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@yƒv[ƒ‰‰f‰æÕz(Pula Film Festival)

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@ƒv[ƒ‰‰f‰æÕ‚́AŽå‚ɁA”NŠÔÅ—DG‰f‰æŠe•”–åÜ‚ðŒˆ‚ß‚éƒiƒVƒ‡ƒiƒ‹EƒvƒƒOƒ‰ƒ€‚ƁAƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹ì•i‚̃Rƒ“ƒyƒeƒBƒVƒ‡ƒ“•”–å‚Å‚ ‚éƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒƒOƒ‰ƒ€(2001”N‚É‘nÝ)‚ō\¬‚³‚êAƒNƒƒAƒ`ƒAEƒAƒJƒfƒ~[Ü‚É“–‚½‚éƒiƒVƒ‡ƒiƒ‹EƒvƒƒOƒ‰ƒ€‚̏܂ÍGolden Arenas‚ƌĂ΂ê‚Ü‚·B

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@yƒiƒVƒ‡ƒiƒ‹EƒvƒƒOƒ‰ƒ€z

@mƒƒCƒ“EƒZƒNƒVƒ‡ƒ“n(Main section)

@EgSonja and the Bull(Sonja i bik)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FVlatka Vorkapić
@EgA Letter to My Father(Pismo caci)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FDamir Čučić
@EgFlower Square(Cvjetni trg)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FKrsto Papić
@EgNight Boats(Nocni brodovi)h(ƒNƒƒAƒ`ƒAEƒXƒƒ”ƒFƒjƒAEƒZƒ‹ƒrƒA)@ŠÄ“FIgor Mirković
@EgAccidental Passer-by(Slucajni prolaznik)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FJozo Patljak
@EgZagreb Stories Vol. 2(Zagrebacke price vol. 2)h(ƒXƒƒAƒ`ƒAEƒXƒ”ƒFƒƒjƒA)@ŠÄ“FHana VecekASara HribarAAldo TardozziAIvan SikavicaAJosip ViskovicARadislav Jovanov Gonzo@mƒIƒ€ƒjƒoƒXn
@EgHalimafs Path(Halimin put)h(ƒNƒƒAƒ`ƒAEƒXƒƒ”ƒFƒjƒAEƒ{ƒXƒjƒA ƒwƒ‹ƒcƒFƒSƒrƒi)@ŠÄ“FArsen Anton Ostojić
@EgHives(Kosnice)h(ƒNƒƒAƒ`ƒAE“ƁEƒCƒXƒ‰ƒGƒ‹E‰pEƒ`ƒFƒR)@ŠÄ“FIgor SeregiABoaz DebbyAMichael Carson LennoxASimon DolenskyATomas Kratochvil@mƒIƒ€ƒjƒoƒXn
@EgNo Laughing Allowed(Zabranjeno smijanje)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FDavor Žmegač
@EgVegetarian Cannibal(Ljudozder vegetarijanac)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FBranko Schmidt

@Ÿì•iÜ(Grand Golden Arena for Best Film)
@gA Letter to My Father(Pismo caci)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FDamir Čučić

‰æ‘œ

@ŸŠÄ“Ü(Golden Arena for Best Director)
@Branko Schmidt@gVegetarian Cannibal(Ljudozder vegetarijanac)h(ƒNƒƒAƒ`ƒA)

‰æ‘œ

@ŸŽå‰‰’j—DÜ(Golden Arena for Best Actor in a Leading Role)
@Rene Bitorajac@gVegetarian Cannibal(Ljudozder vegetarijanac)h(ƒNƒƒAƒ`ƒA)

@ŸŽå‰‰——DÜ(Golden Arena for Best Actress in a Leading Role)
@Ana Karić@gNight Boats(Nocni brodovi)h(ƒNƒƒAƒ`ƒAEƒXƒƒ”ƒFƒjƒAEƒZƒ‹ƒrƒA)

@Ÿ•‰‰’j—DÜ(Golden Arena for Best Actor in a Supporting Role)
@Mate Gulin@gA Letter to My Father(Pismo caci)h(ƒNƒƒAƒ`ƒA)

