ŠC‚©‚çŽn‚Ü‚é!?

ƒAƒNƒZƒXƒJƒEƒ“ƒ^

zoom RSS ƒv[ƒ‰‰f‰æÕ(ƒNƒƒAƒ`ƒA)2014 ƒ‰ƒCƒ“ƒiƒbƒvI

<<   ì¬“úŽž F 2014/07/08 20:26   >>

ƒgƒ‰ƒbƒNƒoƒbƒN 0 / ƒRƒƒ“ƒg 0

@‘æ61‰ñƒv[ƒ‰‰f‰æÕ(7ŒŽ12“ú-26“ú)‚̃‰ƒCƒ“ƒiƒbƒv‚Å‚·B

@yƒv[ƒ‰‰f‰æÕz(Pula Film Festival)

@ƒv[ƒ‰‰f‰æÕ‚́AƒNƒƒAƒ`ƒA‚ōłàŒÃ‚¢‰f‰æÕ‚ŁA1954”N‚©‚çƒXƒ^[ƒg‚µ‚āA1957”N‚©‚çÜ‚ÌŽö—^‚ðs‚È‚Á‚Ä‚¢‚Ü‚·B
@ƒ†[ƒSƒXƒ‰ƒrƒA‚̉f‰æÕ‚Æ‚µ‚ăXƒ^[ƒg‚µ‚āA1991”N‚Ü‚Å‘±‚¢‚½ŒãAƒ†[ƒSƒXƒ‰ƒrƒA‚Ì•ö‰ó‚ŁA‚¢‚Á‚½‚ñ’†’f‚µA1994”N‚©‚çÄŠJ‚µ‚āA¡”N‚Å‘æ61‰ñ‚ðŒ}‚¦‚Ä‚¢‚Ü‚·B

@ƒv[ƒ‰‰f‰æÕ‚́AŽå‚ɁA”NŠÔÅ—DG‰f‰æŠe•”–åÜ‚ðŒˆ‚ß‚éƒiƒVƒ‡ƒiƒ‹EƒvƒƒOƒ‰ƒ€‚ƁAƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹ì•i‚̃Rƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–å‚Å‚ ‚éƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒƒOƒ‰ƒ€(2001”N‚É‘nÝ)‚ō\¬‚³‚êAƒNƒƒAƒ`ƒAEƒAƒJƒfƒ~[Ü‚É“–‚½‚éƒiƒVƒ‡ƒiƒ‹EƒvƒƒOƒ‰ƒ€‚̏܂ÍGolden Arenas‚ƌĂ΂ê‚Ü‚·B

‰æ‘œ

||||||||||||||||||||||||||||||||

@yƒNƒƒAƒ`ƒAEƒvƒƒOƒ‰ƒ€z

@Ÿ’·•Ò•”–å(The Croatian features)

@R¸ˆõFƒAƒ€ƒ‰EƒoƒNƒVƒbƒ`Eƒ`ƒƒƒ‚(Amra Bakšić ČamoFƒ{ƒXƒjƒAEƒwƒ‹ƒcƒFƒSƒrƒi‚̃vƒƒfƒ…[ƒT[)ANataša Dorčić(ƒNƒƒAƒ`ƒA‚̏——D)AIvana Fumić(ƒNƒƒAƒ`ƒA‚̕ҏW‹ZŽt)ANick Holdsworth(uƒUEƒnƒŠƒEƒbƒhEƒŠƒ|[ƒ^[v‚̉f‰æ”á•]‰Æ)AAntonio Nuić(ƒNƒƒAƒ`ƒA‚ÌŠÄ“Â)

@EgThe Brave Adventures of a Little Shoemaker (Šegrt Hlapić)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FSilvije Petranović
@EgThe Bridge at the End of the World (Most na kraju svijeta)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FBranko Ištvančić
@EgThe Enchanting Porkers (Svinjari)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FIvan Livaković
@EgHappy Endingsh(ƒNƒƒAƒ`ƒA)@ŠÄ“Fƒ_[ƒREƒYƒ”ƒ@ƒN(Darko Šuvak)
@EgMonument to Michael Jacksonh(ƒNƒƒAƒ`ƒA)@ŠÄ“FDarko Lungulov
@EgNumber 55 (Broj 55)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FƒNƒŠƒXƒ`ƒAƒ“Eƒ~ƒŠƒbƒ`(Kristijan Milić)
@EgThe Reaper (Kosac)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FZvonimir Jurić
@EgVelvet Terrorists (Baršunasti teroristi)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FPéter KerekesAIvan OstrochovskýAPavol Pekarcik
@EgVlogh(ƒNƒƒAƒ`ƒA)@ŠÄ“FBruno Pavić
@EgWalk the Dog (Trebalo bi prošetati psa)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FFilip Peruzović
@EgThe Wind Blows (Vjetar puše kako hoće)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FZdravko Mustać
@EgZagreb Cappuccinoh(ƒNƒƒAƒ`ƒA)@ŠÄ“FVanja Sviličić

