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@‘æ66‰ñƒƒJƒ‹ƒm‘Û‰f‰æÕ(8ŒŽ7“ú-17“ú)‚̃‰ƒCƒ“ƒiƒbƒv‚Å‚·B


@yƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“z (Concorso Internazionale/International Competition)

@¦R¸ˆõFƒ‰ƒ”EƒfƒBƒAƒX(R¸ˆõ’·)AMatthias Brunner(ƒXƒCƒX‚ÌŠÄ“Â)AJuan de Dios Larraín(ƒ`ƒŠ‚̃vƒƒfƒ…[ƒT[)Aƒ”ƒ@ƒŒƒŠ[Eƒhƒ“ƒ[ƒbƒŠAƒˆƒ‹ƒSƒXEƒ‰ƒ“ƒeƒBƒ‚ƒX

@EgExhibitionh(‰p)@ŠÄ“FJoanna Hogg@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgE Agora? Lembra-Me(What Now? Remind Me)h(ƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FJoaquim Pinto@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgHistoria De La Meva Mort(Story of My Death)h(¼E•§)@ŠÄ“FAlbert Serra@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgPays Barbareh(•§)@ŠÄ“FYervant GianikianAAngela Ricci Lucchi@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgTonnerreh(•§)@ŠÄ“FGuillaume Brac@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA][‘æ1‰ñŠÄ“ì•i]
@EgUne Autre Vieh(•§)@ŠÄ“FƒGƒ}ƒjƒ…ƒGƒ‹Eƒ€ƒŒ(Emmanuel Mouret)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgLfÉtrange Couleur Des Larmes De Ton Corps(The Strange Colour of Your Bodyfs Tears)h(ƒxƒ‹ƒM[E•§Eƒ‹ƒNƒZƒ“ƒuƒ‹ƒN)@ŠÄ“FƒGƒŒ[ƒkEƒJƒbƒe(Hélène Cattet)Aƒuƒ‹[ƒmEƒtƒHƒ‹ƒcƒ@[ƒj(Bruno Forzani)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgMary, Queen Of Scotsh(ƒXƒCƒXE•§)@ŠÄ“Fƒg[ƒ}ƒXEƒCƒ€ƒoƒbƒn(Thomas Imbach)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgFeuchtgebieteh(“Æ)@ŠÄ“FDavid Wnendt@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgSangueh(ˆÉEƒXƒCƒX)@ŠÄ“Fƒsƒbƒ|Eƒfƒ‹ƒ{[ƒm(Pippo Delbono)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgTableau Noir(Black Board)h(ƒXƒCƒX)@ŠÄ“FƒCƒ”EƒCƒFƒ‹ƒTƒ“(Yves Yersin)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgCând Se Lasa Seara Peste Bucuresti Sau Metabolism(When Evening Falls On Bucharest Or Metabolism)h(ƒ‹[ƒ}ƒjƒA)@ŠÄ“FCorneliu Porumboiu@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgShu Jia Zuo Ye(A Time in Quchi/‹˜ïì‹Æ)h(‘ä˜p)@ŠÄ“Fƒ`ƒƒƒ“EƒcƒH[ƒ`@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgU Ri Sunhi(Our Sunhi)h(ŠØ)@ŠÄ“Fƒzƒ“EƒTƒ“ƒX@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EwƒŠƒAƒ‹`Š®‘S‚È‚éŽñ’·—³‚Ì“ú`xgRealh(“ú)@ŠÄ“F•‘ò´@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@Ew‹¤‹ò‚¢xgTomogui(Backwater)h(“ú)@ŠÄ“FÂŽR^Ž¡@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgGare Du Nordh(•§EƒJƒiƒ_)@ŠÄ“FClaire Simon@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgEducação Sentimental(Sentimental Education)h(ƒuƒ‰ƒWƒ‹)@ŠÄ“FJúlio Bressane@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgShort Term 12h(•Ä)@ŠÄ“FDestin Cretton@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@EgEl Mudoh(ƒyƒ‹[E•§EƒƒLƒVƒR)@ŠÄ“FDaniel • Diego Vega@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@yƒtƒBƒ‹ƒ€ƒ[ƒJ[ƒYEƒIƒuEƒUEƒvƒŒƒ[ƒ“ƒg ƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åz (Cineasti Del Presente /Film-makers of the Present Competition)
@‘æ1‰ñ‚Ü‚½‚Í‘æ2‰ñŠÄ“ì•i‚̃Rƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åB

@R¸ˆõFƒnƒ‹ƒgƒ€[ƒgEƒrƒgƒ€ƒXƒL[(ƒhƒCƒc‚ÌŠÄ“Â/R¸ˆõ’·)ATine Fischer(ƒfƒ“ƒ}[ƒN‚̉f‰æÕƒfƒBƒŒƒNƒ^[)Aƒ_ƒjƒG[ƒŒEƒKƒbƒŠƒƒƒm[ƒŒ(Daniele Gaglianone)(ƒCƒ^ƒŠƒA‚ÌŠÄ“Â)APeaches(ƒJƒiƒ_‚̃~ƒ…[ƒWƒVƒƒƒ“/ŠÄ“Â)AƒjƒRƒ‰ƒXEƒyƒŒƒ_(Nicolás Pereda)(ƒƒLƒVƒR‚ÌŠÄ“Â)

@EgCosta Da Morte(Coast of Death) h(¼)@ŠÄ“FLois Patiño@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgLe Sens De LfHumour(Sense of Humor)h(•§)@ŠÄ“FMarilyne Canto@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgMoutonh(•§)@ŠÄ“FGilles DerooAMarianne Pistone@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgLfHarmonie(Harmony)h(•§EƒXƒCƒX)@ŠÄ“FBlaise Harrison@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgThe Special Needh(“ƁEˆÉ)@ŠÄ“FCarlo Zoratti@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgRoxanneh(ƒ‹[ƒ}ƒjƒAEƒnƒ“ƒKƒŠ[)@ŠÄ“FValentin Hotea@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgThe Ugly Oneh(•§EƒŒƒoƒmƒ“E“ú)@ŠÄ“FEric Baudelaire@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgBuq L Mun(Chameleon)h(ƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“E•§EƒƒVƒA)@ŠÄ“FElvin Adigozel And Ru Hasanov@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgManakamanah(ƒlƒp[ƒ‹)@ŠÄ“FStephanie SprayAPacho Velez@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgSai Nam Tid Shoer(By the River)h(ƒ^ƒC)@ŠÄ“FNontawat Numbenchapol@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgYuan Fang(Distant)h(’†)@ŠÄ“FZhengfan Yang@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgThe Stoneh(ŠØ)@ŠÄ“FSe-Rae Cho@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgThe Dirtiesh(ƒJƒiƒ_E•Ä)@ŠÄ“FMatt Johnson@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgForty Years From Yesterdayh(•Ä)@ŠÄ“FRobert MachoianARodrigo Ojeda-Beck@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgThe Unity Of All Thingsh(•Ä)@ŠÄ“FAlexander CarverADaniel Schmidt@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]
@EgLos Insólitos Peces Gato(The Amazing Cat Fish)h(ƒƒLƒVƒR)@ŠÄ“FClaudia Sainte-Luce@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA] [‘æ1‰ñŠÄ“ì•i]