@Ÿ•‰‰——DÜ(Golden Arena for Best Actress in a Supporting Role)
@Olga Pakalović@gHalimafs Path(Halimin put)h(ƒNƒƒAƒ`ƒAEƒXƒƒ”ƒFƒjƒAEƒ{ƒXƒjƒA ƒwƒ‹ƒcƒFƒSƒrƒi)

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ª¶‚©‚çAMate GulinAAna KarićAOlga PakalovićARene Bitorajac@ª

@Ÿ‹r–{Ü(Golden Arena for Best Screenplay)
@Vlatka Vorkapić@gSonja and the Bull(Sonja i bik)h(ƒNƒƒAƒ`ƒA)

@ŸŽB‰eÜ(Golden Arena for Best Cinematography)
@Dragan Ruljančić@gVegetarian Cannibal(Ljudozder vegetarijanac)h(ƒNƒƒAƒ`ƒA)

@Ÿ•ÒWÜ(Golden Arena for Best Editing)
@Hrvoje MršićADamir Čučić@gA Letter to My Father(Pismo caci)h(ƒNƒƒAƒ`ƒA)

@Ÿ”üpÜ(Golden Arena for Best Art Direction)
@Ivana Škrabalo@gVegetarian Cannibal(Ljudozder vegetarijanac)h(ƒNƒƒAƒ`ƒA)

@ŸˆßÖƒfƒUƒCƒ“Ü(Golden Arena for Best Costume Design)
@Slavica Šnur@gSonja and the Bull(Sonja i bik)h(ƒNƒƒAƒ`ƒA)

@ŸƒƒCƒLƒƒƒbƒvÜ(Special Golden Arena for Best Make-Up)
@Jasna Rosin@gVegetarian Cannibal(Ljudozder vegetarijanac)h(ƒNƒƒAƒ`ƒA)

@Ÿ˜^‰¹Ü(Special Golden Arena for Best Sound)
@Martin Semenčić@gA Letter to My Father(Pismo caci)h(ƒNƒƒAƒ`ƒA)

@Ÿ‰¹ŠyÜ(Golden Arena for Best Music)
@Stanko KovačićADamir MartinovićAIvanka Mazurkijević@gSonja and the Bull(Sonja i bik)h(ƒNƒƒAƒ`ƒA)

@ŸVlŠÄ“Ü(The Breza Award for best debutant director)
@Damir Čučić@gA Letter to My Father(Pismo caci)h(ƒNƒƒAƒ`ƒA)

@ŸƒCƒmƒx[ƒVƒ‡ƒ“Ü(Special Golden Arena for Technological Innovation)
@Jozo Patljak(ƒvƒƒfƒ…[ƒT[)@gAccidental Passer-by(Slucajni prolaznik)h(ƒNƒƒAƒ`ƒA)

@¦R¸ˆõFNina Violić(R¸ˆõ’·/——D)ATomislav Kurelec(‰f‰æ”á•]‰Æ)ADalibor Matanić(ŠÄ“Â)AAnte Tomić(‹r–{‰Æ)AVanja Černjul(ŽB‰e)

@Ÿƒˆ[ƒƒbƒp’n’†ŠC‰f‰æ”á•]‰Æ˜A–¿Ü(The Federation of Film Critics of Europe and the Mediterranean Jury (FEDEORA)Award)
@gVegetarian Cannibal(Ljudozder vegetarijanac)h(ƒNƒƒAƒ`ƒA)

@ŸƒNƒƒAƒ`ƒA‰f‰æ”á•]‰Æ‹¦‰ïÜ(The Croatian Film Criticsf Association Award) The OKTAVIJANÜ
@gVegetarian Cannibal(Ljudozder vegetarijanac)h(ƒNƒƒAƒ`ƒA)

@Ÿƒ„ƒ“ƒOR¸ˆõÜ(The Young Cinephiles Jury Award)
@gHalimafs Path(Halimin put)h(ƒNƒƒAƒ`ƒAEƒXƒƒ”ƒFƒjƒAEƒ{ƒXƒjƒA ƒwƒ‹ƒcƒFƒSƒrƒi)