@Ÿ’Z•Ò•”–å(The Croatian shorts)

@EgAlkeh(ƒNƒƒAƒ`ƒA)@ŠÄ“FMilan Rukavina(ƒNƒƒAƒ`ƒA)@ŠÄ“FMiroslav Kosanović
@EgBoxedh(ƒNƒƒAƒ`ƒA)@ŠÄ“FNebojša Sljepčević
@EgBy Chanceh(ƒNƒƒAƒ`ƒA)@ŠÄ“FTanja Golić
@EgThe Chickenh(ƒNƒƒAƒ`ƒA)@ŠÄ“FUna Gunjak
@EgThe Clean-uph(ƒNƒƒAƒ`ƒA)@ŠÄ“FJasna Nanut
@EgNext to Meh(ƒNƒƒAƒ`ƒA)@ŠÄ“FMarta Prus
@EgPresident Nixonfs Presenth(ƒNƒƒAƒ`ƒA)@ŠÄ“FIgor Šeregi
@EgSeparationh(ƒNƒƒAƒ`ƒA)@ŠÄ“FNina Violić
@EgSix Half Past Sixh(ƒNƒƒAƒ`ƒA)@ŠÄ“FDalija Dozet
@EgSo Not Youh(ƒNƒƒAƒ`ƒA)@ŠÄ“FIvan Sikavica
@EgTogetherh(ƒNƒƒAƒ`ƒA)@ŠÄ“FDaniel Kušan
@EgTresholdsh(ƒNƒƒAƒ`ƒA)@ŠÄ“FDijana Mlađenović

@yƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒƒOƒ‰ƒ€z

@Ÿ’·•ÒƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–å

@¦R¸ˆõFLeo Barraclough(uƒ”ƒ@ƒ‰ƒGƒeƒB[v‚̉f‰æ”á•]‰Æ)AƒtƒŠƒhƒŠƒbƒNEƒg[ƒ‹EƒtƒŠƒhƒŠƒNƒ\ƒ“AStanislav Tomić(ŠÄ“Â)

