Û”á•]‰Æ˜A–¿Ü
@gEl Apóstatahi¼EƒEƒ‹ƒOƒAƒCE•§j@ŠÄ“FƒtƒFƒfƒŠƒREƒxƒCƒ[iFederico Veirojj

@ŸZinemaldia FEROZ Award
@gTrumanhi¼EƒAƒ‹ƒ[ƒ“ƒ`ƒ“j@ŠÄ“FCesc Gay

@ŸSIGNIS Award
@gMoirahiƒOƒ‹ƒWƒAj@ŠÄ“FLevan Tutberidze

@ŸSIGNIS Award ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@Amama (When a Tree Falls)hi¼j@ŠÄ“FAsier Altuna Iza

@ŸÅ—DGƒoƒXƒN‰f‰æÜiIrizar Basque Film Awardj
@Amama (When a Tree Falls)hi¼j@ŠÄ“FAsier Altuna Iza

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@ŸÅ—DGƒoƒXƒN‰f‰æ‹r–{ÜiAward to the Basque Best Screenplayj
@Amama (When a Tree Falls)hi¼j@ŠÄ“FAsier Altuna Iza

@ŸGuipuzcoan Blood-Donorsf Association Corresponding to the Solidarity Award
@gFreeheldhi•Äj@ŠÄ“Fƒs[ƒ^[Eƒ\ƒŒƒbƒgiPeter Sollettj

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@ŸSebastiane Award
@gFreeheldhi•Äj@ŠÄ“Fƒs[ƒ^[Eƒ\ƒŒƒbƒgiPeter Sollettj

@m‚»‚Ì‘¼‚̃Gƒ“ƒgƒŠ[ì•in
@EgHigh-Risehi‰pj@ŠÄ“Fƒxƒ“EƒEƒB[ƒgƒŠ[
@EgUn dia perfecte per volarhi¼j@ŠÄ“FMarc Recha
@EgSunset Songhi‰pEƒ‹ƒNƒZƒ“ƒuƒ‹ƒNj@ŠÄ“FƒeƒŒƒ“ƒXEƒfƒCƒ”ƒBƒX
@EgBack to the North iŒü–k•û/Xiang bei fangjhi’†j@ŠÄ“FLiu Haoi—«_j
@EwƒoƒPƒ‚ƒm‚ÌŽqxi“új@ŠÄ“F×“cŽç
@EgLes démonsiThe DemonsjhiƒJƒiƒ_j@ŠÄ“FPhilippe Lesage
@EgEva no duermehi•§EƒAƒ‹ƒ[ƒ“ƒ`ƒ“E¼j@ŠÄ“FPablo Agüero
@EgRegressionhi¼EƒJƒiƒ_j@ŠÄ“FƒAƒŒƒnƒ“ƒhƒEƒAƒƒiƒo[ƒ‹@mƒAƒEƒgEƒIƒuEƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“nmƒI[ƒvƒjƒ“ƒOEƒiƒCƒgì•in
@EgLondon Roadhi‰pj@ŠÄ“Fƒ‹[ƒtƒ@ƒXEƒmƒŠƒXiRufus Norrisj@mƒAƒEƒgEƒIƒuEƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“nmƒNƒ[ƒWƒ“ƒOEƒiƒCƒgì•in
@E@wƒOƒ‰ƒ“Eƒm[ƒ`ƒFIÅ‚‚Ì‘åŠA“úxhMy Big NightiMi Gran Noche)hi¼j@ŠÄ“FƒAƒŒƒbƒNƒXEƒfEƒ‰EƒCƒOƒŒƒVƒA@mƒAƒEƒgEƒIƒuEƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“n
@EhLejos del margi¼j@ŠÄ“FƒCƒ}ƒmƒ‹EƒEƒŠƒx@m“Á•Êã‰fn
@EgNo estamos soloshi¼j@ŠÄ“FPere Joan Ventura@m“Á•Êã‰fn

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@yƒjƒ…[EƒfƒBƒŒƒNƒ^[ƒY•”–åz

@Ÿƒjƒ…[EƒfƒBƒŒƒNƒ^[ƒYÜ(Kutxabank-New Directors Award)
@gLe NouveauiThe New Kidjhi•§j@ŠÄ“FRudi Rosenberg

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@ŸƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@gTjuvhederiDriftersjhiƒXƒEƒF[ƒfƒ“j@ŠÄ“FPeter Grönlund
@gVida sexual de las plantas (Sex Life of Plants)hiƒ`ƒŠj@ŠÄ“FSebastián Brahm