@yƒŒƒp[ƒhEƒIƒuEƒgƒDƒ‚ƒ[/’Z•ÒƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åz (Pardi Di Domani(Short Films))
@’Z•Ò‚Ü‚½‚Í’†•Ò‚̃Rƒ“ƒyƒeƒBƒVƒ‡ƒ“‚ŁA‚Ü‚¾’·•Ò‚ð”­•\‚µ‚½‚±‚Æ‚ª‚È‚¢Žá‚¢‰f‰æŠÄ“‚̂½‚ß‚Ì•”–åB

@¦R¸ˆõFAdriano Aprà(ƒCƒ^ƒŠƒA‚̉f‰æ”á•]‰Æ/R¸ˆõ’·)AMarta Andreu(ƒXƒyƒCƒ“‚̃vƒƒfƒ…[ƒT[)AEmir Baigazin(ƒJƒUƒtƒXƒ^ƒ“‚ÌŠÄ“Â)AƒOƒŒƒSƒ[ƒ‹EƒRƒ‰ƒ“ABasil Da Cunha(ƒXƒCƒX‚ÌŠÄ“Â)

@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹•”–å](Concorso Internazionale)

@EgZ1h(‰p)@ŠÄ“FGabriel Gauchet
@EgVersaillesh(ƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FCarlos Conceição
@EgDfOù Que Vienne La Douleur (Wherever Comes The Pain From)h(•§)@ŠÄ“FKhalil Cherti
@EgZinnekehƒxƒ‹ƒM[)@ŠÄ“FRémi Allier
@EgLa Strada Di Raffael (RaffaelfS Way)h(ˆÉE¼)@ŠÄ“FAlessandro Falco
@EgDead Endh(ƒLƒvƒƒX)@ŠÄ“FTonia Mishiali
@EgVon Hunden Und Tapeten (Of Dogs And Wallpaper)h(“Æ)@ŠÄ“FVisar Morina
@EgNasza Klatwa (Our Curse)h(ƒ|[ƒ‰ƒ“ƒh)@ŠÄ“FTomasz Sliwinski
@EgPrideh(ƒuƒ‹ƒKƒŠƒAE“Æ)@ŠÄ“FPavel G. Vesnakov
@EgPlimbare (The Walk)h(ƒ‹[ƒ}ƒjƒA)@ŠÄ“FMihaela Popescu
@Eg6 Stora Fiskar (6 Big Fish)h(ƒXƒEƒF[ƒfƒ“)@ŠÄ“FStefan Constantinescu
@EgZimah(ƒƒVƒA)@ŠÄ“FCristina Picchi
@EgVehu Holech (And On He Walks)h(ƒCƒXƒ‰ƒGƒ‹E•§)@ŠÄ“FElad Keidan
@EgEndorphinh(ƒCƒ‰ƒ“)@ŠÄ“FReza Gamini
@EgTadpolesh(ƒVƒ“ƒKƒ|[ƒ‹)@ŠÄ“FIvan Tan
@EgFun Cityh(ƒI[ƒXƒgƒ‰ƒŠƒA)@ŠÄ“FJustin Olstein
@EgAcrobath(ƒJƒiƒ_)@ŠÄ“FEduardo Menz
@EgQuelqufUn DfExtraordinaire (An Extraordinary Person)h(ƒJƒiƒ_)@ŠÄ“FMonia Chokri
@EgHere Come The Girlsh(•Ä)@ŠÄ“FYoung Jean Lee
@EgTremorh(ƒuƒ‰ƒWƒ‹)@ŠÄ“FRicardo Alves Jr.
@EgLa Quietud (The Stillness)h(ƒAƒ‹ƒ[ƒ“ƒ`ƒ“)@ŠÄ“FInés María Barrionuevo
@EgLos Pálidosh(ƒAƒ‹ƒ[ƒ“ƒ`ƒ“)@ŠÄ“FMartín Kalina
@EgChigger Ale (Here Come The Problems)h(ƒGƒ`ƒIƒsƒAE¼)@ŠÄ“FFanta Ananas
@EgLes Jours DfAvanth(•§EƒAƒ‹ƒWƒFƒŠƒA)@ŠÄ“FKarim Moussaoui

@[ƒiƒVƒ‡ƒiƒ‹EƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“](Concorso Nazionale)
@EgeA Iucata (The Bet)(ƒXƒCƒX)@ŠÄ“FMichele Pennetta
@EgAlfonso(ƒXƒCƒX)@ŠÄ“FJan-Eric Mack
@EgBonne Espérance(ƒXƒCƒX)@ŠÄ“FKaspar Schiltknecht
@EgFreunde (Friends)(ƒXƒCƒX)@ŠÄ“FLuca Ribler
@EgHasta Santiago(ƒXƒCƒXE•§)@ŠÄ“FMauro Carraro
@EgLa Fille Aux Feuilles(ƒXƒCƒX)@ŠÄ“FMarina Rosset
@EgLui, Hitler Et Moi(ƒXƒCƒX)@ŠÄ“FNathan Hofstetter
@EgSkinny Boy(ƒXƒCƒX)@ŠÄ“FLawrence Blankenbyl
@EgSortie De Route(ƒXƒCƒX)@ŠÄ“FTristan AymonADavid Maye
@EgVigia(ƒXƒCƒX)@ŠÄ“FMarcel Barelli