@EgThe Invisible Womanh(‰p)@ŠÄ“FƒŒƒCƒtEƒtƒ@ƒCƒ“ƒY
@EgJimmyfs Hallh(‰pEƒAƒCƒ‹ƒ‰ƒ“ƒhE•§)@ŠÄ“FƒPƒ“Eƒ[ƒ`
@EgLove Eternalh(ƒAƒCƒ‹ƒ‰ƒ“ƒh)@ŠÄ“FBrendan Muldowney
@EwƒEƒB[ƒNƒGƒ“ƒh‚̓pƒŠ‚ŁxgLe Weekendh(‰pE•§)@ŠÄ“FƒƒWƒƒ[Eƒ~ƒbƒ`ƒFƒ‹
@Ewƒ}ƒtƒBƒA‚͉õ‚©ŽE‚ç‚È‚¢xgThe Mafia Only Kills in Summerh(ˆÉ)@ŠÄ“FƒsƒGƒ‹ƒtƒ‰ƒ“ƒ`ƒFƒXƒREƒfƒBƒŠƒxƒ‹ƒg(Pif (Pierfrancesco Diliberto))
@EgAmour Fouh(ƒI[ƒXƒgƒŠƒAEƒ‹ƒNƒZƒ“ƒuƒ‹ƒNE“Æ)@ŠÄ“FƒWƒFƒVƒJEƒnƒEƒXƒi[
@EgFree Fallh(ƒnƒ“ƒKƒŠ[EŠØE•§)@ŠÄ“Fƒpƒ‹ƒtƒB[EƒWƒ‡ƒ‹ƒW
@EgField of Dogsh(ƒ|[ƒ‰ƒ“ƒh)@ŠÄ“FLech Majewski
@EgClass Enemyh(ƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“FRok Biček
@EgMiracleh(ƒXƒƒ”ƒ@ƒLƒA)@ŠÄ“FJuraj Lehotsky
@EgBridges of Sarajevo by Aida Begićh(•§Eƒ{ƒXƒjƒA ƒwƒ‹ƒcƒFƒSƒrƒiEƒXƒCƒXEˆÉEƒ|ƒ‹ƒgƒKƒ‹Eƒuƒ‹ƒKƒŠƒA)@ŠÄ“FAida BegicAƒŒƒIƒiƒ‹ƒhEƒfƒBEƒRƒ“ƒXƒ^ƒ“ƒcƒH(Leonardo Di Costanzo)AƒWƒƒƒ“=ƒŠƒ…ƒbƒNEƒSƒ_[ƒ‹AƒJƒƒ“EƒJƒŒƒtAƒCƒWƒ‹EƒhEƒxƒXƒRAƒZƒ‹ƒQƒCEƒƒYƒjƒ^AVincenzo MarraAƒEƒ‹ƒXƒ‰EƒƒCƒ„[(Ursula Meier)AVladimir PerisicAƒNƒŠƒXƒeƒBEƒvƒCƒE(Cristi Puiu)AMarc RechaAAngela SchanelecAƒeƒŒ[ƒUEƒ”ƒBƒ‰ƒ”ƒFƒ‹ƒf(Teresa Villaverde)
@EgConcrete Nighth(ƒtƒBƒ“ƒ‰ƒ“ƒhEƒXƒEƒF[ƒfƒ“Eƒfƒ“ƒ}[ƒN)@ŠÄ“Fƒsƒ‹ƒˆEƒzƒ“ƒJƒTƒ
@EgAlienationh(ƒuƒ‹ƒKƒŠƒA)@ŠÄ“FMilko Lazarov
@EgJapanese Dogh(ƒ‹[ƒ}ƒjƒA)@ŠÄ“FTudor Cristian Jurgiu
@EgIlo Iloh(ƒVƒ“ƒKƒ|[ƒ‹)@ŠÄ“FƒAƒ“ƒ\ƒj[Eƒ`ƒFƒ“(Anthony Chen)
@Ewƒgƒ€EƒAƒbƒgEƒUEƒtƒ@[ƒ€xgTom at the Farmh(ƒJƒiƒ_E•§)@ŠÄ“FƒOƒUƒ”ƒBƒGEƒhƒ‰ƒ“
@EgUpstream Colorh(•Ä)@ŠÄ“FƒVƒF[ƒ“EƒJƒ‹[ƒX

@ŸƒAƒEƒgEƒIƒuEƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–å
@Eg22 Jump Streeth(•Ä)@ŠÄ“FƒNƒŠƒXEƒ~ƒ‰[AƒtƒBƒ‹Eƒ[ƒh
@EgChefh(•Ä)@ŠÄ“FƒWƒ‡ƒ“Eƒtƒ@ƒ”ƒ[
@EgI Originsh(•Ä)@ŠÄ“Fƒ}ƒCƒNEƒPƒCƒqƒ‹(Mike Cahill)
@EwƒvƒŒ[ƒ“ƒY2/ƒtƒ@ƒCƒA[•ƒŒƒXƒLƒ…[x(•Ä)@ŠÄ“Fƒƒo[ƒcEƒKƒiƒEƒFƒC(Roberts Gannaway)
@EgThese Final Hoursh(ƒI[ƒXƒgƒ‰ƒŠƒA)@ŠÄ“FZak Hilditch

@ŸƒVƒ‡[ƒgƒ}ƒ^[ƒYIƒˆ[ƒƒbƒp‰f‰æƒAƒJƒfƒ~[‚©‚ç(Short matters! of the European Film Academy)

