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@ƒƒJƒ‹ƒm‘Û‰f‰æÕ(8ŒŽ6“ú-16“ú)‚̃‰ƒCƒ“ƒiƒbƒv‚ª”­•\‚³‚ê‚Ü‚µ‚½B(7ŒŽ16“ú)

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@yƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åz(International Competition)

@¦R¸ˆõFƒWƒƒƒ“ƒtƒ‰ƒ“ƒREƒ[ƒW(R¸ˆõ’·)Aƒg[ƒ}ƒXEƒAƒ‹ƒXƒ‰ƒ“AƒAƒŠƒV[Eƒuƒ‰ƒK(ƒuƒ‰ƒWƒ‹‚̏——D)AƒRƒj[Eƒj[ƒ‹ƒZƒ“(ƒfƒ“ƒ}[ƒN‚̏——D)AƒfƒBƒAƒIEƒC[ƒiƒ“(’†‘‚ÌŠÄ“Â)

@EgHorse Moneyh(ƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FƒyƒhƒEƒRƒXƒ^@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgFidelio LfOdyssee DfAliceh(•§)@ŠÄ“FLucie Borleteau@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgWhite Nights On The Pierh(•§)@ŠÄ“Fƒ|[ƒ‹Eƒ”ƒFƒLƒAƒŠ(Paul Vecchiali)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgLa Sapienzah(•§EˆÉ)@ŠÄ“FƒEƒWƒF[ƒkEƒOƒŠ[ƒ“(Eugène Green)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgPerfidiah(ˆÉ)@ŠÄ“FBonifacio Angius@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgLfAbrih(ƒXƒCƒX)@ŠÄ“FƒtƒFƒ‹ƒiƒ“Eƒƒ‹ƒKƒ‹(Fernand Melgar)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgCure – The Life Of Anotherh(ƒXƒCƒXEƒNƒƒAƒ`ƒAEƒ{ƒXƒjƒA ƒwƒ‹ƒcƒFƒSƒrƒi)@ŠÄ“FAndrea Štaka@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgA Blasth(ƒMƒŠƒVƒƒE“ƁEƒIƒ‰ƒ“ƒ_)@ŠÄ“FSyllas Tzoumerkas@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgThe Fool(Durak)h(ƒƒVƒA)@ŠÄ“FYury Bykov@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]

@EgFrom What Is Beforeh(ƒtƒBƒŠƒsƒ“)@ŠÄ“Fƒ‰ƒ”EƒfƒBƒAƒX(Lav Diaz)@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]

@EgAliveh(ŠØ)@ŠÄ“FƒpƒNEƒWƒ‡ƒ“ƒ{ƒ€(Jungbum Park)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgGyeongjuh(ŠØ)@ŠÄ“Fƒ`ƒƒƒ“EƒŠƒ…(Zhang Lu)@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]

@EgThe Iron Ministryh(’†E•Ä)@ŠÄ“FJ.P Sniadecki@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgListen Up Philiph(•Ä)@ŠÄ“FAlex Ross Perry@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]

@EgVentos De Agostoh(ƒuƒ‰ƒWƒ‹)@ŠÄ“FGabriel Mascaro@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgThe Princess of Franceh(ƒAƒ‹ƒ[ƒ“ƒ`ƒ“)@ŠÄ“FMatías Piñeiro@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgDos Disparosh(ƒAƒ‹ƒ[ƒ“ƒ`ƒ“Eƒ`ƒŠE“ƁEƒIƒ‰ƒ“ƒ_)@ŠÄ“FMartín Rejtman@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@yƒtƒBƒ‹ƒ€ƒ[ƒJ[ƒYEƒIƒuEƒUEƒvƒŒƒ[ƒ“ƒg ƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åz(Cineasti Del Presente /Film-makers of the Present Competition)
@‘æ1‰ñ‚Ü‚½‚Í‘æ2‰ñŠÄ“ì•i‚̃Rƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åB

@¦R¸ˆõFOssama Mohammed(R¸ˆõ’·/ƒVƒŠƒA‚ÌŠÄ“Â)AThierry Jobin(ƒXƒCƒX‚̉f‰æÕƒfƒBƒŒƒNƒ^[)Aƒhƒ“Eƒ}ƒbƒPƒ‰[(Don McKellarFƒJƒiƒ_‚Ì”o—DEŠÄ“Â)AƒNƒŒƒ}ƒ“ƒXEƒ|ƒGƒW[(Clémence PoésyFƒtƒ‰ƒ“ƒX‚̏——D)AƒƒAƒŠ[EƒXƒeƒB[ƒ”ƒ“(Mary StephenF`Eƒtƒ‰ƒ“ƒX‚̕ҏW‹ZŽt)

@EgSud Eau Nord Déplacer(South to North)h(•§)@ŠÄ“FAntoine Boutet@m‘æ1‰ñì•in[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgUn Jeane Poeteh(•§)@ŠÄ“FDamien Manivel@m‘æ1‰ñì•in[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgThey Chased Me Through Arizonah(ƒXƒCƒXEƒ|[ƒ‰ƒ“ƒh)@ŠÄ“FMatthias Huser@m‘æ1‰ñì•in[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgMen Who Save the Worldh(ƒ}ƒŒ[ƒVƒAEƒIƒ‰ƒ“ƒ_E“ƁE•§)@ŠÄ“FƒŠƒ…ƒEEƒZƒ“ƒ^ƒbƒN(Liew Seng Tat/—«¬’B)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgExit(珌õ‘t–‹È)h(‘ä˜p) ŠÄ“Fƒ`ƒFƒ“EƒVƒƒƒ“(Chienn Hsiang/èAãÄ)@m‘æ1‰ñì•in[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]

@EgA Fresh Starth(ŠØ)@ŠÄ“FJang Woojin@m‘æ1‰ñì•in[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]

@EgSongs From The Northh(•ÄEŠØEƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FSoon-Mi Yoo@m‘æ1‰ñì•in[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@Ew‘§‚ðŽE‚µ‚āxgHold Your Breath Like a Loverh(“ú)@ŠÄ“FŒÜ\—’k•½@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgThe Creation Of Meaningh(ˆÉEƒJƒiƒ_)@ŠÄ“FSimone Rapisarda Casanova@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgBuzzardh(•Ä)@ŠÄ“FJoel Potrykus@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]

@EgChristmas Againh(•Ä)@ŠÄ“FCharles Poekel@m‘æ1‰ñì•in[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgNavajazoh(ƒƒLƒVƒR)@ŠÄ“FRicardo Silva@m‘æ1‰ñì•in[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]