@yƒsƒAƒbƒcƒ@EƒOƒ‰ƒ“ƒf•”–åz (Piazza Grande)
@ˆê“x‚É8000l‚ªŠÓÜ‚Å‚«‚éƒsƒAƒbƒcƒ@EƒOƒ‰ƒ“ƒf(ƒOƒ‰ƒ“ƒfLê)‚̉®ŠO‘åŒ^ƒXƒNƒŠ[ƒ“Piazza Grande‚ŏã‰f‚³‚ê‚é“Á•Êã‰fì•iB

@EgAbout Timeh(‰p)@ŠÄ“FRichard Curtis@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@EgSur Le Chemin De LfÉcoleh(•§)@ŠÄ“FƒpƒXƒJƒ‹EƒvƒŠƒbƒ\ƒ“(Pascal Plisson)@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA][ƒNƒ[ƒWƒ“ƒOì•i]
@EgVijay And Ih(ƒxƒ‹ƒM[Eƒ‹ƒNƒZƒ“ƒuƒ‹ƒNE“Æ)@ŠÄ“FƒTƒ€EƒKƒ‹ƒoƒ‹ƒXƒL(Sam Garbarski)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgLa Variabile Umana(The Human Factor)h(ˆÉ)@ŠÄ“FBruno Oliviero@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgLes Grandes Ondes (À LfOuest)h(ƒXƒCƒXE•§Eƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FLionel Baier@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgLfExpérience Blocherh(ƒXƒCƒXE•§)@ŠÄ“FƒWƒƒƒ“=ƒXƒeƒtƒ@ƒ“Eƒuƒƒ“(Jean-Stéphane Bron)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgMr. Morganfs Last Loveh(“ƁEƒxƒ‹ƒM[)@ŠÄ“FƒTƒ“ƒhƒ‰Eƒlƒbƒgƒ‹ƒxƒbƒN(Sandra Nettelbeck)
@EwƒtƒBƒbƒcƒJƒ‰ƒ‹ƒhxgFitzcarraldoh(1982/“ƁEƒyƒ‹[)@ŠÄ“Fƒ”ƒFƒ‹ƒi[Eƒwƒ‹ƒcƒH[ƒN
@EgThe Keeper Of Lost Causesh(ƒfƒ“ƒ}[ƒNE“ƁEƒXƒEƒF[ƒfƒ“)@ŠÄ“FMikkel Nørgaard@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgGabrielleh(ƒJƒiƒ_)@ŠÄ“FLouise Archambault@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@Eg2 Gunsh(•Ä)@ŠÄ“Fƒoƒ‹ƒ^ƒU[ƒ‹EƒRƒ‹ƒ}ƒEƒNƒ‹@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA][ƒI[ƒvƒjƒ“ƒOì•i]
@EgWrong Copsh(•Ä)@ŠÄ“FƒNƒGƒ“ƒeƒBƒ“Eƒfƒ…ƒsƒ…[(Quentin Dupieux)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgWefre The Millersh(•Ä)@ŠÄ“Fƒ[ƒ\ƒ“Eƒ}[ƒVƒƒƒ‹EƒT[ƒo[(Rawson Marshall Thurber)@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@EwƒxƒXƒgƒtƒŒƒ“ƒYxgRich And Famoush(1981/•Ä)@ŠÄ“FƒWƒ‡[ƒWEƒLƒ…[ƒJ[
@EgBlue Ruinh(•Ä)@ŠÄ“FƒWƒFƒŒƒ~[Eƒ\ƒEƒ‹ƒjƒG(Jeremy Saulnier)
@EgGloriah(ƒ`ƒŠ)@ŠÄ“FSebastián Lelio

@yƒAƒEƒgEƒIƒuEƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–åz (Fuori Concorso)

@ESe Eu Fosse Ladrãoc Roubava (If I Were A Thiefc Ifd Steal) h(ƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FƒpƒEƒEƒ[ƒVƒƒ(Paulo Rocha)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgGeographie Humaineh(•§)@ŠÄ“FClaire Simon@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[][ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgQue DfAmourh(•§)@ŠÄ“Fƒ”ƒ@ƒŒƒŠ[Eƒhƒ“ƒ[ƒbƒŠ@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgLa Passione Di Erto (The Passion Of Erto)h(•§EˆÉ)@ŠÄ“FPenelope Bortoluzzi@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[] [ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgIndebitoh(ˆÉ)@ŠÄ“FƒAƒ“ƒhƒŒƒAEƒZƒOƒŒ@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgHeritageh(ƒXƒCƒX)@ŠÄ“FDavid Induni@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[] [‘æ1‰ñŠÄ“ì•i] [ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@[’Z•Ò•”–å](Fuori Concorso: Shorts)

@EgMahjongh(ƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FJoão Rui Guerra Da MataAJoão Pedro Rodrigues@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@EgO Corpo De Afonso (The Kingfs Body)h(ƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FJoão Pedro Rodrigues@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@EgAmericah(•§)@ŠÄ“FValerie Massadian@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgLe Tableauh(•§)@ŠÄ“FLaurent Achard@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@EgUn Conte De Michel De Montaigneh(•§EƒXƒCƒX)@ŠÄ“FƒWƒƒƒ“=ƒ}ƒŠ[EƒXƒgƒ[ƒu@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgAttesa Di UnfEstate (Frammenti Di Vita Trascorsa)h(ˆÉ)@ŠÄ“FMauro Santini@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgDuring The Day My Vision Is Perfecth(“Æ)@ŠÄ“FBenjamin Ramírez Pérez
@EgSorcière Japonaiseh(“Æ)@ŠÄ“FRomeo Grünfelder@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgThe End Of Walnutgroveh(ƒI[ƒXƒgƒŠƒA)@ŠÄ“FNikolaus EckhardAValentin FialaASeverin FialaAKlaus Haidl@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@EgLo Que El Fuego Me Trajo (What The Fire Brought To Me)h(ƒAƒ‹ƒ[ƒ“ƒ`ƒ“Eƒuƒ‰ƒWƒ‹)@ŠÄ“FAdrián Villar Rojas@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgLos Andesh(ƒ`ƒŠ)@ŠÄ“FJoaquín CociñaACristóbal León
@EgThe Green Serpent - Of Vodka, Men And Distilled Dreamsh(ƒXƒCƒXEƒƒVƒA)@ŠÄ“FBenny Jaberg@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@[“ÁWFƒTƒCƒ“ƒYEƒIƒuEƒ‰ƒCƒt](Fuori Concorso: Signs Of Life)