@m‚»‚Ì‘¼‚̃Gƒ“ƒgƒŠ[ì•in
@EgPikaderohi¼E‰pj@ŠÄ“FBen Sharrock
@EgIonahi‰pE“Ɓj@ŠÄ“FScott Graham
@EgParasolhiƒxƒ‹ƒM[j@ŠÄ“FValéry Rosier
@EgEiner Von UnsiOne of UsjhiƒI[ƒXƒgƒŠƒAj@ŠÄ“FStephan Richter
@EgRodinny FilmiFamily Filmjhiƒ`ƒFƒRE“ƁEƒXƒƒ”ƒFƒjƒAE•§EƒXƒƒ”ƒ@ƒLƒAj@ŠÄ“FOlmo Omerzu
@EgJajdaiThirstjhiƒuƒ‹ƒKƒŠƒAj@ŠÄ“FSvetla Tsotsorkova
@EgGranny's Dancing on The TablehiƒXƒEƒF[ƒfƒ“Eƒfƒ“ƒ}[ƒNj@ŠÄ“FHanna Sköld
@EgBarashhiƒCƒXƒ‰ƒGƒ‹j@ŠÄ“FMichal Vinik
@EgStay With MehiŠØj@ŠÄ“FRhee Jinwoo
@EgAfter EdenhiƒJƒiƒ_j@ŠÄ“FHans Christian Berger
@EgPaulahiƒAƒ‹ƒ[ƒ“ƒ`ƒ“E¼j@ŠÄ“FEugenio Canevari

@yƒzƒ‰ƒCƒYƒ“ƒYEƒ‰ƒeƒB[ƒm•”–åz

@ŸÅ—DGì•iÜ(Best Film)
@wƒpƒEƒŠ[ƒixgPaulinahiƒAƒ‹ƒ[ƒ“ƒ`ƒ“Eƒuƒ‰ƒWƒ‹Eƒtƒ‰ƒ“ƒXj@ŠÄ“FƒTƒ“ƒ`ƒAƒSEƒ~ƒgƒŒiSantiago Mitrej

@ŸƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“iSpecial Mentionj
@Luis Silva hDesde allá (From Afar)hiƒxƒlƒYƒGƒ‰EƒƒLƒVƒRj@ŠÄ“FLorenzo Vigas

@ŸƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“iSpecial Mentionj
@gTe prometo anarquía ( I Promise You Anarchy)hiƒƒLƒVƒRE“Ɓj@ŠÄ“FJulio Hernández Cordón

@ŸEZAE Youth Award
@wƒpƒEƒŠ[ƒixgPaulinahiƒAƒ‹ƒ[ƒ“ƒ`ƒ“Eƒuƒ‰ƒWƒ‹Eƒtƒ‰ƒ“ƒXj@ŠÄ“FƒTƒ“ƒ`ƒAƒSEƒ~ƒgƒŒiSantiago Mitrej

@ŸTVE-Another Look Award
@wƒpƒEƒŠ[ƒixgPaulinahiƒAƒ‹ƒ[ƒ“ƒ`ƒ“Eƒuƒ‰ƒWƒ‹Eƒtƒ‰ƒ“ƒXj@ŠÄ“FƒTƒ“ƒ`ƒAƒSEƒ~ƒgƒŒiSantiago Mitrej

@ŸSpanish Cooperation Award
@w“y‚ƉexgLa tierra y la sombra (Land and Shade)hiƒRƒƒ“ƒrƒAEƒ`ƒŠEƒIƒ‰ƒ“ƒ_E•§j@ŠÄ“FƒZƒTƒ‹EƒAƒEƒOƒXƒgEƒAƒZƒxƒhiCésar Augusto Acevedoj

@m‚»‚Ì‘¼‚̃Gƒ“ƒgƒŠ[ì•in
@Eg600 Millas (600 Miles)hiƒƒLƒVƒRj@ŠÄ“FGabriel Ripstein
@EgChronichiƒƒLƒVƒRE•§j@ŠÄ“Fƒ~ƒVƒFƒ‹Eƒtƒ‰ƒ“ƒRiMichel Francoj
@EgLas Elegidas (The Chosen Ones)hiƒƒLƒVƒRE•§j@ŠÄ“FDavid Pablos
@EgLa Obra Del Siglo ( The Project of The Century)hiƒLƒ…[ƒoEƒAƒ‹ƒ[ƒ“ƒ`ƒ“E“ƁEƒXƒCƒXj@ŠÄ“FCarlos M. Quintela
@EgMagallaneshiƒyƒ‹[EƒAƒ‹ƒ[ƒ“ƒ`ƒ“EƒRƒƒ“ƒrƒAE¼j@ŠÄ“FSalvador del Solar
@EgEl Abrazo De La Serpiente (Embrace Of The Serpent )hiƒRƒƒ“ƒrƒAEƒAƒ‹ƒ[ƒ“ƒ`ƒ“EƒxƒlƒYƒGƒ‰j@ŠÄ“FCiro Guerra
@Ew‰Î‚ÌŽR‚̃}ƒŠƒAxgIxcanulhiƒOƒAƒeƒ}ƒ‰E•§j@ŠÄ“FƒnƒCƒEƒuƒXƒ^ƒ}ƒ“ƒeiJayro Bustamantej
@EgPara Minha Amada MortaiTo My Belovedjhiƒuƒ‰ƒWƒ‹j@ŠÄ“FAly Muritiba
@EgEl Botón De Nácar (The Pearl Button)hi•§E¼Eƒ`ƒŠj@ŠÄ“FPatricio Guzmán
@EwƒUEƒNƒ‰ƒuxgEl Club (The Club)hiƒ`ƒŠj@ŠÄ“FƒpƒuƒEƒ‰ƒ‰ƒCƒ“