@EgOrbit Ever Afterh(‰p/21•ª)@ŠÄ“FJamie Stone
@EgMorningh(‰pEƒAƒCƒ‹ƒ‰ƒ“ƒh/21•ª)@ŠÄ“FCathy Brady
@EgAs Ondas (The Waves)h(ƒ|ƒ‹ƒgƒKƒ‹/22•ª)@ŠÄ“FMiguel Fonseca
@EgMisterio (Mistery)h(¼/12•ª)@ŠÄ“FChema García Ibarra
@EgA Story For The Modlinsh(¼/26•ª)@ŠÄ“FSergio Oksman@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]
@EwŽ€‚̉exgDood Van Een Schaduw (Death of a Shadow)h(ƒxƒ‹ƒM[E•§/20•ª)@ŠÄ“FTom Van Avermaet
@EgHouses With Small Windowsh(ƒxƒ‹ƒM[/15•ª)@ŠÄ“FBülent Öztürk
@EgCuth(“Æ/12•ª)@ŠÄ“FChristoph GirardetAMatthias Mueller@[ŽÀŒ±‰f‰æ]
@EgSonntag 3 (Sunday 3)h(“Æ/14•ª)@ŠÄ“FJochen Kuhn@mƒAƒjƒ[ƒVƒ‡ƒ“n
@EgZima(Winter)h(ƒƒVƒA/12•ª)@ŠÄ“FCristina Picchi@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]
@EgLetterh(ƒƒVƒA/20•ª)@ŠÄ“FƒZƒ‹ƒQƒCEƒƒYƒjƒ^(Sergei Loznitsa)@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]
@EgYaderni Wydhody (Nuclear Waste)h(ƒEƒNƒ‰ƒCƒi/25•ª)@ŠÄ“FMyroslav Slaboshpytskiy
@Ewƒ`ƒxƒbƒg‚ÌšºxgButter Lamp(La lampe au beurre de yak/çƖû“•)h(’†E•§/15•ª)@ŠÄ“F‚gu ‚vei(ŒÓ˜Å)
@EgThough I Know The River is Dryh(ƒGƒWƒvƒgEƒpƒŒƒXƒ`ƒiE‰p/20•ª)@ŠÄ“FOmar Robert Hamilton

@¦ƒˆ[ƒƒbƒp‰f‰æÜ2013 ’Z•ÒÜƒmƒ~ƒl[ƒgì•i‚Ì‚¤‚¿AgSkok (Jump)h(ƒuƒ‹ƒKƒŠƒA)‚̂ݏœŠO‚³‚ê‚Ä‚¢‚Ü‚·B‚±‚̍ì•i‚¾‚¯30•ª‚ ‚é‚©‚ç‚Å‚µ‚傤‚©B

@ŸƒŒƒgƒƒXƒyƒNƒeƒBƒ”FƒtƒŠƒhƒŠƒbƒNEƒg[ƒ‹EƒtƒŠƒhƒŠƒNƒ\ƒ“(A Retrospective of Fridrik Thor Fridrikssonfs films)

@EwƒƒbƒNEƒCƒ“EƒŒƒCƒLƒƒƒr[ƒNxgRock in Reykjavikh(1982)
@Ewt‚É‚µ‚ÄŒN‚ð‘z‚¤x(1991)
@Ew¸—ì‚Ì“‡x(1996)
@EwƒGƒ“ƒWƒFƒ‹ƒYEƒIƒuEƒUEƒ†ƒjƒo[ƒXxgAngels of the Universeh(2000)
@EgFalconsh(2002)

@yŽ™“¶ƒvƒƒOƒ‰ƒ€z(For Children)

@Ÿ’·•Ò•”–å

@EgBelieveh(‰p)@ŠÄ“FDavid Scheinmann
@EgMy mother is in America and she met Buffalo Billh•§)@ŠÄ“FMarc BorealAThibaut Chatel
@EgMoon Manh(•§E“ƁEƒAƒCƒ‹ƒ‰ƒ“ƒh)@ŠÄ“FStephan ScheschASarah Clara Weber
@EgKarsten & Petra at Winterfs Vacationh(ƒmƒ‹ƒEƒF[)@ŠÄ“FƒAƒ‹ƒlEƒŠƒ“ƒgƒlƒ‹EƒlƒX(Arne Lindtner Næss)
@EwƒLƒbƒhxgThe Kidh(1921/•Ä)@ŠÄ“Fƒ`ƒƒ[ƒ‹ƒYEƒ`ƒƒƒbƒvƒŠƒ“
@EgNatural Sciencesh(ƒAƒ‹ƒ[ƒ“ƒ`ƒ“)@ŠÄ“FMatías Lucchesi