@EgLos Hongosh(ƒRƒƒ“ƒrƒAE•§EƒAƒ‹ƒ[ƒ“ƒ`ƒ“E“Æ)@ŠÄ“FOscar Ruiz Navia@m‘æ1‰ñì•in[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@EgThe Enemies of Painh(ƒEƒ‹ƒOƒAƒCEƒuƒ‰ƒWƒ‹)@ŠÄ“FArauco Hernández@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@yƒŒƒp[ƒhEƒIƒuEƒgƒDƒ‚ƒ[/’Z•ÒƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åz(Pardi Di Domani(Short Films))
@’Z•Ò‚Ü‚½‚Í’†•Ò‚̃Rƒ“ƒyƒeƒBƒVƒ‡ƒ“‚ŁA‚Ü‚¾’·•Ò‚ð”­•\‚µ‚½‚±‚Æ‚ª‚È‚¢Žá‚¢‰f‰æŠÄ“‚̂½‚ß‚Ì•”–åB

@¦R¸ˆõFƒ‹ƒgƒK[EƒnƒEƒA[(R¸ˆõ’·)AHelvécio Marins Jr.(ƒuƒ‰ƒWƒ‹‚ÌŠÄ“Â)ALois Patiño, Director (ƒXƒyƒCƒ“‚ÌŠÄ“Â)AMyroslav Slaboshpytskiy(ƒEƒNƒ‰ƒCƒi‚ÌŠÄ“Â)ANicole Vögele(ƒXƒCƒX‚ÌŠÄ“Â)

@mƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹•”–ån

@EgAbandoned Goodsh(‰p)@ŠÄ“FPia BorgAEdward Lawrenson
@EgLos Invencibles (Invincibles)h(¼)@ŠÄ“FJavier BarberoAMartin Guerra
@EgSer E Voltar (To Be And To Come Back)h(¼)@ŠÄ“FXacio Baño
@EgSertresh(¼)@ŠÄ“FAinara Vera
@EgHelix Aspersah(•§)@ŠÄ“FGrégoire Graesslin
@EgKookaburra Loveh(ƒIƒ‰ƒ“ƒ_)@ŠÄ“FSjoerd Oostrik
@EgShipwreckh(ƒIƒ‰ƒ“ƒ_)@ŠÄ“FMorgan Knibbe
@EgLa Baracca (The Shack)h(ˆÉ)@ŠÄ“FAlessandro De LeoAFederico Di Corato
@EgSan Siroh(ˆÉ)@ŠÄ“FYuri Ancarani
@EgMatka Ziemia (Mother Earth)h(ƒ|[ƒ‰ƒ“ƒh)@ŠÄ“FPiotr Zlotorowicz
@EgVišak Vjetra (Surplus Of Wind)h(•§EƒZƒ‹ƒrƒAEƒ{ƒXƒjƒA ƒwƒ‹ƒcƒFƒSƒrƒi)@ŠÄ“FDane Komljen
@EgCai Putere (Horsepower)h(ƒ‹[ƒ}ƒjƒA)@ŠÄ“FDaniel Sandu
@EgII (Two)h(ƒMƒŠƒVƒƒE“Æ)@ŠÄ“FEfthimis Kosemund Sanidis
@EgAllt Vi Delar (All We Share)h(ƒXƒEƒF[ƒfƒ“)@ŠÄ“FJerry Carlsson
@EgPussy Have The Powerh(ƒXƒEƒF[ƒfƒ“)@ŠÄ“FLovisa Siren
@EgRooli (Role)h(ƒtƒBƒ“ƒ‰ƒ“ƒh)@ŠÄ“FJenni KangasniemiAElli Toivoniemi
@EgTriukšmadarys (The Noisemaker)h(ƒŠƒgƒAƒjƒAEƒXƒEƒF[ƒfƒ“)@ŠÄ“FKarolis Kaupinis
@EgLystopad (Fallen Leaves)h(ƒEƒNƒ‰ƒCƒi)@ŠÄ“FMasha Kondakova
@EgTahtt Al-Khazzan (Under The Tank)h(ƒVƒŠƒA)@ŠÄ“FEyas Al MokdadAOrwa Al Mokdad
@EgAn Hun Qu (Requiem)h(’†)@ŠÄ“FMu Ye Wen
@EgUnnatural Historyh(ƒjƒ…[ƒW[ƒ‰ƒ“ƒh)@ŠÄ“FAlex Backhouse
@EgHoleh(ƒJƒiƒ_)@ŠÄ“FMartin Edralin
@EgSleeping Gianth(ƒJƒiƒ_)@ŠÄ“FAndrew Cividino
@EgSingle Streamh(•Ä)@ŠÄ“FErnst Karel, Toby Kim LeeAPawel Wojtasik
@EgThirsth(•Ä)@ŠÄ“FRachel Mcdonald
@EgO Bom Comportamento (The Good Behavior)h(ƒuƒ‰ƒWƒ‹)@ŠÄ“FEva Randolph
@EgMuerte Blanca (White Death)h(ƒ`ƒŠ)@ŠÄ“FRoberto Collío

@mƒiƒVƒ‡ƒiƒ‹•”–ån

@EgAbseits Der Autobahn (Off The Highway)h(ƒXƒCƒX)@ŠÄ“FRhona Mühlerbach
@EgAubadeh(ƒXƒCƒX)@ŠÄ“FMauro Carraro
@EgDie Hälfte Der Welt (Half Of The World)h(ƒXƒCƒX)@ŠÄ“FJérôme Furrer
@EgLe Mal Du Citron (The Lemon Syndrome)h(ƒXƒCƒX)@ŠÄ“FJeremy RosensteinAKaspar Schiltknecht
@EgLe Miel Est Plus Doux Que Le Sang (Honey Is Sweeter Than Blood)h(ƒXƒCƒX)@ŠÄ“FColia Vranici
@EgOrages DfÉtéh(ƒXƒCƒX)@ŠÄ“FNadège De Benoit Luthy
@EgPeauh(ƒxƒ‹ƒM[EƒXƒCƒX)@ŠÄ“FMarine Koenig –
@EgPetit Hommeh(ƒXƒCƒX)@ŠÄ“FJean-Guillaume Sonnier
@EgProse Du Transsibérien (Prose Of The Trans-Siberian)h(ƒXƒCƒX)@ŠÄ“FDavid Epiney
@EgTotemsh(•§)@ŠÄ“FSarah Arnold

@[ƒXƒyƒVƒƒƒ‹EƒvƒƒOƒ‰ƒ€](Programma Speciale)