@EgEl Futuroh(¼)@ŠÄ“FLuis Lopez Carrasco@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgCherry Pieh(ƒXƒCƒX)@ŠÄ“FLorenz Merz@[‘æ1‰ñŠÄ“ì•i] [ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgA Spell To Ward Off The Darknessh(•§EƒGƒXƒgƒjƒA)@ŠÄ“FBen RiversABen Russell@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[] [ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgHow To Disappear Completelyh(ƒtƒBƒŠƒsƒ“)@ŠÄ“Fƒ‰ƒ„Eƒ}[ƒeƒBƒ“(Raya Martin)@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgDignityh(•Ä)@ŠÄ“FJames Fotopoulos@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@[“ÁWFDeath Row]

@EgDeath Row II - Portrait: Blaine Milamh(•Ä)@ŠÄ“Fƒ”ƒFƒ‹ƒi[Eƒwƒ‹ƒcƒH[ƒN
@EgDeath Row II - Portrait: Darlie Routierh(•Ä)@ŠÄ“Fƒ”ƒFƒ‹ƒi[Eƒwƒ‹ƒcƒH[ƒN
@EgDeath Row II - Portrait: Douglas Feldmanh(•Ä)@ŠÄ“Fƒ”ƒFƒ‹ƒi[Eƒwƒ‹ƒcƒH[ƒN
@EgDeath Row II - Portrait: Robert Frattah(•Ä)@ŠÄ“Fƒ”ƒFƒ‹ƒi[Eƒwƒ‹ƒcƒH[ƒN
@‚·‚ׂÄ50•ª‚̃hƒLƒ…ƒƒ“ƒ^ƒŠ[Aƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA

@[“ÁWFƒtƒH[ƒJƒXEƒVƒŠƒA](Focus Syria)

@EgBlack Stoneh(ƒVƒŠƒA)@ŠÄ“FNidal Al Dibs@[’†•ÒƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]
@EgRevolution) h(ƒVƒŠƒAEƒfƒ“ƒ}[ƒN)@ŠÄ“FNidal Hassan@[’†•ÒƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]
@EgLight Horizonh(ƒVƒŠƒA)@ŠÄ“FRanda Maddah@[’Z•ÒƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]
@EgUntold Storiesh(ƒVƒŠƒAEƒmƒ‹ƒEƒF[)@ŠÄ“FHisham Al-Zouki@[’†•ÒƒhƒLƒ…ƒƒ“ƒ^ƒŠ[][ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgZabad (Ecume) h(ƒVƒŠƒA)@ŠÄ“FReem Ali@[’†•ÒƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]

@[‘SBƒfƒWƒ^ƒ‹EƒvƒƒWƒFƒNƒg2013FStrager](Fuori Concorso: Jeonju Digital Project 2013: Stranger)
@EgOver Thereh(ŠØ/42•ª)@ŠÄ“FZhang Lu@ [ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@EgSomeonefs Wife In The Boat Of Someonefs Husbandh(ŠØEƒCƒ“ƒhƒlƒVƒA/55•ª)@ŠÄ“FƒGƒhƒEƒBƒ“(Edwin) @[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]
@Ewˆ§‚¤Žž‚Í‘¼lxgStrangers When We Meeth(ŠØE“ú/45•ª)@ŠÄ“F¬—ѐ­L@[ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒŒƒ~ƒA]

@y“Á•Ê•\²z (Premi speciali)

@ŸExcellence Award Moët & ChandonFƒNƒŠƒXƒgƒtƒ@[EƒŠ[
@Excellence Award Moët & Chandon‚́A‘Û“I‚ÉŠˆ–ô‚·‚é”o—D‚É‘¡‚ç‚ê‚éÜB
@EwƒoƒXƒJƒ”ƒBƒ‹‰Æ‚ÌŒ¢x(1959/‰p)@ŠÄ“FƒeƒŒƒ“ƒXEƒtƒBƒbƒVƒƒ[
@EgUmbracleh(1972/¼)@ŠÄ“FPere Portabella
@EwƒEƒBƒbƒJ[ƒ}ƒ“x(1973/‰p)@ŠÄ“Fƒƒrƒ“Eƒn[ƒfƒB

@ŸPremio Raimondo RezzonicoFƒ}ƒ‹ƒKƒŒ[ƒgEƒlƒƒSƒX(Margaret Ménégoz)
@Premio Raimondo Rezzonico‚́AƒCƒ“ƒfƒBƒyƒ“ƒfƒ“ƒg‚̃vƒƒfƒ…[ƒT[‚É‘¡‚ç‚ê‚éÜB
@Ew”’‚¢¥—çx(1989/•§)@ŠÄ“FƒWƒƒƒ“=ƒNƒ[ƒhEƒuƒŠƒ\[
@Ew‰Ä•¨Œêx(1996/•§)@ŠÄ“FƒGƒŠƒbƒNEƒƒ[ƒ‹

@Ÿ¶ŠUvŒ£Ü(Lifetime Achievement Award) - ParmigianiFƒWƒƒƒNƒŠ[ƒ“EƒrƒZƒbƒg
@EwƒxƒXƒgƒtƒŒƒ“ƒYx(1981/•Ä)@ŠÄ“FƒWƒ‡[ƒWEƒLƒ…[ƒJ[
@Ew‰ÎŽR‚Ì‚à‚ƂŁx(1984/•Ä)@ŠÄ“FƒWƒ‡ƒ“Eƒqƒ…[ƒXƒgƒ“