@[ƒ}ƒCƒmƒŠƒeƒB‹¤“¯»ìƒZƒNƒVƒ‡ƒ“](Minority co-productions section)

@EgThe Parade(Parada)h(ƒZƒ‹ƒrƒAEƒNƒƒAƒ`ƒAEƒ}ƒPƒhƒjƒA)@ŠÄ“FSrđan Dragojević
@EgPractical Guide to Belgrade with Singing and Crying(Prakticni vodic kroz Beograd, s pjevanjem i plakanjem)h(ƒZƒ‹ƒrƒAE“ƁE•§Eƒnƒ“ƒKƒŠ[EƒNƒƒAƒ`ƒA)@ŠÄ“FBojan Vuletić

@Ÿ‹r–{Ü(Golden Arena for Best Screenplay)
@Srđan Dragojević@gThe Parade(Parada)h(ƒZƒ‹ƒrƒAEƒNƒƒAƒ`ƒAEƒ}ƒPƒhƒjƒA)

@ŸŽå‰‰——DÜ(Golden Arena for Best Actress in a Leading Role)
@Hristina Popović@gThe Parade(Parada)h(ƒZƒ‹ƒrƒAEƒNƒƒAƒ`ƒAEƒ}ƒPƒhƒjƒA)

@Ÿƒˆ[ƒƒbƒp’n’†ŠC‰f‰æ”á•]‰Æ˜A–¿Ü(The Federation of Film Critics of Europe and the Mediterranean Jury (FEDEORA)Award)
@gPractical Guide to Belgrade with Singing and Crying(Prakticni vodic kroz Beograd, s pjevanjem i plakanjem)h(ƒZƒ‹ƒrƒAE“ƁE•§Eƒnƒ“ƒKƒŠ[EƒNƒƒAƒ`ƒA)

@ŸƒNƒƒAƒ`ƒA‰f‰æ”á•]‰Æ‹¦‰ïÜ(The Croatian Film Criticsf Association Award)
@ŠY“–ì•i‚È‚µ

@Ÿƒ„ƒ“ƒOR¸ˆõÜ(The Young Cinephiles Jury Award)
@gThe Parade(Parada)h(ƒZƒ‹ƒrƒAEƒNƒƒAƒ`ƒAEƒ}ƒPƒhƒjƒA)

@ŸŠÏ‹qÜ(Golden Gate of Pula Audience Award)
@EgHalimafs Path(Halimin put)h–4.86
@EgVegetarian Cannibal(Ljudozder vegetarijanac)h– 4.83
@EgSonja and the Bull(Sonja i bik)h– 4.72
@EgVegetarian Cannibal(Ljudozder vegetarijanac)h– 4.48
@EgFlower Square(Cvjetni trg)h– 4.44
@EgNight Boats(Nocni brodovi)h– 4.31
@EgZagreb Stories Vol. 2(Zagrebacke price vol. 2)h– 4.10
@EgNo Laughing Allowed(Zabranjeno smijanje)h– 4.08
@EgPractical Guide to Belgrade with Singing and Crying(Prakticni vodic kroz Beograd, s pjevanjem i plakanjem)h–3.63
@EgAccidental Passer-by(Slucajni prolaznik)h– 2.50

@yƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒvƒƒOƒ‰ƒ€z

@Ew‰p—Y‚̏ؖ¾x(‰p)@ŠÄ“FƒŒƒCƒtEƒtƒ@ƒCƒ“ƒY
@EgI, Annah(‰pE“ƁE•§)@ŠÄ“FBarnaby Southcombe
@EgChaos(Désordres)h(•§)@ŠÄ“FEtienne Faure
@EgThe Conquest(La conquête)h(•§)@ŠÄ“FXavier Durringer
@EgBlack Heaven(L'autre monde)h(•§)@ŠÄ“FƒWƒ‹Eƒ}ƒ‹ƒVƒƒƒ“
@EwƒLƒŠƒ}ƒ“ƒWƒƒƒ‚̐áx(•§)@ŠÄ“Fƒƒx[ƒ‹EƒQƒfƒBƒMƒƒƒ“
@EgFarewell, My Queen(Les adieux à la reine)h(•§E¼)@ŠÄ“FƒuƒmƒEƒWƒƒƒR[
@EgThe Woman in the Fifth(La femme du Vème)h(•§Eƒ|[ƒ‰ƒ“ƒhE‰p)@ŠÄ“Fƒpƒ”ƒFƒ‹Eƒpƒ”ƒŠƒRƒtƒXƒL[(Pawel Pawlikowski)
@EgA Distant Neighbourhood(Quartier lointain)h(ƒxƒ‹ƒM[Eƒ‹ƒNƒZƒ“ƒuƒ‹ƒNE•§E“Æ)@ŠÄ“FƒTƒ€EƒKƒ‹ƒoƒ‹ƒXƒL(Sam Garbarski)
@EwƒVƒ…ƒ“EƒŠ[‚ÆŽlxgShun Li and the Poet(Io sono Li)h(ˆÉE•§)@ŠÄ“FƒAƒ“ƒhƒŒƒAEƒZƒOƒŒ
@Ew‚«‚Á‚Æ‚±‚±‚ª‹A‚éêŠxgThis Must Be the Placeh(ˆÉE•§EƒAƒCƒ‹ƒ‰ƒ“ƒh)@ŠÄ“FƒpƒIƒEƒ\ƒŒƒ“ƒeƒB[ƒm
@EgRomeosh(“Æ)@ŠÄ“FƒTƒr[ƒlEƒxƒ‹ƒiƒ‹ƒfƒB(Sabine Bernardi)
@Ewƒzƒeƒ‹Eƒ‹ƒbƒNƒXxgHotel Luxh(“Æ)@ŠÄ“FƒŒƒAƒ“ƒ_[EƒnƒEƒXƒ}ƒ“(Leander Haußmann)
@EgThe Doorh(ƒnƒ“ƒKƒŠ[E“Æ)@ŠÄ“FƒCƒVƒ…ƒgƒ”ƒ@ƒ“EƒTƒ{[
@EgPerfect Days(Perfect Days - I zeny mají své dny)h(ƒ`ƒFƒR)@ŠÄ“FAlice Nellis

@¦ƒ~ƒ‹ƒ`ƒ‡Eƒ}ƒ“ƒ`ƒFƒtƒXƒL[(R¸ˆõ’·)AMirjana Karanović(——D)AMetod Pevec(ŠÄ“E’j—D).

@Ÿì•iÜ(Golden Arena for Best Film)
@wƒLƒŠƒ}ƒ“ƒWƒƒƒ‚̐áx(•§)

@ŸŠÄ“Ü(Golden Arena for Best Director)
@ƒuƒmƒEƒWƒƒƒR[@gFarewell, My Queen(Les adieux à la reine)h(•§E¼)

@Ÿ‰‰‹ZÜ(Golden Arena for Best Actor/Actress)
@ƒhƒDƒjEƒ|ƒ_ƒŠƒfƒX@gThe Conquest(La conquête)h(•§)

@ŸƒXƒyƒVƒƒƒ‹Eƒƒ“ƒVƒ‡ƒ“
@wƒVƒ…ƒ“EƒŠ[‚ÆŽlx(ˆÉE•§)

@ŸƒNƒƒAƒ`ƒA‰f‰æ”á•]‰Æ‹¦‰ïÜ(The Croatian Film Criticsf Association Award)
@w‰p—Y‚̏ؖ¾x(‰p)

@Ÿƒ„ƒ“ƒOR¸ˆõÜ(The Young Cinephiles Jury Award)
@gPerfect Days(Perfect Days - I zeny mají své dny)h(ƒ`ƒFƒR)