@EgAnker (Anchor)h(ƒƒVƒA)@ŠÄ“FVladimir Bitokov
@EgBrat (Brother)h(ƒƒVƒA)@ŠÄ“FMariana Kazancheva
@EgNebo Kazalosf Vysokim (The Sky Seemed To High)h(ƒƒVƒA)@ŠÄ“FKira Kovalenko
@EgOna Zhdet (She Waits)h(ƒƒVƒA)@ŠÄ“FMaryama Kalmykova
@EgPervyj Ya (First I)h(ƒƒVƒA)@ŠÄ“FKantemir Balagov
@EgPisfMo K Materi (Letter To Mother)h(ƒƒVƒA)@ŠÄ“FMalika Musaeva
@EgSerdechnye Ochi (Warm Hearted-Eyes)h(ƒƒVƒA)@ŠÄ“FGadzhimurad Efendiev
@EgPobeda(Victory)h(ƒƒVƒA)@ŠÄ“FAnzor Dokhov
@EgPriotkryvaya Dverf (Slightly Opening The Door)h(ƒƒVƒA)@ŠÄ“FMalika Musaeva
@EgVinoven-Nevinoven (Guilty-Guiltless)h(ƒƒVƒA)@ŠÄ“FTina Mastafova

@yR¸ˆõ‚̍ì•iz

@EƒWƒƒƒ“ƒtƒ‰ƒ“ƒREƒ[ƒW@gEl Sicario. Room 164h(2010/•§E•Ä)@ŠÄ“FƒWƒƒƒ“ƒtƒ‰ƒ“ƒREƒ[ƒW

@Eƒg[ƒ}ƒXEƒAƒ‹ƒXƒ‰ƒ“(Thomas Arslan)@gGoldh(2013/“ƁEƒJƒiƒ_)@ŠÄ“Fƒg[ƒ}ƒXEƒAƒ‹ƒXƒ‰ƒ“

@EƒAƒŠƒV[Eƒuƒ‰ƒK(Alice Braga)@gLatitudesh(2014/ƒuƒ‰ƒWƒ‹)@ŠÄ“FFelipe Braga

@EƒRƒj[Eƒj[ƒ‹ƒZƒ“(Connie Nielsen)@wƒf[ƒ‚ƒ“ƒ‰ƒ”ƒ@[x(2002/•§)@ŠÄ“FƒIƒŠƒ”ƒBƒGEƒAƒTƒCƒ„ƒX

@EƒfƒBƒAƒIEƒC[ƒiƒ“(Diao Yinan)@g”’“úà|‰Î(Bai Ri Yan Huo/Black Coal, Thin Ice)h(2014/’†)@ŠÄ“FƒfƒBƒAƒIEƒC[ƒiƒ“

@EOssama Mohammed@gMafA Al-Fidda (Silvered Water, Syria Self-Portrait)h(2014/ƒVƒŠƒAE•§)@ŠÄ“FOssama MohammedAWiam Simav Bedirxan

@Eƒhƒ“Eƒ}ƒbƒPƒ‰[(Don Mckellar)@gLast Nighth(1998/ƒJƒiƒ_E•§)@ŠÄ“Fƒhƒ“Eƒ}ƒbƒPƒ‰[

@EƒNƒŒƒ}ƒ“ƒXEƒ|ƒGƒW[(Clémence Poésy)@gJeanne Captiveh(2011/•§)@ŠÄ“FPhilippe Ramos

@EƒƒAƒŠ[EƒXƒeƒB[ƒ”ƒ“(Mary Stephen)@w—ö‚̏Hx(1998/•§)@ŠÄ“FƒGƒŠƒbƒNEƒƒ[ƒ‹

@Eƒ‹ƒgƒK[EƒnƒEƒA[@w¹‚Ȃ鐌‚Á‚Ï‚ç‚¢‚Ì“`àx(1988/ˆÉE•§)@ŠÄ“FƒGƒ‹ƒ}ƒ“ƒmEƒIƒ‹ƒ~

@EHelvécio Marins Jr.@gGirimunho (Swirl)h(2011/ƒuƒ‰ƒWƒ‹E¼E“Æ)@ŠÄ“FHelvécio Marins Jr.AClarissa Campolina

@ELois Patiño@gMontaña En Sombra (Mountain In Shadow)h(2013/¼)@ŠÄ“FLois Patiño@m’Z•Òn
@gCosta Da Morte (Coast Of Death)hi2013/¼j@ŠÄ“FLois Patiño

@EMyroslav Slaboshpytskiy@gPlemya (The Tribe)hi2014/ƒEƒNƒ‰ƒCƒij@ŠÄ“FMyroslav Slaboshpytskiy

@ENicole Vögele@gNebelhi2014j@ŠÄ“FNicole Vögele@m’†•Òn

@yƒAƒEƒgEƒIƒuEƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åz(Fuori Concorso)

@EgLisbon Revisitedh(ƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FEdgar Pêra@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgLe Temps Perduh(•§)@ŠÄ“FƒsƒG[ƒ‹EƒVƒ‡ƒŒ[ƒ‹(Pierre Schoeller)@m’†•ÒnmƒhƒLƒ…ƒƒ“ƒ^ƒŠ[n[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@EgParole De Kamikaze (I, Kamikaze)h(•§)@ŠÄ“Fƒ}ƒTEƒTƒƒ_(Masa Sawada)@m‘æ1‰ñì•in[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgAdieu Au Langageh(•§)@ŠÄ“FƒWƒƒƒ“=ƒŠƒ…ƒbƒNEƒSƒ_[ƒ‹
@EgSul Vulcanoh(ˆÉ)@ŠÄ“FGianfranco Pannone@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgDialogue DfOmbresh(1954E2013/•§EƒXƒCƒX)@ŠÄ“FƒWƒƒƒ“=ƒ}ƒŠ[EƒXƒgƒ[ƒuAƒ_ƒjƒGƒ‹Eƒ†ƒCƒŒ@m’Z•Òn
@EgÀ Propos De Veniseh(•§EƒXƒCƒX)@ŠÄ“FƒWƒƒƒ“=ƒ}ƒŠ[EƒXƒgƒ[ƒu@m’Z•Òn
@EgHomo Faber (Trois Femmes)h(ƒXƒCƒX)@ŠÄ“FRichard Dindo@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgYalomfs Cureh(ƒXƒCƒX)@ŠÄ“FSabine Gisiger@mƒhƒLƒ…ƒƒ“ƒ^ƒŠ[n[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgDang An (The Dossier)h(’†)@ŠÄ“FZhu Rikun@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgCutawayh(ƒJƒiƒ_)@ŠÄ“FƒJƒWƒbƒNEƒ‰ƒhƒƒ“ƒXƒL(Kazik Radwanski)@m’Z•Òn@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgCreeph(•Ä)@ŠÄ“FPatrick Brice@m‘æ1‰ñì•in
@EgThe Tony Longo Trilogyh(•Ä)@ŠÄ“FThom Andersen@m’Z•Òn[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgPoder Dos Afetos (Power Of Affections)h(ƒuƒ‰ƒWƒ‹)@ŠÄ“FHelena Ignez@m’†•Òn@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]