@Ÿ’Z•Ò•”–å

@EwƒEƒTƒM‚ƃVƒJxgRabbit and Deerh(ƒnƒ“ƒKƒŠ[)@ŠÄ“Fƒy[ƒ^[Eƒ”ƒ@[ƒc(Peter Vacz)
@EgSpot and Splodge do Earstandingh(ƒXƒEƒF[ƒfƒ“)@ŠÄ“FUzi GeffenbladALotta Geffenbla
@EgAnimal friendsh(ƒXƒEƒF[ƒfƒ“)@ŠÄ“FEva Lindström
@EgLe Petit hérisson partageurh(•§)@ŠÄ“FMarjorie Caup
@EgLa Confiture de carottesh(•§)@ŠÄ“FAnne Viel

@yƒ†[ƒX•”–åz(For Youth)

@Ÿ’·•Ò•”–å

@EgBitch Hugh(ƒXƒEƒF[ƒfƒ“)@ŠÄ“FAndreas Öhman
@EgFor No Eyes Onlyh(“Æ)@ŠÄ“FTali Barde
@EgGaloreh(ƒI[ƒXƒgƒ‰ƒŠƒA)@ŠÄ“FRhys Graham
@EgSitting Next to Zoeh(ƒXƒCƒX)@ŠÄ“FIvana Lalović
@EwƒEƒBEƒA[EƒUEƒxƒXƒgIxgWe Are the Besth(ƒXƒEƒF[ƒfƒ“Eƒfƒ“ƒ}[ƒN)@ŠÄ“Fƒ‹[ƒJƒXEƒ€[ƒfƒBƒ\ƒ“

@Ÿƒ„ƒ“ƒOEƒVƒlƒtƒBƒ‹•”–å(Young Cinephiles)

@–¢”­•\B

@Ÿƒ[ƒNƒVƒ‡ƒbƒv(RED workshop for digital natives)

@yƒv[ƒ‰EƒVƒlƒ}ƒe[ƒN1965z(Pula Cinematheque 1965)

@EgThreeh(1965/ƒ†[ƒSƒXƒ‰ƒrƒA)@ŠÄ“FƒAƒŒƒNƒTƒ“ƒhƒ‹Eƒyƒgƒƒ”ƒBƒbƒ`(Aleksandar Petrović)
@EwlŠÔ‚Í’¹‚Å‚Í‚È‚¢xgMan Is Not a Birdh(1965/ƒ†[ƒSƒXƒ‰ƒrƒA)@ŠÄ“FƒhƒEƒVƒƒƒ“Eƒ}ƒJƒ”ƒFƒCƒGƒt
@EgTo Come and Stayh(1965/ƒ†[ƒSƒXƒ‰ƒrƒA)@ŠÄ“FBranko Bauer
@EgPrometheus of the Islandh(1964/ƒ†[ƒSƒXƒ‰ƒrƒA)@ŠÄ“Fƒ”ƒ@ƒgƒƒXƒ‰ƒtEƒ~ƒ~ƒJ(Vatroslav Mimica)
@EgThe Girlh(1965/ƒ†[ƒSƒXƒ‰ƒrƒA)@ŠÄ“FMladomir (Puriša) Đorđević

@yƒv[ƒ‰Eƒvƒz(Pula PRO)

@ƒvƒ‚âAV‹ÆŠE‚ÌŠw¶‚ÉŒü‚¯‚½u‹`ƒvƒƒOƒ‰ƒ€B
@¡‰ñAu‹`‚ðs‚È‚¤‚̂́AƒjƒbƒNEƒpƒEƒGƒ‹ACharles McDonaldARay GillonAJohn DurieADarko Tuškan‚çB

@yƒ~ƒ…[ƒWƒbƒNEƒvƒƒOƒ‰ƒ€z

@–¢”­•\«

@’Ç‹LF
@‚±‚̃vƒƒOƒ‰ƒ€‚́A‰f‰æ‚̏ã‰f‚Å‚Í‚È‚­AˆÈ‰º‚̂悤‚ȉ¹ŠyƒvƒƒOƒ‰ƒ€‚ª‘g‚Ü‚ê‚Ä‚¢‚Ü‚·B

@ECity of Pula Wind Orchestra
@EDJ Dogmatic
@EGustafi Presenting Veterinarians
@ECinkuši
@EZion Train Sound System
@EVlatko Stefanovski & Vasko Atanasovski
@EBlagdan band
@EDJ Funkmaster a.k.a. Tricky D
@EDJ Mario Kovač
@ENeno Belan & Fiumens