@y’Z•ÒƒvƒƒOƒ‰ƒ€z

@EgCaptain and the Auditionh(ƒNƒƒAƒ`ƒA)@ŠÄ“FZvonimir Jurić i Antonio Nuić
@EgWeekendh(ƒNƒƒAƒ`ƒA)@ŠÄ“FGoran Ribarić
@EgRed Handedh(ƒNƒƒAƒ`ƒA)@ŠÄ“FBruno Mustić
@EgFatherh(ƒNƒƒAƒ`ƒA)@ŠÄ“FIvica Mušan
@EgChillinfh(ƒNƒƒAƒ`ƒA)@ŠÄ“FLuka Rukavina
@EgRom komh(ƒNƒƒAƒ`ƒA)@ŠÄ“FZvonimir Rumboldt
@EgOut of Seasonh(ƒNƒƒAƒ`ƒA)@ŠÄ“FDijana Bolanča
@EgOneh(ƒNƒƒAƒ`ƒAEƒXƒƒ”ƒFƒjƒA)@ŠÄ“FMatija Radeljak
@EgElephanth(ƒNƒƒAƒ`ƒA)@ŠÄ“FDalija Dozet
@EgFarewell 2h(ƒNƒƒAƒ`ƒA)@ŠÄ“FIrena Škorić

@Ÿƒˆ[ƒƒbƒp’n’†ŠC‰f‰æ”á•]‰Æ˜A–¿Ü(The Federation of Film Critics of Europe and the Mediterranean Jury (FEDEORA)Award)
@gFatherh(ƒNƒƒAƒ`ƒA)

@Ÿƒ„ƒ“ƒOR¸ˆõÜ(The Young Cinephiles Jury Award)
@gChillinfh(ƒNƒƒAƒ`ƒA)

@yŽ™“¶‰f‰æƒvƒƒOƒ‰ƒ€z (Childrenfs Film Programme Pulica – Morning screenings for children)

‰æ‘œ

@EgThe Gruffalofs Childh(‰pE“Æ)@ŠÄ“FUwe HeidschötterAJohannes Weiland
@EgThe Paintingh(•§)@ŠÄ“FƒWƒƒƒ“=ƒtƒ‰ƒ“ƒ\ƒEƒ‰ƒMƒIƒj
@EgZarafah(•§Eƒxƒ‹ƒM[)@ŠÄ“FƒŒƒ~EƒuƒUƒ“ƒ\ƒ“(Rémi Bezançon)AƒWƒƒƒ“=ƒNƒŠƒXƒgƒtEƒŠ[(Jean-Christophe Lie)
@EgFrench Fries Warh(ƒIƒ‰ƒ“ƒ_Eƒxƒ‹ƒM[)@ŠÄ“FNicole van Kilsdonk
@EgThe Crocodiles Strike Backh(“Æ/2010)@ŠÄ“FChristian Ditter
@EgCaptain Mikula, the Kidh(ƒ†[ƒSƒXƒ‰ƒrƒA/1974)@ŠÄ“FObrad Gluščević
@EgWolfgirlh(ƒNƒƒAƒ`ƒA)@ŠÄ“FNatalija Župan Lucić
@EgLotte and the Moonstone Secreth(ƒGƒXƒgƒjƒAEƒ‰ƒgƒ”ƒBƒA)@ŠÄ“FJanno PõldmaAHeiki Ernits
@EwƒCƒGƒ[EƒTƒuƒ}ƒŠƒ“xgYellow Submarineh(•Ä/1958)@ŠÄ“FƒWƒ‡[ƒWEƒ_ƒjƒ“ƒO

@ŸŽ™“¶R¸ˆõÜ(Childrenfs Jury Award)
@gZarafah(•§Eƒxƒ‹ƒM[)
@gThe Crocodiles Strike Backh(“Æ/2010)

@yBring Your Own Film! Awardsz

@ŸA Diploma for Best Bring Your Own Film
@gInstant panich@ŠÄ“FVlasta Meštrović

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@gUrlatorh@ŠÄ“FIvan Galić

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@ŸThe Marijan Rotar Award
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@Duško Marušić(ŽB‰e)

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@EgA Letter to My Father(Pismo caci)h(ƒNƒƒAƒ`ƒA)@ŠÄ“FDamir Čučić
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