@yƒsƒAƒbƒcƒ@EƒOƒ‰ƒ“ƒf•”–åz(Piazza Grande)
@ˆê“x‚É8000l‚ªŠÓÜ‚Å‚«‚éƒsƒAƒbƒcƒ@EƒOƒ‰ƒ“ƒf(ƒOƒ‰ƒ“ƒfLê)‚̉®ŠO‘åŒ^ƒXƒNƒŠ[ƒ“Piazza Grande‚ŏã‰f‚³‚ê‚é“Á•Êã‰fì•iB

@EgA La Vieh(•§)@ŠÄ“FƒWƒƒƒ“=ƒWƒƒƒbƒNEƒWƒ‹ƒxƒ‹ƒ}ƒ“(Jean-Jacques Zilbermann)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EwƒWƒFƒƒjƒ‚ ˆ¤‚ÆŽÜ”M‚̃ŠƒYƒ€xgGeronimoh(•§)@ŠÄ“Fƒgƒj[EƒKƒgƒŠƒt@ƒNƒ[ƒWƒ“ƒOì•iB
@EwƒAƒjƒGƒX‚Ì•l•ÓxgLes Plages DfAgnesh(2008/•§)@ŠÄ“FƒAƒjƒGƒXEƒ”ƒ@ƒ‹ƒ_
@EgMarie Heurtinh(•§)@ŠÄ“FƒWƒƒƒ“=ƒsƒG[ƒ‹EƒAƒƒŠƒX(Jean-Pierre Améris)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgLucyh(•§)@ŠÄ“FƒŠƒ…ƒbƒNEƒxƒbƒ\ƒ“@ƒI[ƒvƒjƒ“ƒOì•iB
@EgClouds of Sils Mariah(•§E“ƁEƒXƒCƒX)@ŠÄ“FƒIƒŠƒ”ƒBƒGEƒAƒTƒCƒ„ƒX
@EwŽR”Lx(1963/ˆÉE•§)@ŠÄ“Fƒ‹ƒLƒmEƒ”ƒBƒXƒRƒ“ƒeƒB
@EgPauseh(ƒXƒCƒX)@ŠÄ“FMathieu Urfer@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgSchweizer Heldenh(ƒXƒCƒX)@ŠÄ“Fƒy[ƒ^[Eƒ‹ƒCƒW(Peter Luisi)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgA Hitmanfs Solitude Before the Shoth(“Æ)@ŠÄ“FFlorian Mischa Böder@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgTour De Force (Hin Und Weg)h(“Æ)@ŠÄ“FƒNƒŠƒXƒeƒBƒAƒ“Eƒ`ƒ…[ƒxƒ‹ƒg(Christian Zübert)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgLove Islandh(ƒNƒƒAƒ`ƒAE“ƁEƒXƒCƒXEƒ{ƒXƒjƒA ƒwƒ‹ƒcƒFƒSƒrƒi)@ŠÄ“Fƒ„ƒXƒ~ƒ‰EƒWƒ…ƒoƒjƒbƒ`@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgDancing Arabsh(ƒCƒXƒ‰ƒGƒ‹)@ŠÄ“FƒGƒ‰ƒ“EƒŠƒNƒŠƒX@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@EgThe Hundred-Foot Journeyh(•Ä)@ŠÄ“Fƒ‰ƒbƒZEƒnƒ‹ƒXƒgƒŒƒ€
@EgLand Ho!h(•ÄEƒAƒCƒXƒ‰ƒ“ƒh)@ŠÄ“FAaron KatzAMartha Stephens

@yƒTƒCƒ“ƒYEƒIƒuEƒ‰ƒCƒt•”–åz(Signs Of Life)
@•¨Œê‚̐V‚µ‚¢ƒtƒHƒ‹ƒ€‚âŠvV“I‚ȉf‰æŒ¾Œê‚ðŽ‚Á‚½ì•i‚ðƒZƒŒƒNƒg‚µ‚½ƒvƒƒOƒ‰ƒ€Bƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA‚à‚µ‚­‚̓Cƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒAB

@EgAntigona Despierta (Antigone Awake)h(¼)@ŠÄ“FLupe Pérez García@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgFils De (WhatfS Your Job Daddy?)h(•§)@ŠÄ“FHPG@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgAmori E Metamorfosih(•§EˆÉ)@ŠÄ“FYanira Yariv@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgAl-Rakib Al-Khaled (The Immortal Sergent)h(ƒVƒŠƒA)@ŠÄ“FZiad Kalthoum@mƒhƒLƒ…ƒƒ“ƒ^ƒŠ[nm‘æ1‰ñì•in
@EgLos Ausentes (The Absent)h(ƒƒLƒVƒRE¼E•§)@ŠÄ“FƒjƒRƒ‰ƒXEƒyƒŒƒ_(Nicolás Pereda)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgCom Os Punhos Cerrados (Clenched Fists)h(ƒuƒ‰ƒWƒ‹)@ŠÄ“FPedro DiogenesA Ricardo PrettiALuiz Pretti@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgEl Escarabajo De Oro (The Gold Bug)h(ƒAƒ‹ƒ[ƒ“ƒ`ƒ“Eƒfƒ“ƒ}[ƒNEƒXƒEƒF[ƒfƒ“)@ŠÄ“FAlejo MoguillanskyAFia-Stina Sandlund@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@EgFavulah(ƒAƒ‹ƒ[ƒ“ƒ`ƒ“)@ŠÄ“FRaul Perrone@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgFort Buchananh(•§Eƒ`ƒ…ƒjƒWƒA)@ŠÄ“FBenjamin Crotty@m‘æ1‰ñì•in[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@y“Á•Ê•\²z(Premi Speciali)

@Ÿ–¼—_‹à•^Ü(Pardo DfOnore Swisscom)FƒAƒjƒGƒXEƒ”ƒ@ƒ‹ƒ_
@Ew5Žž‚©‚ç7Žž‚܂ł̃NƒŒƒIx(1961/•§EˆÉ)
@Ew‘n‘¢•¨‚½‚¿xgLes Créatures (The Creatures)h(1965/•§EƒXƒCƒX)
@EgOncle Yancoh(1967/•Ä)@m’Z•Òn
@EgLions Love (...And Lies)hi1969/•ÄE•§j
@EgDocumenteurhi1980/•ÄE•§j@m’†•Òn
@Ew“~‚Ì—·xi1985/•§j
@Ew—Ž•äE‚¢xi2000/•§j
@EwƒAƒjƒGƒX•l•Óxi2008/•§j
@EgAgnès De Ci De Là Vardahi2011/•§j@43•ª~5•Ò