@ŸPardo dfonore SwisscomFƒ”ƒFƒ‹ƒi[Eƒwƒ‹ƒcƒH[ƒN
@Ew¬l‚Ì‹À‰ƒx(1970/“Æ)
@EwƒAƒM[ƒŒ/_‚Ì“{‚èx(1972/“Æ)
@EwƒJƒXƒp[EƒnƒEƒU[‚Ì“äx(1974/•Ä)
@EwƒmƒXƒtƒFƒ‰ƒgƒDx(1979/“ƁE•§)
@EwƒtƒBƒbƒcƒJƒ‰ƒ‹ƒhx(1982/“ƁEƒyƒ‹[)
@Ew—΂̃AƒŠ‚ª–²Œ©‚é‚Æ‚±‚ëx(1984/“ƁEƒI[ƒXƒgƒ‰ƒŠƒA)
@EgThe White Diamondh(2004/•Ä)
@EwƒOƒŠƒYƒŠ[ƒ}ƒ“xgGrizzly Manh(2005/•Ä)
@EwƒƒCƒ‹ƒhEƒuƒ‹[Eƒˆƒ“ƒ_[xgThe Wild Blue Yonderh(2005/•ÄE‰pE“Æ)
@Ew‹¶‹C‚̍s•ûxgMy Son, My Son, What Have Ye Done? h(2009/•ÄE“Æ)
@EgDeath Row IIh 4ì•i

@ŸVision Award - Electronic StudioFƒ_ƒOƒ‰ƒXEƒgƒ‰ƒ“ƒuƒ‹
@Ew2001”N‰F’ˆ‚Ì—·x(1968/•ÄE‰p)@ŠÄ“FƒXƒ^ƒ“ƒŠ[EƒLƒ…[ƒuƒŠƒbƒN
@EwƒTƒCƒŒƒ“ƒgEƒ‰ƒ“ƒjƒ“ƒOx(1972/•Ä)@ŠÄ“Fƒ_ƒOƒ‰ƒXEƒgƒ‰ƒ“ƒuƒ‹
@Ew–¢’m‚Æ‚Ì‘˜‹öx(1977/•Ä)@ŠÄ“FƒXƒeƒB[ƒ”ƒ“EƒXƒsƒ‹ƒo[ƒO

@y‰f‰æŽjz (Histoire(s) du cinema)

@ŸƒLƒƒƒŠƒA‹à•^ÜFƒIƒ^[ƒ‹EƒCƒIƒZƒŠƒA[ƒj(Pardo alla carriera to Otar Iosseliani)
@Ew‰Ì‚¤‚‚®‚Ý‚ª‚¨‚è‚Ü‚µ‚½x(1970/ƒ\˜A)
@Ew“c‰€Žx(1975/ƒOƒ‹ƒWƒAEƒƒVƒA)
@EwŒQ“A‘掵Íx(1996/ƒOƒ‹ƒWƒAE•§EƒƒVƒAEˆÉEƒXƒCƒX)
@Ew‹DŽÔ‚Í‚Ó‚½‚½‚ь̋½‚ցx(2010/•§EƒOƒ‹ƒWƒA)
@EgOtar Iosseliani, Le Merle Siffleur(Otar Iosseliani, The Whistling Blackbird)h(2006/•§)@ŠÄ“FƒWƒ…ƒŠ[Eƒxƒ‹ƒgƒDƒ`ƒFƒŠ@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]
@EgParole e Utopia #33 Otar Iosselianih(2013/ˆÉ)@ŠÄ“FDonatello FumarolaAAlberto Momo@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]

@ŸƒLƒƒƒŠƒA‹à•^ÜFƒZƒ‹ƒWƒ‡EƒJƒXƒeƒŠƒbƒg(Pardo Alla Carriera To Sergio Castellitto)
@Ew—ö‚²‚±‚ëx(2001/•§EˆÉE“Æ)@ŠÄ“FƒWƒƒƒbƒNEƒŠƒ”ƒFƒbƒg
@Ew•ê‚Ì”÷Îx(2002/ˆÉ)@ŠÄ“Fƒ}ƒ‹ƒREƒxƒƒbƒLƒI
@Ew“ª‚ðã‚°‚āx(2009/ˆÉ)@ŠÄ“FƒAƒŒƒbƒTƒ“ƒhƒEƒAƒ“ƒWƒFƒŠ[ƒj
@Ewƒƒo‚Ì”üx(2010/ˆÉ)@ŠÄ“FƒZƒ‹ƒWƒ‡EƒJƒXƒeƒŠƒbƒg
@Ew‚ ‚鈤‚Ö‚Æ‘±‚­—·x(2012/ˆÉE¼)@ŠÄ“FƒZƒ‹ƒWƒ‡EƒJƒXƒeƒŠƒbƒg

@ŸƒŒƒp[ƒhEƒNƒ‰ƒuÜFƒtƒFƒCEƒ_ƒiƒEƒFƒC(Leopard Club Award To Faye Dunaway)
@Ewƒlƒbƒgƒ[ƒNx(1976/•Ä)@ŠÄ“FƒVƒhƒj[Eƒ‹ƒƒbƒg

@ŸƒgƒŠƒrƒ…[ƒgEƒgƒDEƒAƒ“ƒiEƒJƒŠ[ƒi(Tribute To Anna Karina)
@Ew‚Í‚È‚ê‚΂Ȃê‚Ɂx(1964/•§)@ŠÄ“FƒWƒƒƒ“=ƒŠƒ…ƒbƒNEƒSƒ_[ƒ‹
@EwƒAƒ“ƒix(1967/•§)@ŠÄ“FƒsƒG[ƒ‹EƒRƒ‰ƒ‹ƒjƒbƒN
@EwˆÙ–Mlx(1967/ˆÉ)@ŠÄ“Fƒ‹ƒLƒmEƒ”ƒBƒXƒRƒ“ƒeƒB
@EwƒAƒŒƒLƒTƒ“ƒhƒŠƒA•¨Œêx(1969/•Ä)@ŠÄ“FƒWƒ‡[ƒWEƒLƒ…[ƒJ[

@ŸƒgƒŠƒrƒ…[ƒgEƒgƒDEƒpƒEƒEƒ[ƒVƒƒ(Tribute To Paulo Rocha)
@EwÂ‚¢”Nx(1963/ƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FƒpƒEƒEƒ[ƒVƒƒ
@EwV‚µ‚¢l¶x(1966/ƒ|ƒ‹ƒgƒKƒ‹)@ŠÄ“FƒpƒEƒEƒ[ƒVƒƒ

@ŸƒeƒBƒ`[ƒm‰f‰æÜFAmka Films Productions (Premio Cinema Ticino To Amka Films Productions)
@Ew“úí‚Ì‚Í‚´‚܁xgLfIntervalloh(ˆÉEƒXƒCƒXE“Æ)@ŠÄ“FƒŒƒIƒiƒ‹ƒhEƒfƒBEƒRƒXƒ^ƒ“ƒcƒH