@y‘Û‰f‰æŠw¶ƒ~[ƒeƒB[ƒ“ƒOz(14th International Film Student Meetings Awards)

@Ÿ‘æ‚PÈiFirst Prizej
@gNueva Vida (New Life)hiƒAƒ‹ƒ[ƒ“ƒ`ƒ“Eƒ{ƒŠƒrƒAj@ŠÄ“FKiro RussoiUniversidad del Cine (ƒAƒ‹ƒ[ƒ“ƒ`ƒ“)j

@Ÿ‘æ2ÈiSecond Prizej
@hEl Enemigo (The Enemy)hiƒLƒ…[ƒoj@ŠÄ“FAldemar MatiasiEscuela Internacional de Cine y TV (EICTV))

@Ÿ‘æ3ÈiThird Prizej
@hWada' / Predictionhi“Ɓj@ŠÄ“FKhaled MzheriDeutsche Film und Fernsehakademie Berlin)

@ŸORONA AWARD
@gNueva Vida (New Life)hiƒAƒ‹ƒ[ƒ“ƒ`ƒ“Eƒ{ƒŠƒrƒAj@ŠÄ“FKiro RussoiUniversidad del Cine (ƒAƒ‹ƒ[ƒ“ƒ`ƒ“)j

@ŸTORINO AWARD
@hVolando voy (I'll Fly Higher)hiƒIƒ‰ƒ“ƒ_j@ŠÄ“FIsabel LambertiiNetherlands Film Academy)

@yFilms in Progressz

@ŸFilms in Progress Industry AwardAIbermedia TV Films in Progress Award
@gEra o Hotel CambridgeiThe Cambridge Squatterjhiƒuƒ‰ƒWƒ‹E•§j@ŠÄ“FEliane Caffé

@y‚»‚Ì‘¼‚̏܁z

@ŸÅ—DGƒoƒXƒN‰f‰æÜ ƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“iSpecial Mention – Irene Escolarj
@gUn otoño sin Berlínhi¼j@ŠÄ“FLara Izagirre

@ŸŠÏ‹qÜiAudience Awardj
@wŠCŠXdiaryxgUmimachi DiaryiOur Little Sisterjhi“új@ŠÄ“F¥Ž}—T˜a@mƒp[ƒ‹ƒY•”–ån

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@Ÿƒˆ[ƒƒbƒp‰f‰æŠÏ‹qÜiAward to The European Filmj
@gŽR‰ÍŒÌliShan He Gu Ren / Mountains May Departjhi’†E•§E“új@ŠÄ“FƒWƒƒEƒWƒƒƒ“ƒN[@mƒp[ƒ‹ƒY•”–ån

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@Ÿ“Œ‹ž‚²‚Í‚ñ‰f‰æÕÜ(Tokyo Goham Film Festival Award)
@gNoma, My Perfect Stormhi‰pEƒfƒ“ƒ}[ƒNj@ŠÄ“FPierre Deschamps

@ŸEurope-Latin America Co-production Forum. EGEDA Best Project Award
@gLa omisión (The Omission)hiƒAƒ‹ƒ[ƒ“ƒ`ƒ“E“ƁE•§j@ŠÄ“FSebastián Schjaer

@ŸƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“iSpecial Mention to Projectj
@gMemorias del calabozohi¼EƒEƒ‹ƒOƒAƒCj@ŠÄ“FÁlvaro BrechnerATornasol Films

@y“Á•ÊÜE–¼—_Üz

@Ÿ‘Û”á•]‰Æ˜A–¿ÜƒOƒ‰ƒ“ƒvƒŠ
@wƒ}ƒbƒhƒ}ƒbƒNƒX “{‚è‚̃fƒXEƒ[ƒhxiƒI[ƒXƒgƒ‰ƒŠƒAE•Äj@ŠÄ“FƒWƒ‡[ƒWEƒ~ƒ‰[

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@ŸDonostia Award
@ƒGƒ~ƒŠ[Eƒƒgƒ\ƒ“

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