@ŸRaimondo RezzonicoÜ(Premio Raimondo Rezzonico)Fƒiƒ“ƒTƒ“EƒV[(Nansun Shi)
@Ewƒhƒ‰ƒSƒ“EƒCƒ“/V—´–å‹qž x(1992/`)@ŠÄ“FƒŒƒCƒ‚ƒ“ƒhEƒŠ[
@EwƒhƒŠƒtƒgx(2000/`E’†)@ŠÄ“FƒcƒCEƒn[ƒN
@Ewƒ‰ƒCƒYEƒIƒuEƒV[ƒhƒ‰ƒSƒ“ “ä‚Ì“S‚̒܁x(2013/’†)@ŠÄ“FƒcƒCEƒn[ƒN

@ŸƒGƒNƒZƒŒƒ“ƒXÜ ƒ‚ƒGEƒGEƒVƒƒƒ“ƒhƒ“(Excellence Award Moët & Chandon)FƒWƒ…ƒŠƒGƒbƒgEƒrƒmƒVƒ…
@EwƒgƒŠƒRƒ[ƒ‹ Â‚̈¤x(1993/•§Eƒ|[ƒ‰ƒ“ƒhEƒXƒCƒX)@ŠÄ“FƒNƒVƒVƒ…ƒgƒtEƒLƒFƒVƒƒtƒXƒL
@EwƒgƒXƒJ[ƒi‚ÌŠäìx(2010/•§EˆÉEƒxƒ‹ƒM[EƒCƒ‰ƒ“)@ŠÄ“FƒAƒbƒoƒXEƒLƒAƒƒXƒ^ƒ~
@EgSils Maria (Clouds Of Sils Maria)h(2014/•§E“ƁEƒXƒCƒX)@ŠÄ“FƒIƒŠƒ”ƒBƒGEƒAƒTƒCƒ„ƒX

@Ÿƒ”ƒBƒWƒ‡ƒ“Ü- Nescens(Vision Award - Nescens)FGarrett Brown(ƒXƒeƒfƒBƒJƒ€EƒIƒyƒŒ[ƒ^[)
@EwƒEƒfƒBEƒKƒXƒŠ[/‚킪S‚̂ӂ邳‚Ɓx(1976/•Ä)@ŠÄ“Fƒnƒ‹EƒAƒVƒ…ƒr[
@EwƒƒbƒL[x(1976/•Ä)@ŠÄ“FƒWƒ‡ƒ“E‚fEƒAƒ”ƒBƒ‹ƒhƒZƒ“
@EwƒVƒƒƒCƒjƒ“ƒOx(1980/•Ä)@ŠÄ“FƒXƒ^ƒ“ƒŠ[EƒLƒ…[ƒuƒŠƒbƒN
@EwƒEƒ‹ƒtƒFƒ“x(1981/•Ä)@ŠÄ“Fƒ}ƒCƒPƒ‹EƒEƒHƒhƒŒ[

@Ÿ¶ŠUvŒ£Ü- Parmigiani(Lifetime Achievement Award - Parmigiani)FƒA[ƒ~ƒ“Eƒ~ƒ…ƒ‰[=ƒXƒ^[ƒ‹
@Ewƒ[ƒ‰xgLolah(1981/¼“Æ)@ŠÄ“Fƒ‰ƒCƒi[Eƒ”ƒFƒ‹ƒi[Eƒtƒ@ƒXƒrƒ“ƒ_[
@Ewƒ}ƒCƒZƒ“Œ¶‰ex(1992/“ƁEˆÉE‰p)@ŠÄ“FƒWƒ‡ƒ‹ƒWƒ…EƒVƒ…ƒ‹ƒCƒcƒ@[
@EwƒVƒƒƒCƒ“x(1996/ƒI[ƒXƒgƒ‰ƒŠƒA)@ŠÄ“FƒXƒRƒbƒgEƒqƒbƒNƒX

@ŸƒLƒƒƒŠƒA‹à•^ÜFƒrƒNƒgƒ‹EƒGƒŠƒZ(Pardo Alla Carriera To Víctor Erice)
@Ewƒ~ƒcƒoƒ`‚Ì‚³‚³‚â‚«x(1973/¼)
@EwƒGƒ‹EƒX[ƒ‹x(1983/¼)
@Ewƒ}ƒ‹ƒƒ‚Ì—zŒõx(1992/¼)
@Ewƒ‰ƒCƒtƒ‰ƒCƒ“xgAlumbramiento (Lifeline)h(2002/¼)@m’Z•Òniw10ƒ~ƒjƒbƒcEƒI[ƒ‹ƒ_[ l¶‚̃ƒrƒEƒXx‚̈ê•Òj
@EgCorrespondencia Víctor Erice - Abbas KiarostamiiƒrƒNƒgƒ‹EƒGƒŠƒZ/ƒAƒbƒoƒXEƒLƒAƒƒXƒ^ƒ~A‘ŠÈjh(2005E2007/¼EƒCƒ‰ƒ“)@ŠÄ“FƒrƒNƒgƒ‹EƒGƒŠƒZEƒAƒbƒoƒXEƒLƒAƒƒXƒ^ƒ~
@Ewƒ‰Eƒ‚ƒ‹ƒgEƒ‹[ƒWƒ…xgLa Morte Rougehi2006/¼j
@Ewª•žŽÒAª•ž‚³‚éxgVidros Partidoshi2012/ƒ|ƒ‹ƒgƒKƒ‹j@m’†•Òniwƒ|ƒ‹ƒgƒKƒ‹A‚±‚±‚É’a¶‚·`ƒMƒ}ƒ‰ƒ“ƒCƒX—ðŽj’n‹æx‚̈ê•Òj

@ŸƒŒƒp[ƒhEƒNƒ‰ƒuÜFƒ~ƒAEƒtƒ@ƒ[iLeopard Club Award To Mia Farrowj

@y‰f‰æŽjziHistoire(S) Du Cinémaj

@ŸƒgƒŠƒrƒ…[ƒgEƒgƒDEƒŠ[Eƒnƒ“ƒVƒƒƒ“(Tribute To Li Han-Hsiang)
@Ew]ŽR”ülx(1959/`)
@EgDong Nuan (“~’g/The Winter)h(1969/‘ä˜p)
@EgHsi Nou Ai Le (Šì“{ˆ£Šy/Four Moods)h(1970/‘ä˜p)@ŠÄ“FƒŠ[Eƒnƒ“ƒVƒƒƒ“(—›ŠËË)AJingrui Bai(”’Œi)AƒLƒ“Eƒt[AƒŠ[EƒVƒ“(—›s)
@EgFeng Yue Qi Tan (ŒÃŒ•Šïæ/Legends Of Lust)h(1972/`)

@ŸƒJƒ‹ƒEƒ”ƒ@ƒŠ[ƒj(1946-2014)‚ÌŽv‚¢o(Remembering Carlo Varini)
@EgMatlosah(1981/ƒXƒCƒX)@ŠÄ“Fƒ”ƒBƒŠEƒwƒ‹ƒ}ƒ“(Villi Hermann)