@ŸƒeƒBƒ`[ƒm‰f‰æÜFVentura Film(Premio Cinema Ticino To Ventura Film)
@EwŽl‚‚̂¢‚Ì‚¿x(2010/ˆÉE“ƁEƒXƒCƒX)@ŠÄ“Fƒ~ƒPƒ‰ƒ“ƒWƒFƒEƒtƒ‰ƒ}ƒ“ƒeƒB[ƒm

@ŸƒXƒCƒX‰f‰æÄ”­Œ©(Cinema Svizzero Riscoperto, In Collaboration With The Cinémathèque Suisse)
@EgLudwig Hohl. Ein Film In Fragmentenh(1982/ƒXƒCƒX)@ŠÄ“FAlexander J. Seiler@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]
@EgPalaver, Palaver. Eine Schweizer Herbstchronik 1989h(1990/ƒXƒCƒX)@ŠÄ“FAlexander J. Seiler@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]

@Ÿ‰f‰æŽj(Histoire(s) Du Cinéma)
@EgRosso Cenereh(2013/•§EˆÉ)@ŠÄ“FAugusto ContentoAAdriano Aprà@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgJournal DfUn Montageh(2012/•§)@ŠÄ“FƒAƒlƒbƒgEƒfƒ…ƒeƒ‹ƒgƒ‹(Annette Dutertre)@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[][‘æ1‰ñŠÄ“ì•i][ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgNotes On Film 6b: A Masque Of Madness (Monologue 02)h(2013/ƒI[ƒXƒgƒŠƒA)@ŠÄ“FNorbert Pfaffenbichler@[ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EgBatang West Sideh(2001/ƒtƒBƒŠƒsƒ“)@ŠÄ“Fƒ‰ƒ”EƒfƒBƒAƒX(Lav Diaz)
@EgLfOursh(2013/ƒJƒiƒ_)@ŠÄ“FDaniel Karolewicz@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[][ƒ[ƒ‹ƒhEƒvƒŒƒ~ƒA]
@EwƒIƒY‚Ì–‚–@Žg‚¢ 3Dx(1939/•Ä)@ŠÄ“Fƒ”ƒBƒNƒ^[EƒtƒŒƒ~ƒ“ƒO
@EgCinéastes De Notre Temps: Conversation Avec George Cukorh(1962/•Ä)@ŠÄ“FƒAƒ“ƒhƒŒESEƒ‰ƒoƒ‹ƒgAƒ†ƒx[ƒ‹Eƒiƒbƒv(Hubert Knapp)@[’†•ÒƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]
@EgRed Hollywoodh(1996/•Ä)@ŠÄ“FThom Andersen@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]
@EgMarilyn: The Final Daysh(2001/•Ä)@ŠÄ“FPatty Ivins Specht@[ƒhƒLƒ…ƒƒ“ƒ^ƒŠ[]

@yƒŒƒgƒƒXƒyƒNƒeƒBƒ”FƒWƒ‡[ƒWEƒLƒ…[ƒJ[z (Retrospettiva George Cukor)

@Ew‚¨‚â‚ÀxgGrumpyh(1930/•Ä)
@Ew–¼–åŒ|pxgThe Royal Family Of Broadwayh(1930/•Ä)
@Ewí‘ˆ‚Æ’å‘€xgThe Virtuous Sinh(1930/•Ä)
@EwŠX‚Ì‚ð‚ñ‚ȁxgGirls About Townh(1931/•Ä)
@EwS‚ð‰˜‚³‚ꂵ—xgTarnished Ladyh(1931/•Ä)
@Ewˆ¤‚ÌšjˆôxgA Bill Of Divorcement h(1932/•Ä)
@Ew——D‚Ɛ^ŽÀxgRockabyeh(1932/•Ä)
@Ew‰hŒõ‚̃nƒŠƒEƒbƒhxgWhat Price Hollywood? h(1932/•Ä)
@Ew”ÓŽ`”ªŽžxgDinner At Eighth(1933/•Ä)
@EwŽá‘•¨ŒêxgLittle Womenh(1933/•Ä)
@EgOur Bettersh(1933/•Ä)
@EwŒÇŽ™ƒ_ƒrƒh•¨ŒêxgDavid Copperfieldh(1935/•Ä)
@Ew’j‘•xgSylvia Scarletth(1935/•Ä)
@Ewƒƒ~ƒI‚ƃWƒ…ƒŠƒGƒbƒgxgRomeo And Julieth(1936/•Ä)
@Ew’Ö•PxgCamilleh(1937/•Ä)
@Ew‘f°‚炵‚«‹x“úxgHolidayh(1938/•Ä)
@EwƒUEƒEƒBƒƒ“xgThe Womenh(1939/•Ä)
@EwƒtƒBƒ‰ƒfƒ‹ƒtƒBƒA•¨ŒêxgThe Philadelphia Storyh(1940/•Ä)
@Ew—‚ÌŠçxgA Woman's Faceh(1941/•Ä)
@Ew‰œ—l‚͊炪“ñ‚xgTwo-Faced Womanh(1941/•Ä)
@EgHer Cardboard Loverh(1942/•Ä)
@Ew‰Î‚̏—xgKeeper Of The Flameh(1942/•Ä)
@EgSusan And Godh(1942/•Ä)
@EwƒKƒX“•xgGaslighth(1944/•Ä)
@EgWinged Victoryh(1944/•Ä)
@Ew“ñd¶ŠˆxgA Double Lifeh(1947/•Ä)
@EgEdward, My Sonh(1948/•Ä)
@EwƒAƒ_ƒ€Ž‚ƃ}ƒ_ƒ€xgAdam's Ribh(1949/•Ä)
@EgA Life Of Her Ownh(1950/•Ä)
@Ewƒ{[ƒ“EƒCƒGƒXƒ^ƒfƒCxgBorn Yesterdayh(1950/•Ä)
@EgThe Model And The Marriage Brokerh(1951/•Ä)
@Ewƒpƒbƒg‚ƃ}ƒCƒNxgPat And Mikeh(1952/•Ä)
@EgThe Marrying Kindh(1952/•Ä)
@EgThe Actressh(1953/•Ä)
@EwƒXƒ^ƒA’a¶xgA Star Is Bornh(1954/•Ä)
@Ew—L–¼‚É‚È‚é•û–@‹³‚¦‚Ü‚·xgIt Should Happen To Youh(1954/•Ä)
@Ewƒ{ƒƒj[•ªŠò“_xgBhowani Junctionh(1956/•Ä)
@Ew–£˜f‚Ì”b—¢xgLes Girlsh(1957/•Ä)
@Ew–쐫‚Ì‘§‚«xgWild Is The Windh(1957/•Ä)
@Ew¼•”‚É“q‚¯‚鏗xgHeller In Pink Tightsh(1960/•Ä)
@Ew—ö‚ð‚µ‚Ü‚µ‚傤xgLet's Make Loveh(1960/•Ä)
@Ewƒ`ƒƒƒbƒvƒ}ƒ“•ñxgThe Chapman Reporth(1962/•Ä)
@Ewƒ}ƒCEƒtƒFƒAEƒŒƒfƒBxgMy Fair Ladyh(1964/•Ä)
@EwƒAƒŒƒLƒTƒ“ƒhƒŠƒA•¨ŒêxgJustineh(1969/•Ä)
@EgTravels With My Aunth(1972/•Ä)
@Ew—ö‚Ì—·˜HxgLove Among the Ruinsh(1975/•Ä)
@EwÂ‚¢’¹xgThe Blue Birdh(1976/•Ä)
@EgThe Corn Is Greenh(1979/•Ä)
@EwƒxƒXƒgƒtƒŒƒ“ƒYxgRich and Famoush(1981/•Ä)