||||||||||||||||||||||||||||||||

@‘O‰ñ‚܂ł́AƒNƒƒAƒ`ƒA‚ª‹¤“¯»ì‚ÅŽQ‰Á‚µ‚½ì•i‚àA•ÊŒÂ‚ɃRƒ“ƒyƒeƒBƒVƒ‡ƒ“‘ΏۂƂµ‚Ä‚¢‚½(Minority coproduction section)‚Ì‚Å‚·‚ªA‚»‚ꂪ‚È‚­‚È‚èAƒiƒVƒ‡ƒiƒ‹EƒvƒƒOƒ‰ƒ€‚́AƒNƒƒAƒ`ƒAì•i‚̃Rƒ“ƒyƒeƒBƒVƒ‡ƒ“‚Ì‚Ý‚É‚È‚è‚Ü‚µ‚½B

@‚±‚ê‚́AƒiƒVƒ‡ƒiƒ‹EƒvƒƒOƒ‰ƒ€‚ªƒNƒƒAƒ`ƒA‰f‰æ‚¾‚¯‚Ő¬—§‚·‚é‚悤‚É‚È‚Á‚½A‚‚܂èA‚»‚ꂾ‚¯ƒNƒƒAƒ`ƒA‰f‰æ‚ª[ŽÀ‚µ‚Ä‚«‚½‚±‚Ƃ̏؂̂悤‚È‚à‚Ì‚Å‚µ‚傤‚©B(ƒNƒƒAƒ`ƒA‚́A“ú–{‚ɏЉ‚ê‚Ä‚¢‚éì•i‚±‚»‚킸‚©‚Å‚·‚ªA1991”N“x‚©‚çˆê“x‚à“rØ‚ê‚邱‚Æ‚È‚­A•Ä‘ƒAƒJƒfƒ~[ÜŠO‘Œê‰f‰æÜ‚ɍì•i‚ðƒGƒ“ƒgƒŠ[‚³‚¹‚é‚ȂǁA‰f‰æ‚É—Í‚ð“ü‚ê‚Ä‚¢‚鍑‚Æ‚µ‚Ä’m‚ç‚ê‚Ä‚¢‚Ü‚·B)

@ƒv[ƒ‰‰f‰æÕ‚́Aƒ†[ƒSƒXƒ‰ƒrƒAŽž‘ã‚©‚琔‚¦‚é‚Æ61‰ñ‚Å‚·‚ªAƒNƒƒAƒ`ƒA‚É‚È‚Á‚Ä‚©‚炾‚ƍ¡”N‚Å20Žü”N‚É‚È‚Á‚Ä‚¢‚āA20Žü”N‚ð‹@‚É(H)AƒvƒƒOƒ‰ƒ€‚ÌŒ©’¼‚µ‚ð}‚Á‚½‚Æ‚¢‚¤‚±‚Æ‚à‚ ‚è‚»‚¤‚Å‚·B‚±‚ê‚܂ł́uŽ™“¶ƒvƒƒOƒ‰ƒ€v‚ɉÁ‚¦‚āAV‚½‚Ɂuƒ†[ƒXEƒvƒƒOƒ‰ƒ€v‚ªVÝ‚³‚êA‚³‚ç‚ɁA(Œ»Žž“_‚ł̓‰ƒCƒ“ƒiƒbƒv‚Í–¢”­•\‚È‚ª‚ç)uƒ~ƒ…[ƒWƒbƒNEƒvƒƒOƒ‰ƒ€v‚àVÝ‚³‚ê‚Ä‚¢‚Ü‚·B

@ð”NA”OŠè‚©‚È‚Á‚āAEU‚ւ̉Á–¿‚à”F‚ß‚ç‚ê‚Ü‚µ‚½‚©‚çA‘‚à‰f‰æŠE‚àV‚½‚ȃXƒe[ƒW‚ÉŒü‚©‚¢‚‚‚ ‚é‚Ì‚©‚à‚µ‚ê‚Ü‚¹‚ñB