@ŸƒXƒCƒX‰f‰æÄ”­Œ©(Cinémacinema Svizzero Riscoperto, In Collaboration With The Cinémathèque Suisse)
@EgGilberte De Courgenayh(1941/ƒXƒCƒX)@ŠÄ“FFranz Schnyder

@ŸƒgƒŠƒrƒ…[ƒgEƒgƒDEƒWƒƒƒ“ƒtƒ‰ƒ“ƒ\ƒEƒAƒ~ƒQ(Tribute To Jean-François Amiguet)
@EgAlexandreh(1983/ƒXƒCƒX)@ŠÄ“FƒWƒƒƒ“ƒtƒ‰ƒ“ƒ\ƒEƒAƒ~ƒQAAnne Gonthier
@EgAu 10 Aoûth(1986/ƒXƒCƒX)@ŠÄ“FƒWƒƒƒ“ƒtƒ‰ƒ“ƒ\ƒEƒAƒ~ƒQ@mƒhƒLƒ…ƒƒ“ƒ^ƒŠ[nm’Z•Òn

@Ÿ‰f‰æŽjiHistoire(S) Du Cinémaj
@EgRemainsh(2014/•§)@ŠÄ“FPierre Léon@m’Z•Òn[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgGli Incubi Di Dario Argentoh(1987/ˆÉ)@ŠÄ“Fƒ_ƒŠƒIEƒAƒ‹ƒWƒFƒ“ƒg@3•ª~9•Ò
@EgPris Dans Le Tourbillon (Locked In The Whirlwind)h(2014/ƒXƒCƒX)@ŠÄ“Fƒtƒ@ƒuƒŠƒXEƒAƒ‰[ƒjƒ‡iFabrice Aragnoj@m’Z•Òn[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgSokurovin Äanih(2014/ƒtƒBƒ“ƒ‰ƒ“ƒhEƒXƒCƒXEƒGƒXƒgƒjƒA)@ŠÄ“FLeena Kilpeläinen@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgSosialismi (2014/ƒtƒBƒ“ƒ‰ƒ“ƒh)@ŠÄ“Fƒy[ƒ^[EƒtƒHƒ“Eƒo[ƒOiPeter Von Baghj@mƒhƒLƒ…ƒƒ“ƒ^ƒŠ[nm’†•Òn
@EgRemake, Remix, Ripoffh(2014/“ƁEƒgƒ‹ƒR)@ŠÄ“FCem Kaya@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@Ewƒ‚ƒ_ƒ“Eƒ^ƒCƒ€ƒXx(1936/•Ä)@ŠÄ“Fƒ`ƒƒ[ƒ‹ƒYEƒ`ƒƒƒbƒvƒŠƒ“
@EgCopacabana Mon Amourh(1970/ƒuƒ‰ƒWƒ‹)@ŠÄ“FRogério Sganzerla