@yƒI[ƒvƒ“EƒhƒA[ƒY•”–åz (Open Doors)
@ƒI[ƒvƒ“EƒhƒA[ƒY•”–å‚́A»ì’†‚̍ì•i‚̈ꕔ‚ðã‰f‚µ‚½‚èA»ìƒp[ƒgƒi[‚ðŒ©‚Â‚¯‚邽‚߂ɃvƒƒWƒFƒNƒg‚̃vƒŒƒ[ƒ“ƒe[ƒVƒ‡ƒ“‚ð‚µ‚½‚è‚·‚é•”–å‚ŁA‚ ‚킹‚Ä“–ŠY’nˆæ‚Ì‘ã•\“I‚ȍì•i‚̏ã‰f‚às‚È‚¤B¡”N‚̓R[ƒJƒTƒX“ì•”‚̍‘X‚ª‘ΏہB

@[ã‰fì•i]
@EwƒVƒrƒ‰‚̈«‹Yxg27 Missing Kissesh(2000/ƒOƒ‹ƒWƒA)@ŠÄ“FƒiƒiEƒWƒ‡ƒ‹ƒWƒƒ[ƒ[(Nana Djordjadze)
@Ew13ƒUƒƒbƒeƒBxg13 Tzametih(2005/ƒOƒ‹ƒWƒA)@ŠÄ“FƒQƒ‰Eƒoƒuƒ‹ƒAƒj(Géla Babluani)
@EgTbilisi-Tbilisih(2005/ƒOƒ‹ƒWƒA)@ŠÄ“FLevan Zaqareishvili
@EgKeep Smilingh(2011/ƒOƒ‹ƒWƒA)@ŠÄ“FRusudan Chkonia
@EgWill There Be A Theatre Up There?!h(2011/ƒOƒ‹ƒWƒA)@ŠÄ“FNana Janelidze@[’†•Ò]
@EgA Fold In My Blanketh(2013/ƒOƒ‹ƒWƒA)@ŠÄ“FZaza Rusadze
@EwŽn‚Ü‚èxgBeginningh(1967/ƒAƒ‹ƒƒjƒA(ƒ\˜A))@ŠÄ“FƒAƒ‹ƒ^ƒ”ƒ@ƒXƒgEƒyƒŒƒWƒƒƒ“(Artavazd Pelechian)@[’Z•Ò]
@Ew‰ä‚çxgWeh(1969/ƒAƒ‹ƒƒjƒA(ƒ\˜A))@ŠÄ“FƒAƒ‹ƒ^ƒ”ƒ@ƒXƒgEƒyƒŒƒWƒƒƒ“(Artavazd Pelechian)@[’Z•Ò]
@Ew‰äX‚̐¢‹IxgOur Centuryh(1982/ƒAƒ‹ƒƒjƒA(ƒ\˜A))@ŠÄ“FƒAƒ‹ƒ^ƒ”ƒ@ƒXƒgEƒyƒŒƒWƒƒƒ“(Artavazd Pelechian@[’†•Ò]
@EwI‚í‚èxgEndh(1992/ƒAƒ‹ƒƒjƒA)@ŠÄ“FƒAƒ‹ƒ^ƒ”ƒ@ƒXƒgEƒyƒŒƒWƒƒƒ“(Artavazd Pelechian)@[’Z•Ò]
@Ew¶–½xgLifeh(1993/ƒAƒ‹ƒƒjƒA)@ŠÄ“FƒAƒ‹ƒ^ƒ”ƒ@ƒXƒgEƒyƒŒƒWƒƒƒ“(Artavazd Pelechian)u@[’Z•Ò]
@EgA Story Of People In War And Peaceh(2007/ƒAƒ‹ƒƒjƒA)@ŠÄ“FVardan Hovhannisyan
@EgBonded Parallelsh(2009/ƒAƒ‹ƒƒjƒA)@ŠÄ“FHovhannes Galstyan
@EgDonft Look Into The Mirrorh(2010/ƒAƒ‹ƒƒjƒA)@ŠÄ“FSuren Babayan
@EgEmbersh(2012/ƒAƒ‹ƒƒjƒA)@ŠÄ“FTamara Stepanyan
@EgIfm Going To Change My Nameh(2012/ƒAƒ‹ƒƒjƒA)@ŠÄ“FMaria Saakyan
@EgReturn Of The Poeth(2005/ƒAƒ‹ƒƒjƒA)@ŠÄ“Fƒnƒ‹ƒ`ƒ…ƒ“Eƒnƒ`ƒƒƒgƒDƒŠƒAƒ“(Harutyun Khachatryan)
@EgSaroyanlandh(2013/ƒAƒ‹ƒƒjƒA)@ŠÄ“FLusin Dink
@EgStrange Timesh(1996/ƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“)@ŠÄ“FHuseyn Mehdiyev
@EgThe Bath(1995/ƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“)@ŠÄ“FAyaz Salayev
@EgThe Precincth(2010/ƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“)@ŠÄ“FIlgar Safat
@EgThe Beaconh(2012/ƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“)@ŠÄ“FFariz Ahmedov