@‚¿‚Ȃ݂ɁA“ú–{‚ɏЉ‚ê‚Ä‚¢‚éƒNƒƒAƒ`ƒA‰f‰æ‚́A’Z•ÒƒAƒjƒ[ƒVƒ‡ƒ“‚ðœ‚­‚ƁAwƒuƒRƒoƒ‹‚Ɏ莆‚Í“Í‚©‚È‚¢xAw’¾–ق̐íêxA‹¤“¯»ìì•i‚ł́AwƒTƒ‰ƒGƒ{‚̉ԁxAwƒTƒ‰ƒGƒ{AŠó–]‚ÌŠXŠpxAwƒWƒ“ƒWƒƒ[‚Ì’© ‚³‚æ‚È‚çA‚킽‚µ‚ªˆ¤‚µ‚½¢ŠEx‚È‚Ç‚ª‚ ‚è‚Ü‚·B

@”N‚ɐ”–{‚­‚ç‚¢‚́A‘Û‰f‰æÕ‚ȂǂŃsƒbƒNƒAƒbƒv‚³‚êA‚‚­•]‰¿‚³‚ꂽ‚è‚à‚µ‚Ä‚¢‚Ü‚·‚ªA‚È‚©‚È‚©“ú–{‚Ü‚Å‚Í‚½‚Ç‚è‚‚¯‚È‚¢‚悤‚Å‚·B

@¦’Ç‹L
@Croatian Minority Co-Production‚́A“Æ—§‚µ‚½•”–å‚Å‚Í‚È‚­‚È‚Á‚½‚à‚̂́AgMonument to Michael Jacksonh‚ƁgVelvet Terrorists (Baršunasti teroristi)h‚́ACroatian Minority Co-Production‚ÉŠY“–‚·‚éì•i‚Å‚ ‚é‚悤‚Å‚·B

@*‚±‚Ì‹LŽ–‚ª‚È‚©‚È‚©‚æ‚©‚Á‚½I‚ÆŽv‚Á‚½‚çAl‹CƒuƒƒOƒ‰ƒ“ƒLƒ“ƒO‚ɃNƒŠƒbƒN‚ð‚¨Šè‚¢‚µ‚Ü‚·B
@«@«@«@«
@
@ª@ª@ª@ª
@ƒNƒŠƒbƒN‚µ‚ĂˁI

@*“–ƒuƒƒO‹LŽ–

@Eƒv[ƒ‰‰f‰æÕ2013 ƒ‰ƒCƒ“ƒiƒbƒvFhttp://umikarahajimaru.at.webry.info/201307/article_2.html
@Eƒv[ƒ‰‰f‰æÕ2013 ŽóÜŒ‹‰ÊFhttp://umikarahajimaru.at.webry.info/201307/article_24.html
@Eƒv[ƒ‰‰f‰æÕ2012 ŽóÜŒ‹‰ÊFhttp://umikarahajimaru.at.webry.info/201207/article_22.html

@E‰f‰æÜ•‰f‰æÕƒJƒŒƒ“ƒ_[ 2014”N3ŒŽ`11ŒŽFhttp://umikarahajimaru.at.webry.info/201403/article_4.html

@’Ç‹LF
@Eƒv[ƒ‰‰f‰æÕ2014 ŽóÜŒ‹‰ÊFhttp://umikarahajimaru.at.webry.info/201407/article_24.html

ƒe[ƒ}

ŠÖ˜Aƒe[ƒ} ˆê——


ŒŽ•ÊƒŠƒ“ƒN

ƒgƒ‰ƒbƒNƒoƒbƒNi0Œj

ƒ^ƒCƒgƒ‹ i–{•¶j ƒuƒƒO–¼^“úŽž

ƒgƒ‰ƒbƒNƒoƒbƒN—pURL help


Ž©•ª‚̃uƒƒO‚Ƀgƒ‰ƒbƒNƒoƒbƒN‹LŽ–ì¬i‰ïˆõ—pj help

ƒ^ƒCƒgƒ‹
–{@•¶

ƒRƒƒ“ƒgi0Œj

“à —e ƒjƒbƒNƒl[ƒ€^“úŽž

ƒRƒƒ“ƒg‚·‚é help

ƒjƒbƒNƒl[ƒ€
URL(”CˆÓ)
–{@•¶
ƒv[ƒ‰‰f‰æÕ(ƒNƒƒAƒ`ƒA)2014 ƒ‰ƒCƒ“ƒiƒbƒvI ŠC‚©‚çŽn‚Ü‚é!?/BIGLOBEƒEƒFƒuƒŠƒuƒƒO
•¶ŽšƒTƒCƒYF ‘å  ’†  ¬  •Â‚¶‚é