@yƒŒƒgƒƒXƒyƒNƒeƒBƒ”E‰f‰æ‰ïŽÐƒeƒBƒ^ƒkƒXziRetrospettiva Titanusj

@EgTrappolah(1922/ˆÉ)@ŠÄ“Fƒ†[ƒWƒFƒjƒIEƒyƒŒƒSiEugenio Peregoj@m’†•Òn
@EgCasa Mia, Donna Mia... h(1923/ˆÉ)@ŠÄ“FCharles Krauss@m’†•Òn
@EgLa Carne E LfAnimah(1945/ˆÉ)@ŠÄ“FƒEƒ‰ƒWƒ~[ƒ‹EƒXƒgƒŠƒVƒFƒtƒXƒL[iVladimir Strizhevskyj
@Ew‰hŒõ‚Ì“úXxgGiorni Di Gloria (Days Of Glory)h(1945/ˆÉEƒXƒCƒX)@ŠÄ“FƒWƒ…ƒ[ƒbƒyEƒfEƒTƒ“ƒeƒBƒX(Giuseppe De Santis)Aƒ}ƒ‹ƒ`ƒFƒbƒEƒpƒŠƒGƒ(Marcello Pagliero)Aƒ}ƒŠƒIEƒZƒ‰ƒ“ƒhƒŒƒC(Mario Serandrei)Aƒ‹ƒLƒmEƒ”ƒBƒXƒRƒ“ƒeƒB@mƒhƒLƒ…ƒƒ“ƒ^ƒŠ[n
@EgCronaca Nerah(1947/ˆÉ)@ŠÄ“FGiorgio Bianchi
@EgLo Sciopero Dei Milionih(1947/ˆÉ)@ŠÄ“Fƒ‰ƒtƒ@ƒGƒEƒ}ƒ^ƒ‰ƒbƒcƒH(Raffaello Matarazzo)
@EgLa Madonna Di Pompei A Napolihi1948/ˆÉj@ŠÄ“F•s–¾@m’Z•Òn
@EgMaria Denis E Le Sue Prigionihi1948/ˆÉj@ŠÄ“F•s–¾@m’Z•Òn
@EgCatene (Chains)h(1949/ˆÉ)@ŠÄ“Fƒ‰ƒtƒ@ƒGƒEƒ}ƒ^ƒ‰ƒbƒcƒH
@EgProssimamentecTitanus - Una Storia Lungo I TrailershiˆÉ/60•ªj@ƒLƒ…ƒŒ[ƒ^[FThe Fondazione Cineteca Di Bologna
@EgTormentoh(1950/ˆÉ)@ŠÄ“Fƒ‰ƒtƒ@ƒGƒEƒ}ƒ^ƒ‰ƒbƒcƒH
@EgI Figli Di Nessuno (Nobodyfs Children)h(1951/ˆÉE•§)@ŠÄ“Fƒ‰ƒtƒ@ƒGƒEƒ}ƒ^ƒ‰ƒbƒcƒH
@EgIl Tallone Di Achilleh(1952/ˆÉ)@ŠÄ“Fƒ}ƒŠƒIEƒAƒƒ“ƒhƒ‰(Mario Amendola)Aƒ‹ƒbƒWƒF[ƒEƒ}ƒbƒJƒŠ(Ruggero Maccari)
@EgAttanasio Cavallo Vanesioh (1953/ˆÉ)@ŠÄ“FƒJƒ~ƒEƒ}ƒXƒgƒƒ`ƒ“ƒNƒG(Camillo Mastrocinque)@m—\•Òn
@Ewƒpƒ“‚Æ—ö‚Æ–²xgPane Amore E Fantasia (Bread, Love And Dreams)h(1953/ˆÉ)@ŠÄ“Fƒ‹ƒCƒWEƒRƒƒ“ƒ`[ƒj
@Ew‚í‚ê‚珗«xgSiamo Donne (We, The Women)h(1953/ˆÉ)@ŠÄ“FƒWƒƒƒ“ƒjEƒtƒ‰ƒ“ƒ`ƒ‡ƒŠ[ƒj(Gianni Franciolini)AƒAƒ‹ƒtƒŒ[ƒhEƒOƒAƒŠ[ƒjiAlfredo GuarinijAƒƒxƒ‹ƒgEƒƒbƒZƒŠ[ƒjAƒ‹ƒLƒmEƒ”ƒBƒXƒRƒ“ƒeƒBAƒ‹ƒCƒWEƒUƒ“ƒp(Luigi Zampa)
@EwŠá‚Ì’†‚Ì‘¾—zxgIl Sole Negli Occhi (Empty Eyes)h(1953/ˆÉ)@ŠÄ“FƒAƒ“ƒgƒjƒIEƒsƒGƒgƒ‰ƒ“ƒWƒFƒŠ(Antonio Pietrangeli)
@EgMaddalenah(1954/ˆÉE•§)@ŠÄ“FƒAƒEƒOƒXƒgEƒWƒFƒj[ƒi(Augusto Genina)
@Ewƒpƒ“‚Æ—ö‚ÆŽ¹“ixgPane Amore E Gelosia (Frisky)h(1954/ˆÉ)@ŠÄ“Fƒ‹ƒCƒWEƒRƒƒ“ƒ`[ƒj
@EgScuola Elementare (Primary School)h(1954/ˆÉ)@ŠÄ“FƒAƒ‹ƒxƒ‹ƒgEƒ‰ƒbƒgƒDƒA[ƒ_(Alberto Lattuada)
@EwŠCŠÝxgLa Spiaggia (Riviera)h(1954/ˆÉE•§)@ŠÄ“FƒAƒ‹ƒxƒ‹ƒgEƒ‰ƒbƒgƒDƒA[ƒ_
@EgTorna!h(1954/ˆÉ)@ŠÄ“Fƒ‰ƒtƒ@ƒGƒEƒ}ƒ^ƒ‰ƒbƒcƒH
@EgLfAngelo Bianco (The White Angel)h(1955/ˆÉ)@ŠÄ“Fƒ‰ƒtƒ@ƒGƒEƒ}ƒ^ƒ‰ƒbƒcƒH
@Ew—‚Æ‚à‚¾‚¿xgLe Amicheh(1955/ˆÉ)@ŠÄ“Fƒ~ƒPƒ‰ƒ“ƒWƒFƒEƒAƒ“ƒgƒjƒI[ƒj
@EwŠRxgIl Bidoneh(1955/ˆÉ)@ŠÄ“FƒtƒFƒfƒŠƒREƒtƒFƒŠ[ƒj
@EgUn Eroe Dei Nostri Tempi (A Hero Of Our Times)h(1955/ˆÉ)@ŠÄ“Fƒ}ƒŠƒIEƒ‚ƒjƒ`ƒFƒŠ
@Ew•n‚µ‚¢‚ª”ü‚µ‚¢’j‚½‚¿xgPoveri Ma Belli (Poor But Beautiful)h(1956/ˆÉE•§)@ŠÄ“FƒfƒB[ƒmEƒŠ[ƒW
@EgTotò Lascia O Raddoppia? (Totò Double Or Nothing?)h(1956/ˆÉ)@ŠÄ“FƒJƒ~ƒEƒ}ƒXƒgƒƒ`ƒ“ƒNƒG (Camillo Mastrocinque)
@EwlŠÔ‚ƘTxgUomini E Lupi (Men And Wolves)h(1957/ˆÉE•§)@ŠÄ“FƒWƒ…ƒ[ƒbƒyEƒfEƒTƒ“ƒeƒBƒX(Giuseppe De Santis)
@Ew‹zŒŒ‹SxgI Vampiri (Lust Of The Vampire)h(1957/ˆÉ)@ŠÄ“FƒŠƒbƒJƒ‹ƒhEƒtƒŒ[ƒ_(Riccardo Freda)
@EgTuppe Tuppe, Marescià!h(1958/ˆÉ)@ŠÄ“FƒJƒ‹ƒEƒ‹ƒhƒ”ƒBƒREƒuƒ‰ƒKƒŠƒA(Carlo Ludovico Bragaglia)
@Ewƒ}ƒ‰ƒ\ƒ“‚̐킢xgLa Battaglia Di Maratona (The Giant Of Marathon)h(1959/ˆÉE•§)@ŠÄ“FƒWƒƒƒbƒNEƒ^[ƒi[(Jacques Tourneur)Aƒuƒ‹[ƒmEƒ”ƒ@ƒCƒ‰[ƒeƒB(Bruno Vailati)
@EwŒƒ‚µ‚¢‹GßxgEstate Violenta (Violent Summer)h(1959/ˆÉE•§)@ŠÄ“Fƒ”ƒ@ƒŒƒŠƒIEƒYƒ‹ƒŠ[ƒj(Valerio Zurlini)
@EwƒƒŠƒ„ƒX”„‚èxgI Magliari (The Magliari)h(1959/ˆÉE•§)@ŠÄ“Fƒtƒ‰ƒ“ƒ`ƒFƒXƒREƒ[ƒW
@EgAnonima Cocottes (Little Girls And High Finance)h(1960/ˆÉE•§)@ŠÄ“FƒJƒ~ƒEƒ}ƒXƒgƒƒ`ƒ“ƒNƒG
@Ew17Î‚悳‚悤‚È‚çxgDolci Inganni (Sweet Deceptions)h(1960/ˆÉE•§)@ŠÄ“FƒAƒ‹ƒxƒ‹ƒgEƒ‰ƒbƒgƒDƒA[ƒ_
@EwƒAƒgƒ‰ƒ“ƒ^ƒCƒhxgAntinea, LfAmante Della Città Sepolta (Journey Beneath The Desert)h(1961/ˆÉE•§)@ŠÄ“Fƒtƒ‰ƒ“ƒNEƒ{[ƒ[ƒCƒW(Frank Borzage)AGiuseppe MasiniAƒGƒhƒK[EGEƒEƒ‹ƒ}[(Edgar G. Ulmer)
@EwƒIƒ‹ƒSƒ\ƒ‚Ì“‘¯xgBanditi A Orgosolo (Bandits Of Orgosolo)h(1961/ˆÉ)@ŠÄ“Fƒ”ƒBƒbƒgƒŠƒIEƒfEƒZ[ƒ^(Vittorio De Seta)
@Ew‚Ó‚½‚è‚̏—xgLa Ciociara (Two Women)h(1961/ˆÉE•§)@ŠÄ“Fƒ”ƒBƒbƒgƒŠƒIEƒfEƒV[ƒJ
@EwŠ“‚ðŽ‚Á‚½—xgLa Ragazza Con La Valigia (Girl With A Suitcase)h(1961/ˆÉE•§)@ŠÄ“Fƒ”ƒ@ƒŒƒŠƒIEƒYƒ‹ƒŠ[ƒj
@Ew‰Æ‘°“úŽxgCronaca Familiare (Family Portrait)h(1962/ˆÉ)@ŠÄ“Fƒ”ƒ@ƒŒƒŠƒIEƒYƒ‹ƒŠ[ƒj
@EgI Giorni Contati (The Days Are Numbered)h(1962/ˆÉ)@ŠÄ“FƒGƒŠƒIEƒyƒgƒŠ
@EgLa Legge Della Trombah(1962/ˆÉ)@ŠÄ“FAugusto Tretti.
@EgLa Corruzione (Corruption)h(1963/ˆÉE•§)@ŠÄ“Fƒ}ƒEƒEƒ{ƒƒj[ƒj(Mauro Bolognini)
@Ew¥–ñŽÒ‚½‚¿xgI Fidanzati (The Fiances)h(1963/ˆÉ)@ŠÄ“FƒGƒ‹ƒ}ƒ“ƒmEƒIƒ‹ƒ~
@Ew”’‚¢”§‚É‹¶‚¤•ÚxgLa Frusta E Il Corpo (The Whip And The Body)h(1963/ˆÉ)@ŠÄ“Fƒ}ƒŠƒIEƒo[ƒ”ƒ@
@EwŽR”Lx(1963/ˆÉE•§)@ŠÄ“Fƒ‹ƒLƒmEƒ”ƒBƒXƒRƒ“ƒeƒB
@EwŽjãÅ‘å‚̊쌀 ’nãÅÎ‚̍ìíxgIl Giorno Più Corto (The Shortest Day)h(1963/ˆÉ)@ŠÄ“FƒZƒ‹ƒWƒIEƒRƒ‹ƒuƒbƒ`(Sergio Corbucci)
@EgAmore Mioh(1964/ˆÉ)@ŠÄ“Fƒ‰ƒtƒ@ƒGƒEƒ}ƒ^ƒ‰ƒbƒcƒH(Raffaello Matarazzo)
@EgIl Demonio (The Demon)h(1964/ˆÉE•§)@ŠÄ“Fƒuƒ‹ƒlƒEƒƒ“ƒfƒB(Brunello Rondi)
@EgNon Stuzzicate La Zanzarah(1967/ˆÉ)@ŠÄ“FƒŠƒiEƒEƒFƒ‹ƒgƒ~ƒ…ƒ‰[
@EwŠ½‚т̓ʼnåxgLfUccello Dalle Piume Di Cristallo (The Bird With The Crystal Plumage)h(1970/ˆÉE¼“Æ)@ŠÄ“Fƒ_ƒŠƒIEƒAƒ‹ƒWƒFƒ“ƒg
@Ew‚Z‹³ŽtxgLa Prima Notte Di Quiete (Indian Summer)h(1972/ˆÉE•§)@ŠÄ“Fƒ”ƒ@ƒŒƒŠƒIEƒYƒ‹ƒŠ[ƒj
@EgBuon Natalec Buon Anno (Merry Christmasc Happy New Year)h(1989/ˆÉE•§)@ŠÄ“Fƒ‹ƒCƒWEƒRƒƒ“ƒ`[ƒj
@EgLfUltimo Gattopardoh(2010/ˆÉ)@ŠÄ“FƒWƒ…ƒ[ƒbƒyEƒgƒ‹ƒiƒg[ƒŒ@mƒhƒLƒ…ƒƒ“ƒ^ƒŠ[n