@[ƒvƒƒWƒFƒNƒgEƒZƒŒƒNƒVƒ‡ƒ“](Selected Projects)
@EgMadonah(ƒOƒ‹ƒWƒA)@ŠÄ“FNino Gogua – Georgia
@EgSleeping Lessonsh(ƒOƒ‹ƒWƒA)@ŠÄ“FRusudan Pirveli
@EgKhibulah(ƒOƒ‹ƒWƒAE•§E“Æ)@ŠÄ“FGeorge Ovashvili
@EgSee You In Chechnyah(ƒOƒ‹ƒWƒAE•§EƒGƒXƒgƒjƒAEƒIƒ‰ƒ“ƒ_)@ŠÄ“FAlexander Kvatashidze
@EgAbysmh(ƒAƒ‹ƒƒjƒA)@ŠÄ“FOksana Mirzoyan
@EgHouse Of Othersh(ƒAƒ‹ƒƒjƒA)@ŠÄ“FRusudan Glurjidze
@EgThe Second Journeyh(ƒAƒ‹ƒƒjƒA)@ŠÄ“FLévon Minasian
@EgThe Valleyh(ƒAƒ‹ƒƒjƒA)@ŠÄ“FNariné MkrtchyanAArsen Azatyan
@EgTerritoriah(ƒAƒ‹ƒƒjƒAEƒXƒCƒXE•§)@ŠÄ“FNora Martirosyan
@EgLong Gardensh(ƒAƒ‹ƒƒjƒAEƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“)@ŠÄ“FNika Shek
@EgNaked In Bakuh(ƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“EƒGƒXƒgƒjƒA)@ŠÄ“FArzu Gulijeva
@EgPipelineh(ƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“E“Æ)@ŠÄ“FAsif Rustamov

@yƒXƒCƒX‰f‰æEƒCƒ“EƒƒJƒ‹ƒmz (Swiss Cinema In Locarno)

@EgAnnelieh(2012)@ŠÄ“FAntej Farac
@EgArgerichh (Bloody Daughter) (2012)@ŠÄ“FStéphanie Argerich
@EgDer Imkerh(2013)@ŠÄ“FMano Khalil
@EgFrühzugh(2012)@ŠÄ“FDelia Hess@[’Z•Ò]
@EgHarry Dean Stanton: Partly Fictionh(2012)@ŠÄ“FSophie Huber
@EgKarma Shadubh(2013)@ŠÄ“FRamòn GigerAJan Gassman
@EgLa Clé De La Chambre À Lessiveh(2013)@ŠÄ“FFrédéric FloreyAFloriane Devigne
@EgLa Nuit De LfOursh(2012)@ŠÄ“FSamuel GuillaumeAFrédéric Guillaume@[’Z•Ò]
@EgMann Kann Nicht Alles Auf Einmal Tun, Aber Man Kann Alles Auf Einmal Lassenh(2013)@ŠÄ“FMaria-Elsa Sgualdo@[’Z•Ò]
@EgSadhuh(2012)@ŠÄ“FGaël Métroz
@EgThorbergh(2012)@ŠÄ“FDieter Fahrer
@EgTutto Parla Di Teh(2012)@ŠÄ“FAlina Marazzi
@EgVerliebte Feindeh(2012)@ŠÄ“FWerner gSwissh Schweizer

@[“Á•Êã‰fFƒIƒ}[ƒWƒ…EƒgƒDEƒWƒƒƒNƒŠ[ƒkEƒ”[ƒ”(Appellations Spécial: Hommage À Jacqueline Veuve)
@EgLes Freres Bapst, Charretiersh(1989/ƒXƒCƒX)@ŠÄ“FƒWƒƒƒNƒŠ[ƒkEƒ”[ƒ”@[’Z•Ò]
@EgLa Petite Dame Du Capitoleh(2005/ƒXƒCƒX)@ŠÄ“FƒWƒƒƒNƒŠ[ƒkEƒ”[ƒ”@[’†•Ò]

@¦ã‹L‚Ì‚Ù‚©AR¸ˆõ‚̍ì•i‚È‚Ç‚àã‰f‚³‚ê‚Ü‚·‚ªAŽš”‚ÌŠÖŒW‚ÅŠ„ˆ¤‚µ‚Ü‚·B

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@ƒƒJƒ‹ƒm‘Û‰f‰æÕ‚̃Rƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–å‚́AVi‹C‰s‚̉f‰æì‰Æ‚½‚¿‚̍ì•i‚ª’†S‚É‚È‚é‚Æ‚¢‚¤ˆóÛ‚ª‚ ‚è‚Ü‚µ‚½‚ªAƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–å‚ÉŠÖ‚µ‚ẮAƒAƒWƒA‰f‰æ‚¾‚¯A‚È‚º‚©Še‘‚̃G[ƒX‹‰‚̊ē‚̍ì•i‚ªƒGƒ“ƒgƒŠ[‚³‚ê‚Ä‚¢‚āA‚»‚ꂪA‚¿‚å‚Á‚ƃoƒ‰ƒ“ƒX‚̈«‚³‚ðŠ´‚¶‚³‚¹‚Ü‚·B
@Šù‚ÉŽóÜ‚ðd‚Ë‚Ä‚¢‚égShort Term 12h‚ª‚±‚±‚Å‚àŽóÜ‚·‚é‚Ì‚©AR¸ˆõ’·‚Å‚ ‚郉ƒ”EƒfƒBƒAƒX‚̈ӌü‚âD‚Ý‚Í‚Ç‚¤”½‰f‚³‚ê‚é‚Ì‚©AƒAƒWƒA‰f‰æ‚Í‚Ç‚¤‚¢‚¤ˆµ‚¢‚É‚È‚é‚Ì‚©A‚Æ‚¢‚Á‚½‚Æ‚±‚낪’–ڂ̃|ƒCƒ“ƒg‚Å‚µ‚傤‚©B

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@EƒƒJƒ‹ƒm‘Û‰f‰æÕ2009 ƒ‰ƒCƒ“ƒiƒbƒvFhttp://umikarahajimaru.at.webry.info/200907/article_16.html
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