@yƒI[ƒvƒ“EƒhƒAEƒXƒNƒŠ[ƒjƒ“ƒOziOpen Doors Screeningsj

@EgDifreth(2014/ƒGƒ`ƒIƒsƒAE•Ä)@ŠÄ“FZeresenay Berhane Mehari
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@EgTestamenth(1988/ƒK[ƒiE‰p)@ŠÄ“FƒWƒ‡ƒ“EƒAƒRƒ€ƒtƒ‰[iJohn Akomfrahj
@EgHeritage Africah(1989/ƒK[ƒi)@ŠÄ“FKwaw Ansah
@EgSaikatih(1992/ƒPƒjƒA)@ŠÄ“FAnne Mungai
@EgSomething Necessaryh(2013/ƒPƒjƒAE“Æ)@ŠÄ“FJudy Kibinge
@EgZamorah(2011/ƒ^ƒ“ƒUƒjƒA)@ŠÄ“FShams Bhanji
@EgMueda, Memória E Massacreh(1979/ƒ‚ƒUƒ“ƒr[ƒN)@ŠÄ“Fƒ‹ƒCEƒOƒGƒbƒ‰iRuy Guerraj
@EgNelisitah(1983/ƒAƒ“ƒSƒ‰)@ŠÄ“FRuy Duarte De Carvalho
@EgPor Aqui Tudo Bemh(2011/ƒAƒ“ƒSƒ‰Eƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FPocas Pascoal
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@EgFoolsh(1997/“ìƒAE•§)@ŠÄ“FRamadan Suleman
@EgShirley Adamsh(2009/“ìƒAE•ÄE‰p)@ŠÄ“FOliver Hermanus
@EgNelson Mandela: The Myth & Meh(2014/“ìƒAE“Æ)@ŠÄ“FKhalo Matabane

@m’Z•Òn
@EgAl Mahattah(1989/ƒX[ƒ_ƒ“)@ŠÄ“FEltayeb Mahdi
@EgAfrican Metropolis: The Line-Uph(2013/ƒiƒCƒWƒFƒŠƒA)@ŠÄ“FFolasakin Iwajomo
@EgKwaku Ananseh(2013/ƒK[ƒiEƒƒLƒVƒRE•Ä)@ŠÄ“FAkosua Adoma Owusu
@EgThe Marriage Of Mariamuh(1985/ƒ^ƒ“ƒUƒjƒAE•Ä)@ŠÄ“FRon MulvihillANangayoma NgfOge
@EgMawazoh(2008/ƒ^ƒ“ƒUƒjƒA)@ŠÄ“FNina Mnaya
@EgThe Business Triph(2008/ƒ^ƒ“ƒUƒjƒA)@ŠÄ“FNeema Kambona
@EgJemina & Johnnyh(1967/“ìƒAE‰p)@ŠÄ“FLionel NfGakane
@EgPumzih(2009/ƒPƒjƒAE“ìƒA)@ŠÄ“FWanuri Kahiu
@EgAfrican Metropolis: Bereah(2013/“ìƒA)@ŠÄ“FVincent Moloi
@EgAfrican Metropolis: Homecomingh(2013/“ìƒA)@ŠÄ“FJim Chuchu

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